tag:blogger.com,1999:blog-28779331778338945962024-03-13T07:26:20.554-07:00EX LITTERIS"BLOG" LITTERIS CLASSICIS CHRISTIANISQVE DICATVMAVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.comBlogger97125tag:blogger.com,1999:blog-2877933177833894596.post-80399197043835422702016-04-29T11:07:00.001-07:002016-04-29T11:07:10.484-07:00LATINA LINGVA<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/zAgn4gdvjsg" width="480"></iframe>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-63443807818137771562014-09-19T04:57:00.004-07:002014-09-19T04:57:30.331-07:00Loeb Classical Library Goes Digital<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-z3LjF1mzqLs/VBwXxaaEbiI/AAAAAAAABEc/UzDGwLZG7BA/s1600/15artsbeat-loeb-blog480.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-z3LjF1mzqLs/VBwXxaaEbiI/AAAAAAAABEc/UzDGwLZG7BA/s1600/15artsbeat-loeb-blog480.jpg" height="266" width="400" /></a></div>
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http://nyti.ms/1m97xL8</div>
AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-2526980430236721002014-06-14T01:16:00.000-07:002014-06-14T01:16:54.573-07:00Discussioni di Tesi ad Licentiam e ad Doctoratum nella Facoltà di Lettere Cristiane e Classiche<h2 class="title" style="background-color: #ffffcc; color: #3e3530; font-family: Arial, Helvetica, sans-serif; font-size: 2.8em; font-weight: normal; height: 41px; letter-spacing: -0.5px; margin: 0px; padding: 7px 0px 0px 30px;">
<a href="http://www.latinitas.unisal.it/#" style="border: none; color: #995522; text-decoration: none;">Facoltà di lettere cristiane e classiche</a></h2>
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<b style="color: #993300; font-family: 'Lucida Grande', Verdana, Arial, Helvetica, sans-serif; font-size: 12px;"><a href="http://www.latinitas.unisal.it/studenti/AURELIO.jpg" style="color: #995522; text-decoration: none;" target="_blank"><img align="left" border="0" height="107" hspace="12" src="http://www.latinitas.unisal.it/studenti/AURELIO_pub.jpg" width="144" /></a>GLI STUDENTI CONCLUDONO I LORO STUDI</b></div>
Si susseguono nel corso della sessione estiva gli esami finali degli studenti per il conseguimento dei gradi accademici: baccalaureato, licenza, dottorato. Con la “difesa” della tesi si raccoglie il frutto degli studi precedenti e, come per incanto, il candidato scopre di aver raggiunto una maturità intellettuale, ottenuta proprio grazie al lavoro svolto negli anni precedenti, che gli ha permesso di acquisire competenze linguistiche, filologiche, storico-letterarie. Soprattutto coloro che, concluso il loro percorso accademico, si apprestano a rientrare in patria per assumere responsabilità nell’ambito della Chiesa e del mondo della cultura, sono tanto soddisfatti quanto emozionati. <b>Lunedì 9 giugno</b>, due sacerdoti, giunti a Roma nell’anno 2008, hanno difeso la loro tesi <i>ad licentiam</i>. Si tratta di <b>Francisco Topit Shefry</b>, proveniente dall’Indonesia, e di <b>Aurelio Lima Correia</b>, brasiliano. Il primo ha presentato un lavoro sulle fonti bibliche e l’esegesi scritturistica nel <i>Dialogus de anima et de Resurrectione</i>di Gregorio di Nissa. Il secondo si è cimentato, componendo il suo elaborato esclusivamente in lingua latina, con un autore poco noto ed oggetto dell’attenzione degli studiosi: <i>Severiano di Gabala</i>. Tra i membri della commissione che ha valutato il lavoro di padre Lima Correia figurava anche il professor Sever Voicu, studioso di fama internazionale.<br />La Facoltà, infatti, chiede, talvolta, la collaborazione di docenti di rinomato valore.<a href="http://www.latinitas.unisal.it/studenti/indonesia.jpg" style="color: #995522; text-decoration: none;" target="_blank"><img align="right" border="0" height="92" hspace="13" src="http://www.latinitas.unisal.it/studenti/indonesia_pub.jpg" width="163" /></a><br /><b> Lunedì 16 </b>accoglierà anche il prof. Antonio Nazzaro, considerato il miglior specialista al mondo su Quodvultdeus: è uno dei relatori della tesi dottorale di <b>Felicien Mbonigaba</b>, dedicata proprio a questo autore del V secolo. È possibile vedere le foto della difesa delle tesi svoltesi il 9 giugno scorso.<br />Nella sezione del sito studenti/scripta a discipulis exarata si trovano le tesi di Topit Shefry e di Lima Correia.</div>
AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-63032365620741258102013-07-25T05:48:00.000-07:002013-07-25T05:48:11.244-07:00La Philologie selon Saussure<a href="http://3.bp.blogspot.com/-FI8VFh7F9Ek/UfEeMjIzxtI/AAAAAAAAA5c/LnbvIBh_Ns4/s1600/amanuense-570x300.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="168" src="http://3.bp.blogspot.com/-FI8VFh7F9Ek/UfEeMjIzxtI/AAAAAAAAA5c/LnbvIBh_Ns4/s320/amanuense-570x300.png" width="320" /></a>Il existait déjà à Alexandrie une école "philologique", mais ce terme est surtout attaché au mouvement scientifique crée par Friedrich August Wolf à partir de 1777 et qui se poursuit sous nos yeux. La langue n'est pas l'unique objet de la philologie, qui veut avant tout fixer, interpréter, commenter les textes; cette première étude l'amène à s'occuper aussi de l'histoire littéraire, des moeurs, des institutions, etc.; partout elle use de sa méthode propre, qui est la critique. Si ellle aborde les questions linguistiques, c'est surtout pour comparer des textes de différentes époques, déterminer la langue particulière à chaque auteur, déchiffrer et expliquer des inscriptions rédigées dans une langue archaïque ou obscure. Sans doutes ces recherches ont préparé la linguistique historique: les travaux de Ritschl sur Plaute peuvent être appelés linguistiques; mais dans ce domaine, la critique philologique est en defaut sur un point: elle s'attache trop servilement à la langue écrite et oublie la langue vivante; dailleurs c'est l'antiquité grecque et latine qui l'absorbe presque completement.<br />
(Ferdinand de Saussure, <i>Cours de Linguistique Générale</i>)AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-22203532646931781532013-04-29T10:25:00.004-07:002013-04-29T10:30:10.041-07:00Horatius noster: concerto di poesia latina<div class="separator" style="clear: both; text-align: center;">
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<br />AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-69424818721496646002013-02-20T14:34:00.001-08:002013-02-20T14:35:13.197-08:00Lectio Origeniana XV – “Origene, Dialogo con Eraclide”<br />
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<strong>(Roma, 19 febbraio 2013)</strong> - Nel pomeriggio di giovedì 21 febbraio prossimo, alle ore 17.00, presso l’Istituto Sacro Cuore di Via Marsala in Roma (contiguo alla Stazione Termini), avrà svolgimento la <em>Lectio Origeniana XV</em> – “Origene, Dialogo con Eraclide”.</div>
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L’iniziativa culturale è organizzata dal <em>Pontificium Institutum Altioris Latinitatis</em> (Facoltà di Lettere Cristiane e Classiche dell’UPS), dall’<em>Institutum Patristicum Augustinianum</em> di Roma, e dal Gruppo Italiano di Ricerca su Origene e la Tradizione Alessandrina, in collaborazione con le Editrici LAS e Città Nuova. Relatore è il <strong>prof. Antonio Castellano</strong>, decano della Facoltà di Teologia dell’UPS, che espone il tema de “La fede di Eraclide e la risposta di Origene (I,1 – V,7)”. Si farà <a href="http://www.unisal.it/index.php/notizie/convegni-e-incontri/776-il-prof-castellano-interviene-alla-lectio-origeniana#" id="_GPLITA_2" in_rurl="http://i.trkjmp.com/click?v=SVQ6MTkyMjI6OTc3OnJpZmVyaW1lbnRvOjg0NDYyYjU4YmIyNTlkNzhkYTViMTNkM2QwZjMzZjI1OnotNS05MzQ2Ond3dy51bmlzYWwuaXQ6MjE5NTk6MzdjMWZjNTAyMjNjOWYxYTc3ZjBhMTgwOWZkMWEwOTc" style="color: #da2424;" title="Click to Continue > by Text-Enhance">riferimento</a> alla traduzione italiana del testo di Origene, “Disputa con Eraclide”, a cura di G. Gentili, (= Collana patristica 8) Alba, Ed. Paoline 1971.</div>
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L’iniziativa culturale è coordinata dai professori dell’UPS <strong>don Mario Maritano</strong> (Facoltà di Teologia), <strong>don Manlio Sodi</strong> (Decano FLCC), e da <strong>don Roberto Spataro</strong> (Segretario FLCC). Sarà presente S, Ecc, <strong>mons. Enrico dal Covolo</strong>, Magnifico Rettore della Pontificia Università Lateranense.</div>
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<span style="font-size: 10pt;">Per <strong><a href="http://www.unisal.it/index.php/notizie/convegni-e-incontri/776-il-prof-castellano-interviene-alla-lectio-origeniana#" id="_GPLITA_0" in_rurl="http://i.trkjmp.com/click?v=SVQ6MTg1MzM6OTc3OmluZm9ybWF6aW9uaTpiZDlkNTYyZWFiMTlhNzE5NmM2NGFjY2E4M2Y5ZjNhMjp6LTUtOTM0Njp3d3cudW5pc2FsLml0OjIxOTU3OjM3YzFmYzUwMjIzYzlmMWE3N2YwYTE4MDlmZDFhMDk3" style="color: #da2424; font-weight: normal;" title="Click to Continue > by Text-Enhance">informazioni</a> e chiarimenti</strong>, inviare una <em>e-mail</em> a: <a href="mailto:maritano@unisal.it" style="color: #da2424; text-decoration: initial;">maritano@unisal.it</a>;<a href="mailto:sodi@unisal.it" style="color: #da2424; text-decoration: initial;">sodi@unisal.it</a>; <a href="mailto:silvaestudiosus@libero.it" style="color: #da2424; text-decoration: initial;">silvaestudiosus@libero.it</a>, o contattare il centralino al numero telefonico: 06 872901.</span></div>
AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-44609409971321625622012-08-02T09:54:00.000-07:002012-08-20T18:21:14.434-07:00Lexique nouveau de la langue latine<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"></span><br /><span style="font-size: large;"><i>Lexique nouveau de la langue latine </i>de Philippe Guisard e Christelle Laizé é um instrumento útil e moderno para o exercício da composição latina. </span><span style="font-size: large;"> A obra está assim organizada: após uma concisa e clara exposição da história da Língua Latina, passa-se à apresentação do léxico fundamental dividido por temas tais como "o ser humano" (anatomia e fisiologia), "cenas da vida privada, social, política, e cultural", "Urbs et Orbis", apresentando também por temas a fraseologia e expressões típicas. Em anexo, um catálogo de "mots outils" (conjunções e preposições), um repertório de sufixos e prefixos e um aceno ao vocabulário do Latim Cristão coroam esta obra preciosa a latinistas profissionais ou diletantes.</span><br />
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AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-38727586484181973272012-06-27T13:18:00.001-07:002012-06-27T13:18:46.125-07:00HADRIANI IMPERATORIS VILLA<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/vUgPWbT3OXE?feature=player_embedded' frameborder='0'></iframe></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-18105763712100311582012-05-17T09:24:00.002-07:002012-08-16T17:50:18.636-07:00STUDIARE LATINO (E GRECO)<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;">Prof. Manlio S</span></span><span style="font-family: Cambria,Cambria; font-size: small;"><span style="font-family: Cambria,Cambria; font-size: small;">ODI</span></span><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;">, sdb </span></span><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;"> </span></span><i><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;"></span></span></i><br />
<i><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;">Preside del Pontificium Institutum Altioris Latinitatis<br />
</span></span></i><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;"></span></span><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;"></span></span><br />
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Di tanto in tanto sui<em>media <span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span></em><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">appaiono notizie di vario genere che richiamano l’attenzione su una lingua che si dice essere "morta" ma che dalla discussione e dall’uso si presenta più viva che mai. Si parla naturalmente del latino e del greco, anche se il latino riscuote la maggior attenzione. </span></span></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Proviamo a focalizzare alcune sfide che si pongono dinanzi alla competenza e alla responsabilità di professori e formatori. Il ricorso ad interrogativi può costituire non solo la premessa per un ascolto, ma anche l’inizio di un confronto per educare ad accostare il latino e il greco come le lingue che permettono di cogliere il linguaggio e i contenuti della Tradizione.</span></span></span></div>
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<span style="font-size: large;"><b>1. Perché è importante studiare il latino? </b><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Non si può vivere staccati dalla cultura in cui si è nati e si è sviluppato un insieme di elementi che fanno della persona la sua essenza. E la lingua è un elemento determinante di questa realtà. Osservando le lingue "neo-latine" non possiamo trascurare l’origine "latina", appunto, di un certo nostro modo di parlare. </span></span></span></div>
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<span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria; font-size: large;"> Ma questo sarebbe di poco conto se dimenticassimo che la maggior parte del patrimonio culturale dell’antichità – sviluppatosi attorno al bacino del Mediterraneo – è giunto fino a noi in lingua latina e greca. <br />
Conoscere il latino, pertanto, costituisce la chiave per poter accedere a questo immenso patrimonio cui guardano con interesse anche popoli lontani dall’ambito geoculturale europeo, affascinati da una lingua che racchiude tesori di cultura che inondano l’umanità ma solo attraverso le traduzioni.</span></span></div>
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<b><span style="font-size: large;">2. Da dove nasce l’interesse per la lingua latina in nazioni come la Cina e gli Stati Uniti? </span></b></div>
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<span style="font-size: large;"><span style="font-family: Cambria;">Desta sorpresa conoscere l’interesse per il latino anche da parte di popoli e culture molto distanti da quella latina. Dalla Cina agli Stati Uniti, passando dai Paesi anglofoni per giungere in Finlandia dove esiste anche una radio che trasmette in lingua latina… rimaniamo davvero sorpresi. </span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Al di là dell’evento "notizia", l’interesse per il latino è il frutto della scoperta di valori culturali che la Cina, per esempio, aveva già fatto quattro secoli fa con la presenza dei Gesuiti, e con Matteo Ricci in particolare. Per il mondo di lingua inglese poi l’attenzione è ancora più comprensibile dato che sembra essere la lingua con </span></span></span></div>
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<span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria; font-size: large;">maggiori etimologie latine. </span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria; font-size: large;">Tutto questo interesse costituisce uno stimolo enorme per saper riscoprire e approfondire una lingua che è anzitutto portatrice di una cultura complessa e quanto mai articolata, e i cui elementi spaziano in un arco di quasi tre millenni! <br />
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<b><span style="font-size: large;">3. È possibile che il latino rinasca come lingua ufficiale della Chiesa? <br />
</span></b><span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Di per sé non ha bisogno di rinascere, perché il latino non è mai venuto meno nella Chiesa. Lo testimoniano tutti i documenti ufficiali, e il suo costante uso nel linguaggio canonico, ecclesiastico e soprattutto liturgico. <br />
Fu Giovanni XXIII – che nel 1962 firmò la Costituzione apostolica </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Veterum Sapientia </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">– a rilanciare questa attenzione. Successivamente, nel 1964, sarà Paolo VI con il "motu proprio" </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Studia Latinitatis </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">a istituire il </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Pontificium Institutum Altioris Latinitatis </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">per preparare docenti ed esperti in lingue classiche per i Seminari, per le Facoltà e per tutte quelle Istituzioni che hanno bisogno di esperti anche per "decifrare" i tesori di cultura che sono spesso racchiusi nella storia delle singole Chiese locali, nei documenti, nelle epigrafi, nei musei, ecc. </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Recentemente Benedetto XVI nell’Esortazione apostolica </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Sacramentum Caritatis </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">ha richiamato l’attenzione da dare al latino. È una responsabilità culturale enorme quella che risiede nella Chiesa "latina", soprattutto in considerazione del fatto che i suoi documenti ufficiali sono emanati in questa lingua, ed è codificata in lingua latina la sua liturgia ufficiale. </span></span></span></div>
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<b><span style="font-size: large;">4. Quali le ragioni che spingono a rendere viva una lingua parlata da pochi? <br />
</span></b><span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Sono i fatti che scandiscono il richiamo a rendere sempre viva la lingua latina nella Chiesa "latina". Cultura, storia, tradizione sono parole che rinviano anche all’arte e alla musica, ma rinviano pure ad un’ampia serie di documenti la cui non conoscenza è un impoverimento grave per l’oggi e per il domani. <br />
L’ambito liturgico, inoltre, costituisce l’</span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">humus </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">più ordinario per invitare a conoscere il latino e per valorizzarlo in alcune parti della celebrazione. Al di là di alcune celebrazioni in latino che ogni domenica non dovrebbero mai mancare almeno nelle cattedrali, rimane l’opportunità di canti tradizionali dell’</span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Ordinarium Missae</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, ma anche inni e altri testi tipici dell’anno liturgico. E senza dimenticare tutto il capitolo delle antifone, non solo mariane, che costellano i ritmi cultuali della vita cristiana. Non ultimo il capitolo della pietà popolare in cui testi latini continuano a trasmettere alle giovani generazioni contenuti che la catechesi può recuperare. </span></span></span></div>
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<span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria; font-size: large;">Non si tratta dunque di tornare ad una liturgia tutta e sempre in latino, ma di saper valorizzare elementi conosciuti dal popolo e tenerli vivi anche in ragione dei tanti fedeli che si muovono da una nazione all’altra e che in questi testi possono ritrovare momenti di partecipazione più intensa perché espressione ed eco di quanto già posseggono nella propria cultura. <br />
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<b><span style="font-size: large;">5. Tante domande, ma quale risposta? <br />
</span></b><span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Qual è la situazione di conoscenza e pratica del latino nella Chiesa? I seminaristi studiano il latino? Come fare per coloro che non hanno studiato il latino nei decenni passati? Come si fa a rinnovare e sviluppare lo studio del latino nelle Università pontificie e nelle Facoltà filosofiche e teologiche di tutto il mondo? <br />
Domande impegnative quelle che sono poste. Domande che toccano però la radice del problema del latino nella Chiesa e nella cultura oggi. Al di là del fatto che certe nazioni hanno operato scelte imprudenti e avventate in tempi recenti abolendo lo studio del latino – salvo ripensamenti che di tanto in tanto riemergono –, restano i problemi sollevati dagli interrogativi. <br />
Nella Chiesa cattolica abbiamo situazioni diversificate secondo le Istituzioni più o meno attente nel porre lo studio del latino e del greco nella propria </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">ratio studiorum </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">quasi fin dagli inizi del percorso formativo. Non si può aspettare il percorso filosofico o peggio ancora quello teologico per iniziare lo studio; l’impegno va posto fin dall’inizio di un percorso formativo, cominciando proprio con i testi usati nell’Ordinario della Messa, per esempio. </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Il recupero del tempo passato non può mai avvenire se non in modo serio. Certe radici vanno poste nel </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">curriculum </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">formativo iniziale. Ma non bisogna scoraggiarsi; anzi si può riprendere con impegno un certo cammino anche in seguito. Importante però è adottare un metodo di apprendimento che risponda a nuove istanze; e oggi abbiamo a disposizione metodologie tali che fanno davvero miracoli. In una Istituzione romana, il </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Vivarium novum</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, ho incontrato giovani che dopo otto mesi parlavano latino…anche durante il pranzo! </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Rinnovare e sviluppare lo studio del latino è una delle tante sfide che si pongono oggi alle Facoltà. Siamo sollecitati, tra l’altro, dai tanti </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">certamina </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">che si organizzano da parte di licei, e per contrasto non si conosce il latino proprio da chi deve intraprendere la teologia! Credo che la soluzione più ovvia sia quella di un percorso intenso di lingua latina durante lo studio della filosofia, e quando questo manca, almeno di un intero anno di queste lingue prima di iniziare la teologia e la specializzazione ulteriore. All’inizio può sembrare arduo e forse senza senso, ma con il tempo ciò comporta conseguenze formative e culturali di qualità. </span></span> <span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">L’attuale sbandamento etico e culturale esige un recupero dell’umanesimo cristiano, espresso in lingua latina (e greca, nei primi secoli). Non è questione di esplorazione del passato, ma di protezione del futuro! </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">La Chiesa fiorisce in paesi e continenti "giovani" per quanto riguarda la diffusione del Cristianesimo (si pensi all’America "Latina"). Queste Chiese e i loro pastori possono trarre grande beneficio dall’ancoraggio alla tradizione umanistico-cristiana delle Chiese di antica tradizione cristiana. <br />
L’istruzione </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Universae Ecclesiae</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, per quanto concernente l’uso della forma straordinaria del rito romano, menziona la conoscenza del latino come </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">conditio sine qua non </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">da parte dei presbiteri che celebrano in questa forma, ma anche dei fedeli che intendono comprendere ciò che si celebra! </span></span></span></div>
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<span style="font-size: large;"><b>6. Quali le attività e le iniziative del <i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Pontificium Institutum Altioris Latinitatis</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span>? <br />
</b><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">L’</span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Institutum </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">voluto da Paolo VI e affidato all’Università Salesiana svolge essenzialmente quattro missioni: </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"> </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">– La prima è quella di formare docenti ed esperti di Lettere cristiane e classiche</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">. Per questo è attivo un percorso di cinque anni (3+2) per giungere alla Licenza o Laurea. Può seguire il tempo della ricerca specifica tipica del dottorato. È questo l’impegno più oneroso che coinvolge la competenza di numerosi docenti e il dialogo con altre Istituzioni in cui si praticano tali studi. I frutti sono notevoli. </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"> </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">– La seconda è quella delle pubblicazioni</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">. La nuova collana edita dalla LAS ha come titolo: </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Veterum et Coaevorum Sapientia</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, e ha l’obiettivo di pubblicare opere e manuali di docenti ma anche i migliori lavori di dottorato. </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"> </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">– La terza è quella dei Simposi</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">. Ogni anno attorno al 22 febbraio, anniversario della fondazione dell’</span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Institutum</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, si celebra un convegno attorno ad un tema che va trattato osservando la tradizione classica e cristiana. Il tema del sacerdozio è stato il primo; successivamente è stato trattato il tema del </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">magister-discipulus</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">…Il 23 febbraio 2012 il convegno è stato determinato dal 50° della </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Veterum Sapientia</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">. Sono queste occasioni di incontro e di confronto che permettono di cogliere i valori di una </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">traditio </span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">che continua a interpellare le menti libere da precomprensioni nei confronti di una lingua che risulta più viva che mai. </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"> </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">– La quarta riguarda corsi particolari di lingua</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">. Si tratta dei corsi intensivi che si svolgono durante l’estate (nel 2012 dal 27 agosto al 28 settembre) per la lingua italiana, latina e greca. Corsi aperti a chiunque desideri approfittare dell’offerta formativa sia in vista del lavoro, sia come preparazione per affrontare il nuovo anno accademico. Ma ci sono poi anche i corsi durante l’anno: oltre al latino e al greco, si offrono quelli di francese, inglese, spagnolo e tedesco per tutti coloro che desiderano approfittarne.</span></span></span></div>
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<b><span style="font-size: large;">7. In quale misura tutto questo rientra anche nella tradizione salesiana? <br />
</span></b><span style="font-size: large;"><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">A partire dall’esempio di san Giovanni Bosco, molti dei primi Salesiani sono stati eccellenti cultori del patrimonio classico. <br />
Pubblicazioni di vario genere e di alto livello sono state alla base di una formazione umanistica che ha fecondato numerose generazioni di studenti. Si pensi agli innumerevoli testi e sussidi pubblicati dalla SEI (Società Editrice Internazionale), alla rivista </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Gymnasium</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, alla </span></span><i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">Corona Patrum Salesiana</span></span></i><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;"></span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria;">, voluta da Don Pietro Ricaldone (IV successore di san Giovanni Bosco e fondatore di quella che poi sarà l’Università Salesiana). </span></span></span></div>
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<span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria; font-size: large;"> </span></span><span style="font-family: Cambria,Cambria;"><span style="font-family: Cambria,Cambria; font-size: large;">Ma prima ancora si pensi ai numerosi teatri scritti in latino per contribuire – anche in questa forma – alla conoscenza della cultura classica. <br />
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<i><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-size: large;">Exempla praeterita trahunt etiam hodie et praesertim cras! </span></span></span></i><br />
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<b><span style="font-family: Cambria,Cambria; font-size: medium;"><span style="font-family: Cambria,Cambria; font-size: medium;">Per ogni informazione: </span></span></b></i><b><span style="font-size: medium;"><a href="http://www.latinitas.unisal.it/">www.latinitas.unisal.it</a> </span></b><span style="font-size: medium;"></span></div>
AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-14071072187604593512012-02-04T11:20:00.000-08:002012-02-11T10:38:03.598-08:00COLVMNA TRAIANA<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-EffZkKjNpBo/Ty2BwbezM3I/AAAAAAAAAyw/eTFILVZoTeA/s1600/forotraiano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://4.bp.blogspot.com/-EffZkKjNpBo/Ty2BwbezM3I/AAAAAAAAAyw/eTFILVZoTeA/s640/forotraiano.jpg" width="539" /></a></div><div style="text-align: justify;"><span style="font-family: Tahoma; font-size: x-large;">A Coluna do Imperador Trajano é um dos poucos monumentos da antiga Roma que, sem grandes danos, ultrapassou quase dezenove séculos e pode ser contemplada até hoje como um verdadeiro livro de história. De fato, pela sua forma (rótulo) e conteúdo (114 painéis que retratam as batalhas do Imperador Trajano contra os Dácios) é um verdadeiro livro em mármore que retoma, provavelmente, o conteúdo da obra perdida escrita pelo mesmo Imperador, os <i>Commentarii</i> <i>de bello dacico</i>. As várias cenas retratam com um realismo impressionante detalhes rituais, épicos e artísticos da época. Segue abaixo um documentário em italiano da bélica história desse monumento-documento romano:</span></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/RGCLC8ULNag?feature=player_embedded' frameborder='0'></iframe></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-74034890600053768502012-01-31T03:47:00.000-08:002012-08-16T18:08:14.617-07:00L. A. SENECA DE PHILOSOPHIAE STVDIO<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-GI-9n2U-7lE/Tyf3aPvgl_I/AAAAAAAAAyg/Od3qztcLqmc/s1600/Plato's_Academy_mosaic_from_Pompeii.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="http://3.bp.blogspot.com/-GI-9n2U-7lE/Tyf3aPvgl_I/AAAAAAAAAyg/Od3qztcLqmc/s400/Plato's_Academy_mosaic_from_Pompeii.jpg" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Platonis Accademia, musiuum Pompeianum</td></tr>
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<span style="font-size: large;">Liquere hoc tibi, Lucili, scio, neminem posse beate vivere, ne tolerabiliter
quidem, sine sapientiae studio, et beatam vitam perfecta sapientia effici,
ceterum tolerabilem etiam inchoata. Sed hoc quod liquet firmandum et altius
cotidiana meditatione figendum est: plus operis est in eo ut proposita custodias
quam ut honesta proponas. Perseverandum est et assiduo studio robur addendum,
donec bona mens sit quod bona voluntas est.</span> </div>
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(L.Anneus Seneca, ep ad Luc. II, 16, 1)</div>
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AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com1tag:blogger.com,1999:blog-2877933177833894596.post-6299932138101596092012-01-29T14:30:00.000-08:002013-01-31T02:18:48.130-08:00Giulio Cesare in Egitto (G. F. Haendel)<div class="separator" style="clear: both; text-align: center;">
<strong> antecedentes históricos: clique no título da postagem.</strong></div>
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AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-42794103149849812162012-01-22T07:57:00.000-08:002012-02-11T10:39:47.187-08:00TEMPVS FVGIT!<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-qZ8IHsTT6XU/TxwxLLD7S3I/AAAAAAAAAyQ/76F7MHefIYg/s1600/untitled.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-qZ8IHsTT6XU/TxwxLLD7S3I/AAAAAAAAAyQ/76F7MHefIYg/s400/untitled.png" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div style="text-align: justify;"><span style="font-size: large;"> <strong><span style="font-size: x-large;">M</span></strong>aior pars mortalium, Pauline, de naturae malignitate conqueritur, quod in exiguum aeui gignimur, quod haec tam uelociter, tam rapide dati nobis temporis spatia decurrant, adeo ut exceptis admodum paucis ceteros in ipso uitae apparatu uita destituat. Nec huic publico, ut opinantur, malo turba tantum et imprudens uulgus ingemuit; clarorum quoque uirorum hic affectus querellas euocauit. 2 Inde illa maximi medicorum exclamatio est: "uitam breuem esse, longam artem". Inde Aristotelis cum rerum natura exigentis minime conueniens sapienti uiro lis: "aetatis illam animalibus tantum indulsisse, ut quina aut dena saecula educerent, homini in tam multa ac magna genito tanto citeriorem terminum stare." 3 Non exiguum temporis habemus, sed multum perdidimus. Satis longa uita et in maximarum rerum consummationem large data est, si tota bene collocaretur; sed ubi per luxum ac neglegentiam diffluit, ubi nulli bonae rei impenditur, ultima demum necessitate cogente, quam ire non intelleximus transisse sentimus. 4 Ita est: non accipimus breuem uitam sed fecimus, nec inopes eius sed prodigi sumus. Sicut amplae et regiae opes, ubi ad malum dominum peruenerunt, momento dissipantur, at quamuis modicae, si bono custodi traditae sunt, usu crescunt: ita aetas nostra bene disponenti multum patet.</span> </div><div style="text-align: justify;"><em>(L. A. Seneca, De brevitate vitae I, 1-4)</em></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-26689861255877355932012-01-20T07:01:00.000-08:002012-02-11T10:41:34.546-08:00UN LUOGO PRIVILEGIATO PER LA FORMAZIONE DI ARCHIVISTI, PALEOGRAFI E DIPLOMATISTI<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-Fc_Dx5yF58M/TxmA_QV75gI/AAAAAAAAAx4/38hfzmHcTYA/s1600/S1b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="http://4.bp.blogspot.com/-Fc_Dx5yF58M/TxmA_QV75gI/AAAAAAAAAx4/38hfzmHcTYA/s640/S1b.jpg" width="640" /></a></div><div style="text-align: center;"><br />
</div><div style="text-align: center;"><strong><em><span style="font-size: x-large;">SCUOLA VATICANA DI PALEOGRAFIA, DIPLOMATICA E ARCHIVISTICA</span></em></strong></div><div style="text-align: center;"><br />
</div><div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">La Scuola Vaticana di Paleografia, Diplomatica e Archivistica fu istituita da Leone XIII il 1° maggio 1884 con lo scopo, dichiarato dallo stesso pontefice, di «promuovere gli studi di storia che riguardano il pontificato e la Chiesa» e preparare «il giovane clero alla conoscenza e illustrazione dei documenti che a quella si riferiscono». </span></div><div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Dalle sue prime origini ad oggi la Scuola ha sempre mantenuto un carattere fortemente selettivo di istituto di studi specifici, impegnandosi a favorire la qualificata specializzazione di una ristretta classe di studenti e operando al contempo un’attenta selezione delle domande di ammissione. Frequentata sempre più da studenti laici, fra i suoi diplomati si annoverano diversi archivisti e bibliotecari impiegati presso istituzioni romane, italiane ed estere, e numerosi docenti e assistenti universitari.</span></div><div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Situata accanto all’</span><a class="text_link" href="http://www.archiviosegretovaticano.va/" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Archivio Segreto Vaticano</span></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">, nel Cortile del Belvedere, la Scuola dispone di un’aula multimediale con 36 postazioni munite di monitor direttamente collegati con il computer della cattedra. I docenti, durante le lezioni, oltre a utilizzare i tradizionali strumenti didattici, si avvalgono di proiezioni di testi elaborati per mezzo delle più moderne tecnologie informatiche, di immagini fotografiche digitali e tridimensionali. L’utilizzo di un video-presenter, che proietta documenti e codici sui monitor delle postazioni degli allievi, consente una visualizzazione di alta qualità dei pezzi esposti, per apprezzarne singoli dettagli di scrittura, legatura e ornamentazione. </span></div><div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">L’aula ospita anche una ricca biblioteca, incrementata nel corso degli anni dalle generose donazioni di illustri ex alunni e docenti. La biblioteca è a disposizione degli allievi nei giorni in cui non si tengano le lezioni.</span></div><span style="font-size: large;">sito: </span><a href="http://www.scuolavaticanapaleografia.va/"><span style="font-size: large;">http://www.scuolavaticanapaleografia.va/</span></a>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-4075984232363410062012-01-20T06:36:00.000-08:002012-01-20T07:07:28.066-08:00TEMPVS EST STVDENDI!<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-GCxomzD1_08/Txl69YIEFrI/AAAAAAAAAxw/YKS4Qvj4-8M/s1600/Caravaggio_-_San_Gerolamo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="464" src="http://2.bp.blogspot.com/-GCxomzD1_08/Txl69YIEFrI/AAAAAAAAAxw/YKS4Qvj4-8M/s640/Caravaggio_-_San_Gerolamo.jpg" width="640" /></a></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-79651123332092129552012-01-15T10:04:00.000-08:002012-02-11T10:43:53.571-08:00Obras completas de Cícero (em francês)<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-60az1Fbw9Vs/TxMUn34VmKI/AAAAAAAAAxo/5b9BIbO-xU8/s1600/ciceron.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-60az1Fbw9Vs/TxMUn34VmKI/AAAAAAAAAxo/5b9BIbO-xU8/s1600/ciceron.jpg" /></a></div><div align="center"><span style="font-family: Arial Unicode MS;"><b>CICÉRON</b></span></div><br />
<div align="center"></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;">Œuvres complètes</span></b></div><br />
<div align="center"><b><span style="color: green; font-family: Arial Unicode MS; font-size: medium;">Pour les œuvres philosophiques, voyez l'index de ces oeuvres</span></b></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS; font-size: medium;"><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/index.htm">œuvres philosophiques</a></span></b></div><br />
<div align="center"><img border="0" height="599" src="http://remacle.org/bloodwolf/orateurs/republ1.gif" width="353" /></div><br />
<div align="center"><span style="color: blue; font-family: Arial Unicode MS; font-size: 11pt; font-weight: 700;">Oeuvre numérisée par Marc Szwajcer</span></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/republique1.htm">livre I</a></span></b></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/republique2.htm">livre II</a></span></b></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/republique3.htm">livre III</a></span></b></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/republique4.htm">livre IV</a></span></b></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/republique5.htm">livre V</a></span></b></div><br />
<div align="center"><b><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/republique6.htm">livre VI</a></span></b></div><br />
<h3 style="line-height: 150%; margin-left: 30px; margin-right: 30px; text-indent: 30px;"><span style="font-family: Arial Unicode MS;"><span style="font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/republique6.htm#TABLE">TABLE ANALYTIQUE DES MATIÈRES CONTENUES DANS CET OUVRAGE. </a></span></span></h3><br />
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<div align="center"><img border="0" src="http://remacle.org/bloodwolf/orateurs/orator1.gif" /></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/avantpropos.htm">Avant-propos</a></b>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>a</b></span><span style="font-family: Verdana; font-size: x-small;"><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/vieciceron.htm">Vie de Cicéron</a></b>. </span><b><span style="color: red; font-family: Verdana; font-size: x-small;">I</span></b><span style="font-family: Verdana; font-size: x-small;">.<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/vieamyot.htm">Vie de Cicéron, par Plutarque, traduction d'Amyot accompagnée de notes par M. T. Baudement </a></b>. </span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">XLIX</span></b><span style="font-family: Verdana; font-size: x-small;"><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/tableau.htm">Tableau synchronique des événements qui se rattachent à la vie de Cicéron</a></b>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>XCV</b></span><span style="font-family: Verdana; font-size: x-small;"><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/lois.htm">Tableau et analyse des lois citées dans Cicéron.</a></b> </span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">CVII</span></b><span style="font-family: Verdana; font-size: x-small;"><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/calendrier.htm">Calendrier romain, suivi d'une comparaison entre ce calendrier et celui de César.</a></b> CXV<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/consuls.htm">Suite des consuls depuis l'an de Rome 690 jusqu'en l'an 711 selon la chronologie de Varron et celle de Caton. </a></b>CXLII.<br />
<b>RHÉTORIQUE, à C. Hérennius. Traduction nouvelle, par M. Thibaut, ancien élève de l'École normale. </b>1<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/herennius1.htm">Livre premier</a></b>. 3<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/herennius2.htm">Livre second.</a></b> 13<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/herennius3.htm">Livre troisième</a></b>. 32<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/herrenius4.htm">Livre quatrième</a></b>. 47<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/herrenius4.htm#NOTES">Notes sur la Rhétorique à Hérennius.</a></b> 84<br />
<b>DE L'INVENTION ORATOIRE. Traduction nouvelle par M. Liez, professeur de l'université. 88</b><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/invention1.htm">Livre premier.</a></b> id.<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/invention2.htm">Livre second</a></b>. 126<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/invention2.htm#NOTES">Notes sur l'Invention oratoire</a></b>. 169<br />
<b>LES TROIS DIALOGUES DE L'ORATEUR, à Quintus. Traduction nouvelle par A. Th. Gaillard, inspecteur général de l'Université. 173</b><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/oratore1.htm">Dialogue premier</a></b>. 174<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/oratore2.htm">Dialogue second.</a></b> 220<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/oratore3.htm">Dialogue troisième</a></b>. 289<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/oratore3.htm#NOTES">Notes sur les Trois dialogues de l'orateur. </a></b>333.<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/brutus.htm">BRUTUS, OU DIALOGUE SUR LES ORATEURS ILLUSTRES</a>. Traduction nouvelle par M. Burnouf, professeur d'éloquence latine au Collège de France. 343</b><br />
Notes sur le Brutus. 415<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/orateur.htm">L'ORATEUR</a>, à Brutus. Traduction nouvelle, par M. Savalette, conseiller maître à la cour des comptes. 450</b><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/orateur.htm#NOTES">Notes sur l'orateur</a></b> 480<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/topiques.htm">LES TOPIQUES</a>, à C. Trébatius. Traduction nouvelle par M. Damas Hinard. 489</b><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/topiques.htm#NOTES">Notes sur les Topiques</a></b>. 507<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/partition.htm">DIALOGUE SUR LES PARTITIONS ORATOIRES,</a></b> traduction nouvelle, par le même 509<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/partition.htm#NOTES">Notes sur les Partitions oratoires</a></b> 534<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/eloquence.htm">DU MEILLEUR GENRE D'ÉLOQUENCE</a></b>. Traduction nouvelle, par M. Baillard, ancien professeur de rhétorique 536<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/eloquence.htm#NOTES">Notes sur le meilleur genre d'éloquence</a></b>. 540<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm">LES PARADOXES</a>, à Brutus. Traduction nouvelle, par M. Lorquet, professeur agrégé de philosophie 541</b><br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#I">Paradoxe I. Que le seul bien, c'est l'honnête.</a></b> 541<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#II">Paradoxe II. Qu'à l'homme vertueux rien ne manque pour le bonheur</a></b>. 544<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#III">Paradoxe III. Que les fautes et les mérites sont tous égaux</a></b> 545<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#IV">Paradoxe IV. Que point de sagesse c'est démence. </a></b>547<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#V">Paradoxe V. Que le sage seul est libre, et que hors de la sagesse il n'y a qu'esclavage. </a></b>548<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#VI">Paradoxe VI. Que le sage seul est riche</a></b>. 551<br />
<b><a href="http://remacle.org/bloodwolf/orateurs/paradoxes.htm#NOTES">Notes sur les paradoxes</a></b>. 553</span></div><br />
<div align="center" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><img border="0" src="http://remacle.org/bloodwolf/orateurs/index.1.gif" /></div><br />
<div align="center" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><span style="font-family: Verdana; font-size: x-small;"><b>TABLE DES MATIÈRES DU DEUXIÈME VOLUME.</b></span></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><span style="font-family: Verdana; font-size: x-small;"><b><span style="color: green;">I. </span><a href="http://remacle.org/bloodwolf/orateurs/quintius.htm">PLAIDOYER POUR QUINTIUS,</a> traduction nouvelle, par J. L. Burnouf professeur d'éloquence latine au Collège de France + <a href="http://remacle.org/bloodwolf/orateurs/quintius.htm#NOTES">NOTES</a> (bilingue)<br />
<span style="color: green;">II.</span> <a href="http://remacle.org/bloodwolf/orateurs/amerie.htm">PLAIDOYER POUR SEXT. ROSCIUS D'AMERIE</a>, traduction nouvelle, par P. C. B. Gueroult </b></span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>26</b></span><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/amerie.htm#NOTES">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"><span style="color: green;"> </span>(bilingue)</span></b><span style="font-family: Verdana; font-size: x-small;"><b><br />
<span style="color: green;">III</span>. <a href="http://remacle.org/bloodwolf/orateurs/roscius.htm">PLAIDOYER POUR Q. ROSCIUS LE COMÉDIEN,</a> traduction nouvelle, par A. Paret, professeur agrégé. </b></span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>63</b></span><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/roscius.htm#NOTES">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;">(bilingue)</span></b><span style="font-family: Verdana; font-size: x-small;"><b><br />
<a href="http://remacle.org/bloodwolf/orateurs/cecilius.htm">DISCOURS CONTRE Q. CÉCILIUS</a>, par M. T. Baudement </b></span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>78</b></span><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/cecilius.htm#NOTES">NOTES</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/verres1.htm">PREMIÈRE ACTION CONTRE VERRÈS</a>. Préambule. Traduction d'Athanase Auger, revue </b></span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>95</b></span><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm#NOTES">NOTES</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/verres2.htm">SECONDE ACTION CONTRE VERRÈS. I. Sur sa préture de Rome</a>. Traduction revue. </b></span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">108</span></b><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm#NOTES1">NOTES</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/preture.htm">SECONDE, ACTION CONTRE VERRÈS. II. Sur sa préture en Sicile</a>. Traduction revue </b></span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">149</span></b><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm#NOTES2">NOTES</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/bles.htm">SECONDE ACTION CONTRE VERRÈS. III. Sur les blés.</a> Traduction d'Athanase Auger, revue </b></span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">199</span></b><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm#NOTES3">NOTES</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/signis.htm">SECONDE ACTION CONTRE VERRÈS. IV. Des statues.</a> Traduction nouvelle, par P. C. B. Gueroult </b></span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">267</span><span style="font-family: Verdana; font-size: x-small;"> <span style="color: green;">(</span></span></b><span style="color: green;"><b><span style="font-family: Verdana; font-size: x-small;">traduction française de P. C. B. GUEROULT, revue, corrigée et accompagnée de notices et de notes par G. LAMOTHE, professeur de l'Université Paris, Librairie Hatier, 1924.) + <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm#NOTES4">NOTES</a></span></b></span><br />
<span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm">SECONDE ACTION CONTRE VERRÈS. V. Des Supplices.</a> Traduction nouvelle, par le même </b></span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>312</b></span><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm#NOTES5">NOTES</a></b></span><b><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XI</span>. <a href="http://remacle.org/bloodwolf/orateurs/cecinia.htm">PLAIDOYER POUR CÉCINA</a>. Traduction d'Athanase Auger, revue </span><span style="color: red; font-family: Verdana; font-size: xx-small;">379</span></b><b><span style="font-family: Verdana; font-size: x-small;"><span style="color: green;"> + <a href="http://remacle.org/bloodwolf/orateurs/cecinia.htm#NOTES">NOTES</a> </span>(bilingue)<span style="color: green;"> </span><br />
<span style="color: green;">XII</span>. <a href="http://remacle.org/bloodwolf/orateurs/fonteius.htm">PLAIDOYER POUR N. FONTEIUS.</a> Traduction, par le même, revue et complétée des chapitres nouvellement découverts </span><span style="color: red; font-family: Verdana; font-size: xx-small;">408</span><span style="font-family: Verdana; font-size: x-small;"> <span style="color: green;">+ <a href="http://remacle.org/bloodwolf/orateurs/fonteius.htm#NOTES">NOTES</a> </span>(bilingue)<span style="color: green;"> </span><br />
<span style="color: green;">XIII</span>. <a href="http://remacle.org/bloodwolf/orateurs/manilia1.htm">DISCOURS EN FAVEUR DE LA LOI MANILIA</a>. Traduction nouvelle, par Charles Nisard </span><span style="color: red; font-family: Verdana; font-size: xx-small;">422</span><span style="color: green; font-family: Verdana; font-size: x-small;">- </span><span style="font-family: Verdana; font-size: x-small;"><span style="color: green;">+ <a href="http://remacle.org/bloodwolf/orateurs/manilia1.htm#NOTES">NOTES</a> </span>(bilingue)<span style="color: green;"> </span></span><span style="color: green; font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/maniliatrad.htm"> </a></span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/maniliatrad.htm">autre traduction -</a> <a href="http://remacle.org/bloodwolf/orateurs/manilia.htm">juxta</a></span><span style="color: green; font-family: Verdana; font-size: x-small;"><br />
XIV</span><span style="font-family: Verdana; font-size: x-small;">. <a href="http://remacle.org/bloodwolf/orateurs/cluentius.htm">PLAIDOYER POUR A. CLUENTIUS AVITUS.</a> Traduction nouvelle, par J. L. Burnouf </span></b><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>442</b></span><span style="font-family: Verdana; font-size: x-small;"><b> + <a href="http://remacle.org/bloodwolf/orateurs/cluentius.htm#NOTES">NOTES</a><span style="color: green;"><br />
XV</span>. <a href="http://remacle.org/bloodwolf/orateurs/agra1.htm">PREMIER DISCOURS SUR LA LOI AGRAIRE</a>, dans le sénat. Traduction nouvelle, par Charles Nisard </b></span><b><span style="color: red; font-family: Verdana; font-size: xx-small;">502 </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/agranotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)</span></b><span style="font-family: Verdana; font-size: x-small;"><span style="color: green;"><b><br />
XVI</b></span><b> <a href="http://remacle.org/bloodwolf/orateurs/agra2.htm">SECOND DISCOURS SUR LA LOI AGRAIRE</a> , devant le peuple. Traduction nouvelle, par le même </b></span><span style="color: red; font-family: Verdana; font-size: xx-small;"><b>509 </b></span><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/agranotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<span style="color: green;"><br />
XVII</span>. <a href="http://remacle.org/bloodwolf/orateurs/agra3.htm">TROISIÈME DISCOURS SUR LA LOI AGRAIRE</a>, devant le peuple. Traduction nouvelle, par le même </span></b><b><span style="color: red; font-family: Verdana; font-size: xx-small;">537 </span><a href="http://remacle.org/bloodwolf/orateurs/agra3.htm#NOTES"><span style="color: red; font-family: Verdana; font-size: x-small;"> </span></a></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/agranotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XVIII</span>. <a href="http://remacle.org/bloodwolf/orateurs/rabirius.htm">DISCOURS POUR C. RABIRIUS</a>. Traduction nouvelle, par A. Paret </span><span style="color: red; font-family: Verdana; font-size: xx-small;">544 </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/rabirius.htm#NOTES">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XIX</span>. <a href="http://remacle.org/bloodwolf/orateurs/catilinaire1.htm">PREMIER DISCOURS CONTRE L. CATILINA</a>. Traduction nouvelle et introduction, par J. L. Burnouf </span><span style="color: red; font-family: Verdana; font-size: xx-small;">556</span><span style="font-family: Verdana; font-size: x-small;"> </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/catilinairenotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XX.</span> <a href="http://remacle.org/bloodwolf/orateurs/catilinaire2.htm">SECOND DISCOURS CONTRE L. CATILINA</a>. Traduction nouvelle , par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">566 </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/catilinairenotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XXI.</span> <a href="http://remacle.org/bloodwolf/orateurs/catilinaire3.htm">TROISIÈME DISCOURS CONTRE L. CATILINA</a>. Traduction nouvelle, par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">575</span><span style="font-family: Verdana; font-size: x-small;"> </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/catilinairenotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XXII.</span> <a href="http://remacle.org/bloodwolf/orateurs/catilinaire4.htm">QUATRIÈME DISCOURS CONTRE L. CATILINA.</a> Traduction nouvelle, par le même. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">584</span><span style="font-family: Verdana; font-size: x-small;"> </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/catilinairenotes.htm">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XXIII.</span> <a href="http://remacle.org/bloodwolf/orateurs/murena.htm">PLAIDOYER POUR L. MURÉNA</a> Traduction nouvelle, par A. Paret </span><span style="color: red; font-family: Verdana; font-size: xx-small;">596</span><span style="font-family: Verdana; font-size: x-small;"> </span></b><span style="font-family: Verdana; font-size: x-small;"><b>+ <a href="http://remacle.org/bloodwolf/orateurs/murena.htm#NOTES">NOTES</a> </b></span><b><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<span style="color: green;">XXIV.</span> <a href="http://remacle.org/bloodwolf/orateurs/sylla.htm">PLAIDOYER POUR SYLLA.</a> Traduction nouvelle, par M. Taranne , professeur agrégé </span><span style="color: red; font-family: Verdana; font-size: xx-small;">627</span><span style="font-family: Verdana; font-size: x-small;">+ <a href="http://remacle.org/bloodwolf/orateurs/sylla.htm#NOTES">NOTES</a> (bilingue)<br />
<span style="color: green;">XXV</span>. <a href="http://remacle.org/bloodwolf/orateurs/archias1.htm">PLAIDOYER POUR LE POÈTE ARCHIAS</a>. Traduction nouvelle, par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">652 </span><span style="font-family: Verdana; font-size: x-small;">+ <a href="http://remacle.org/bloodwolf/orateurs/archias1.htm#NOTES">NOTES</a> (bilingue) </span></b><span style="font-family: Arial Unicode MS; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/archias.htm">PRO ARCHIA</a></span><span style="font-family: Arial Unicode MS; font-size: x-small;"> (justalinéaire) - </span><span style="font-family: Arial Unicode MS; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/archiatrad.htm">PRO ARCHIA</a></span><span style="font-family: Arial Unicode MS; font-size: x-small;"> (traduction)</span><b><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XXVI</span>. <a href="http://remacle.org/bloodwolf/orateurs/flaccus.htm">PLAIDOYER POUR L. FLACCUS</a>. Traduction nouvelle, par A. Paret </span><span style="color: red; font-family: Verdana; font-size: xx-small;">662</span><span style="font-family: Verdana; font-size: x-small;"> + <a href="http://remacle.org/bloodwolf/orateurs/flaccus.htm#NOTES">NOTES</a> (bilingue)<br />
<span style="color: green;">XXVII.</span> <a href="http://remacle.org/bloodwolf/orateurs/retour.htm">DISCOURS DE CICÉRON AU SÉNAT</a>, après son retour. Traduction d'Athanase Auger, revue </span><span style="color: red; font-family: Verdana; font-size: xx-small;">694 </span><span style="font-family: Verdana; font-size: x-small;">+ <a href="http://remacle.org/bloodwolf/orateurs/retour.htm#NOTES">NOTES</a> (bilingue)<br />
<span style="color: green;">XXVIII</span>. <a href="http://remacle.org/bloodwolf/orateurs/quirites.htm">DISCOURS DE CICÉRON AU PEUPLE,</a> après son retour. Traduction nouvelle, par P. C. B. Gueroult </span><span style="color: red; font-family: Verdana; font-size: xx-small;">707</span><span style="font-family: Verdana; font-size: x-small;"> + <a href="http://remacle.org/bloodwolf/orateurs/quirites.htm#NOTES">NOTES</a> (bilingue)<br />
DISCOURS DE CICÉRON POUR SA MAISON. Traduction revue 715</span></b></div><br />
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</span></b><img border="0" src="http://remacle.org/bloodwolf/orateurs/index.3.gif" /></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"></div><br />
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<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;">TABLE DES MATIÈRES DU TROISIÈME VOLUME.</span></b></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/aruspices.htm">DISCOURS sur la réponse des Aruspices</a>. Traduction de P. C. B. Gueroult. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">1</span><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/orateurs/aruspices.htm#NOTES">Notes sur le discours concernant la réponse des Aruspices </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">21</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/plancius.htm">PLAIDOYER pour Cn. Plancius</a>. Traduction d'Ath. Auger, revue </span><span style="color: red; font-family: Verdana; font-size: xx-small;">22 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/orateurs/plancius.htm#NOTES">Notes sur le plaidoyer pour Cn. Plancius</a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">52</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/sextiusa.htm">DISCOURS pour P. Sextius</a>. Traduction de P. C. B. Gueroult. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">54 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <a href="http://remacle.org/bloodwolf/orateurs/sextiusa.htm">I à XXX </a>- <a href="http://remacle.org/bloodwolf/orateurs/sextiusb.htm">XXXI à fin</a>) </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/sextius.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/sextiusa.htm#NOTES">Notes sur le plaidoyer pour P. Sextius.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">97</span><span style="font-family: Verdana; font-size: x-small;"> <a href="http://remacle.org/bloodwolf/orateurs/sextiusa.htm#NOTES">I à XXX </a>- <a href="http://remacle.org/bloodwolf/orateurs/sextiusb.htm#NOTES">XXXI à fin</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/vatinusa.htm">DISCOURS contre Vatinius.</a> Traduction d'Ath. Auger, revue </span><span style="color: red; font-family: Verdana; font-size: xx-small;">100 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/vatinus.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/vatinusa.htm#NOTES">Notes sur le discours contre Vatiniu</a>s </span><span style="color: red; font-family: Verdana; font-size: xx-small;">112</span><span style="font-family: Verdana; font-size: x-small;"> <br />
<a href="http://remacle.org/bloodwolf/orateurs/caelius.htm">PLAIDOYER pour M. Célius.</a> Traduction de P. C. B. Gueroult </span><span style="color: red; font-family: Verdana; font-size: xx-small;">114 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/orateurs/caelius.htm#NOTES">Notes sur le plaidoyer pour M. Célius</a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">136</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/consulairesa.htm">DISCOURS sur les provinces consulaires</a>. Traduction par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">137 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/orateurs/consulairesa.htm#NOTES">Notes sur le discours concernant les provinces consulaires</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">151 </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/consulaires.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/balbusa.htm">PLAIDOYER pour L. Cornélius Balbus</a>. Traduction d'Ath. Auger. revue. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">152 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/balbus.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/balbusa.htm#NOTES">Notes sur le plaidoyer pour L. C. Balbus</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">170</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/pison.htm">DISCOURS contre L. Calpurnius Pison.</a> Traduction par le même, revue. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">171 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/orateurs/pison.htm#NOTES">Notes sur le discours contre L. C. Pison </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">199</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/rabiriuspost.htm">PLAIDOYER pour C. Rabirius Postumus.</a> Traduction par le même, revue </span><span style="color: red; font-family: Verdana; font-size: xx-small;">201 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/orateurs/rabiriuspost.htm#NOTES">Notes sur le plaidoyer pour C. R. Postumus. </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">212</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/milon.htm">PLAIDOYER pour T. A. Milon</a>. Traduction de P. C. B. Gueroult </span><span style="color: red; font-family: Verdana; font-size: xx-small;">213 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/orateurs/milon.htm#NOTES">Notes sur le plaidoyer pour Milon </a></span><a href="http://remacle.org/bloodwolf/orateurs/milon.htm#NOTES"><span style="color: red; font-family: Verdana; font-size: xx-small;">2</span></a><span style="color: red; font-family: Verdana; font-size: xx-small;">40</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/marcello1.htm">REMERCÎMENT à César pour le rappel de Marcellus.</a> Traduction par le même. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">242 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/orateurs/marcello1.htm#NOTES">Notes sur le remercîment à César pour le rappel de Marcellus</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">249 </span><span style="font-family: Verdana; font-size: xx-small;">autres traductions </span><span style="color: red; font-family: Verdana; font-size: xx-small;">- <a href="http://remacle.org/bloodwolf/orateurs/marcello.htm">juxta</a> - <a href="http://remacle.org/bloodwolf/orateurs/marcellotrad.htm">seul le français</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/ligarius.htm">PLAIDOYER pour Q. Ligarius.</a> Traduction par le même. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">250 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/orateurs/ligarius.htm#NOTES">Notes sur le Plaidoyer pour Ligarius</a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">259</span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLII</span>. <a href="http://remacle.org/bloodwolf/orateurs/dejotarius.htm">DISCOURS pour le roi Déjotarus.</a> Traduction nouvelle par M. Bellaguet, chef de bureau au ministère de l'instruction publique. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">260 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/orateurs/dejotarius.htm#NOTES">Notes sur le discours pour le roi Déjotarus</a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">270</span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLIII</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil1.htm">PREMIERE PHILIPPIQUE</a> DE M. T. Cicéron contre M. Antoine. Traduction nouvelle par M. Kermoysan </span><span style="color: red; font-family: Verdana; font-size: xx-small;">271 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<span style="color: green;">XLIV</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil21.htm">Seconde Philippique</a>. Traduction par P. C. B. Gueroult </span><span style="color: red; font-family: Verdana; font-size: xx-small;">281 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil2.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLV</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil31.htm">Troisième Philippique.</a> Traduction nouvelle par M. Kermoysan </span><span style="color: red; font-family: Verdana; font-size: xx-small;">311 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil3.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLVI</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil41.htm">Quatrième Philippique</a>. — Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">322</span><span style="font-family: Verdana; font-size: x-small;"> (bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil4.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLVII</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil51.htm">Cinquième Philippique.</a> — Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">325 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil5.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLVIII</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil61.htm">Sixième Philippique. </a>— Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">340 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil6.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">XLIX</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil71.htm">Septième Philippique</a>. — Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">345</span><span style="font-family: Verdana; font-size: x-small;"> (bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil7.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">L</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil81.htm">Huitième Philippique.</a> — Id. <span style="color: red;">351 </span>(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil8.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">LI</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil91.htm">Neuvième Philippique.</a> Traduction par P. C. B. Gueroult. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">359 </span><span style="font-family: Verdana; font-size: x-small;"><span style="color: red;"> </span>(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil9.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">LII</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil101.htm">Dixième Philippique. </a>Traduction nouvelle par M. Guiart, professeur </span><span style="color: red; font-family: Verdana; font-size: xx-small;">364 </span><span style="font-family: Verdana; font-size: x-small;"><span style="color: red;"> </span>(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil10.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">LIII</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil111.htm">Onzième Philippique</a>. — Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">372 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil11.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">LIV</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil121.htm">Douzième Philippique.</a> — Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">384 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil12.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;">LV</span>. <a href="http://remacle.org/bloodwolf/orateurs/phil131.htm">Treizième Philippique. </a>— Id. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">393 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) - </span><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/orateurs/phil13.htm">autre traduction</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
Quatorzième Philippique. Traduction par P. C B. Gueroult 408<br />
<a href="http://remacle.org/bloodwolf/orateurs/philnotes.htm">Notes sur les Philippiques</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">418</span></b></div><br />
<div align="center" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: large;">OEUVRES PHILOSOPHIQUES.</span></b></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/academiques0.htm">SECONDES ACADEMIQUES</a>. A M. Terentïus Varron. Traduction nouvelle, par M. A. Lorquet, professeur de philosophie. — Livre premier. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">453</span><br />
<span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/academiques1.htm">PREMIERES ACADEMIQUES</a>, intitulées LUCULLUS. Traduction nouvelle par le même. — Livre second </span><span style="color: red; font-family: Verdana; font-size: xx-small;">435</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/academiquesnotes.htm">Notes sur les Secondes Académiques </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">483</span><span style="font-family: Verdana; font-size: x-small;"><br />
DES VRAIS BIENS ET DES VRAIS MAUX. A Brutus. Traduction de Régnier Desmarais, revue par M. A. Lorquet, professeur de philosophie. <br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus1a.htm">Introduction</a>. Par le même. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">486</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus1a.htm#PRE">Livre premier </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">487</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus2a.htm">Livre second</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">506</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus3a.htm">Livre troisième.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">540</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus4a.htm">Livre quatrième</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">560</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus5a.htm">Livre cinquième </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">583</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusnotes.htm">Notes des Vrais biens et des Vrais Maux</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">613</span><span style="font-family: Verdana; font-size: x-small;"> <br />
TUSCULANES.<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc1.htm"> Préface de l'abbé d'Olivet.</a> <span style="color: red;">618</span><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc1.htm#ERA">Sentiment d'Érasme sur Cicéron</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">620</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc1.htm#PRE">Livre premier</a> </span><span style="font-family: Verdana; font-size: xx-small;"><span style="color: red;">621</span> </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc2.htm">Livre second</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">653 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue) <br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusnotes.htm">Notes des deux premiers livres des Tusculanes </a>; par M. A. Lorquet, professeur de philosophie </span><span style="color: red; font-family: Verdana; font-size: xx-small;">671</span></b></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;">FIN DE LA TABLE DES MATIERES.</span></b></div><br />
<div align="center"><span style="color: red; font-family: Verdana; font-size: x-small;"><b>AUTRE TRADUCTION DES SUPRÊMES BIENS ET DES SUPRÊMES MAUX. </b></span> </div><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="color: red;"><br />
par </span>Guyau M. Ch. Delagrave, Paris, 1875, avec introduction et notes suivis d'éclaircissements relatifs à l'histoire de l'épicurisme par M. Guyau<br />
Des suprêmes biens et des suprêmes maux <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusintro.htm">introduction</a><br />
Des suprêmes biens et des suprêmes maux</span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus1.htm"><span style="font-family: Verdana; font-size: x-small;"> livre I </span></a><span style="font-family: Verdana; font-size: x-small;"><br />
Des suprêmes biens et des suprêmes maux</span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibus2.htm"><span style="font-family: Verdana; font-size: x-small;"> livre II</span></a><span style="font-family: Verdana; font-size: x-small;"><br />
Antécédents de la physique épicurienne d'après Diogène Laërce </span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusleucippe.htm"><span style="font-family: Verdana; font-size: x-small;">vie de Leucippe, vie de Démocrite</span></a><span style="font-family: Verdana; font-size: x-small;"><br />
Antécédents de la morale épicurienne d'après Diogène Laërce</span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusaristippe.htm"><span style="font-family: Verdana; font-size: x-small;"> vie d'Aristippe</span></a><span style="font-family: Verdana; font-size: x-small;"><br />
d'après Diogène Laërce</span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusepicure.htm"><span style="font-family: Verdana; font-size: x-small;"> Epicure</span></a><span style="font-family: Verdana; font-size: x-small;"><br />
EXTRAITS D'ÉPICURE. Lettre d'Epicure à <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusherodote.htm">Hérodote</a><br />
Lettre d'Epicure à <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibuspyth.htm">Pythoclès</a><br />
Lettre d'Epicure à Ménécée d'après Diogène Laërce</span><br />
<span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibussage.htm">Le sage épicurien </a></span><span style="font-family: Verdana; font-size: x-small;">d'après Diogène Laërce<br />
Doctrine d'Epicure sur la divination, sur la nature du plaisir et sur la nature du bien, <br />
Epicure</span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibussentences.htm"><span style="font-family: Verdana; font-size: x-small;"> Maximes principales d'Epicure</span></a><span style="font-family: Verdana; font-size: x-small;"><br />
Lucrèce L'ÉPICURISME DANS LUCRÈCE<br />
Cicéron </span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusciceron.htm"><span style="font-family: Verdana; font-size: x-small;">Extraits de Cicéron </span></a><span style="font-family: Verdana; font-size: x-small;">relatifs à l'Épicurisme<br />
Sénèque, Epicure commenté par <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusseneque.htm">Sénèque</a><br />
Marc-Aurèle Epicure commenté par <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusmarcaurele.htm">Marc-Aurèle</a><br />
Hobbes L'épicurisme dans <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibushobbes.htm">Hobbes</a><br />
La Rochefoucauld L'épicurisme dans <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibuslaroche.htm">La Rochefoucauld</a><br />
L'ÉPICURISME EN FRANCE AU XVIII<sup>e</sup> SIÈCLE. <br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibushelvetius.htm">Extraits d'Helvétius</a><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusdalembert.htm">Extrait de Dalembert</a><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusdalembert.htm#a"><br />
Extraits de Saint-Lambert</a><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/finibusdalembert.htm#b">Extraits de Volney</a></span> </div><div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"></div><br />
<div align="center" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><img border="0" src="http://remacle.org/bloodwolf/orateurs/index.2.gif" /></div><br />
<div align="center" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;">TABLE DES MATIÈRES DU QUATRIÈME VOLUME.</span></b></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc3.htm">Troisième Tusculane</a></span> , traduite par le président Bouhier </span><span style="color: red; font-family: Verdana; font-size: xx-small;">1 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<span style="font-variant: small-caps;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc4.htm">Quatrième Tusculane</a></span>, traduite par l'abbé d'Olivet </span><span style="color: red; font-family: Verdana; font-size: xx-small;">23</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"> (</span>bilingue<span style="font-variant: small-caps;">)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc5.htm">Cinquième Tusculane</a></span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tusc5.htm"> ,</a> traduite par le président Bouhier </span><span style="font-family: Verdana; font-size: xx-small;"><span style="color: red;">45</span> </span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;">(</span>bilingue<span style="font-variant: small-caps;">)</span><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/tuscnotes2.htm">Notes des 3e, 4e, et 5e <span style="font-variant: small-caps;">Tusculanes</span>,</a> par M. A. Lorquet, professeur de philosophie </span><span style="color: red; font-family: Verdana; font-size: xx-small;">74</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">De La Nature Des Dieux</span> </span>, traduction par l'abbé d'Olivet </span><span style="color: red; font-family: Verdana; font-size: xx-small;">79</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/nature1a.htm">Extrait de la préface de l'abbé d'Olivet</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/nature1a.htm">Livre premier</a> <span style="color: red;">ib</span>. (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/nature2a.htm">Livre second</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">108</span><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/nature3a.htm">Livre troisième.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">145</span><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/naturenotes.htm">Notes du <span style="font-variant: small-caps;">TRAITÉ DE LA NATURE DES Dieux</span>,</a> par M. A. Lorquet </span><span style="color: red; font-family: Verdana; font-size: xx-small;">169</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/naturetable.htm">Table Chronologique </a></span><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/naturetable.htm">des philosophes Grecs dont il est parlé dans le traité de la Nature des Dieux </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">177</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">De La Divination</span></span>, traduction nouvelle par M. De la Pilorgerie </span><span style="color: red; font-family: Verdana; font-size: xx-small;">179</span></b><span style="font-family: Verdana; font-size: xx-small;"> Autre traduction: Charles APPUHN, Paris, Garnier, 1935(?) <a href="http://remacle.org/bloodwolf/philosophes/Ciceron/divinatione1.htm">LIVRE I</a> </span><b><span style="font-family: Verdana; font-size: xx-small;"><a href="http://remacle.org/bloodwolf/philosophes/Ciceron/divinatione2.htm">livre II</a></span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/divinatione1a.htm">Préface</a> , par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/divinatione1a.htm#DIV">Livre premier</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">182 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/divinatione2a.htm">Livre second</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">215</span><span style="font-family: Verdana; font-size: x-small;"> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/divinationenotes.htm">Notes du Traité<span style="font-variant: small-caps;"> De La Divination</span>, par M. A. Lorquet </a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">242</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="text-transform: uppercase;"><span style="color: green;">Du Destin</span></span><span style="color: green;">,</span> traduction nouvelle, par M. A. Lorquet 258<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/fato.htm">Préface,</a> par le même. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/orateurs/index.htm">Texte</a> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/fato.htm#NOTES">Notes sur le <span style="font-variant: small-caps;">Traité Du Destin</span></a><span style="font-variant: small-caps;"> </span>, par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">274</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">De La République</span></span> , traduction nouvelle, par M. A. Lorquet </span><span style="color: red; font-family: Verdana; font-size: xx-small;">277</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republique1.htm">Préface</a>, par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republique1.htm#I">Livre premier </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">279 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republique2.htm">Livre second </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">303 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republique3.htm">Livre troisième </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">320 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republique4.htm">Livre quatrième </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">335 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republique5.htm">Livre cinquième </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">339 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
Livre sixième 342<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/republiquenotes.htm">Notes sur le <span style="font-variant: small-caps;">Traité De la RépuBlique</span>, par M. A. Lorquet </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">349</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">Des Lois</span></span>, traduction nouvelle, par M. Ch. de Rémusat </span><span style="color: red; font-family: Verdana; font-size: xx-small;">356</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/loisintro.htm">Préface,</a> par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/loisintro.htm#ARG">Argument </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">361</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/lois.htm">Livre premier</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">362</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/lois2.htm">Livre second </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">378</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/lois3.htm">Livre troisième. </a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">397</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/loisnotes.htm">Notes du <span style="font-variant: small-caps;">Traité Des Lois</span> , par le même. </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">409</span><span style="font-family: Verdana; font-size: x-small;"> <span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">Des Devoirs</span></span>, traduction nouvelle, par M. A. Lorquet 424<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/officiis1a.htm">Préface</a>, par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/officiis1a.htm#PRE">Livre premier</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">425 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/officiis2a.htm">Livre second </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">463 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/officiis3a.htm">Livre troisième </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">480 </span><span style="font-family: Verdana; font-size: x-small;">(bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/officiisnotes.htm">Notes du <span style="font-variant: small-caps;">Traité Des Devoir</span>s, par le même.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">516</span><span style="font-family: Verdana; font-size: x-small;"> <span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">Caton l'ancien, Ou De La Vieillesse</span></span><span style="font-variant: small-caps;"> </span>, traduction nouvelle par M. A. Lorquet. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">521</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/senectute.htm">Préface,</a> par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/senectute.htm#CAT">Texte</a> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/senectute.htm#NOTES">Notes du<span style="font-variant: small-caps;"> Traité De La Vieillesse</span></a><span style="font-variant: small-caps;"> </span>, par le même </span><span style="color: red; font-family: Verdana; font-size: xx-small;">544</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">Lélius, ou De L'amitié</span></span>, traduction nouvelle, par M. A. Lorquet 546<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/amitie.htm">Préface par le même</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/amitie.htm#AMI">Texte</a> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/philosophes/Ciceron/amitie.htm#NOTES">Notes du <span style="font-variant: small-caps;">Traité De l'amitié</span>,</a> par le même. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">570</span><span style="font-family: Verdana; font-size: x-small;"> <span style="color: green;"><span style="text-transform: uppercase;"><br />
Fragments du Timée. et du Protagoras de Platon, et de l'Economique de Xénophon</span></span>, traduit en latin par M. T. Cicéron, et en français par M. A. Lorquet </span><span style="color: red; font-family: Verdana; font-size: xx-small;">572</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/timee.htm">Préface</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/timee.htm">texte</a> (bilingue)<br />
<a href="http://remacle.org/bloodwolf/orateurs/timee.htm#NOTES">Notes</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">586</span><span style="font-family: Verdana; font-size: x-small;"><span style="color: green;"><span style="text-transform: uppercase;"><br />
Fragments Des Ouvrages En Prose Et En Vers</span>,</span> traduits en français par M. Charles Nisard </span><span style="color: red; font-family: Verdana; font-size: xx-small;">587</span><span style="font-family: Verdana; font-size: x-small;"><br />
1re partie. FRAGMENTS DES DISCOURS PERDUS.<br />
§ i. DISCOURS PRONONCÉS PAR CICÉRON AVANT SON CONSULAT.<br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm1.htm">PLAIDOYER POUR M. TULLIUS</a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">588</span><span style="font-family: Verdana; font-size: x-small;"> <br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm2.htm">PLAIDOYER POUR L. VARÉNUS. </a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm2.htm#LIL">DISCOURS EN QUITTANT LILYBÉE, APRÈS SA QUESTURE. </a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm2.htm#OPP">PLAIDOYER POUR OPPIUS. </a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm2.htm#MAN">PLAIDOYER POUR C. MANILIUS.</a> <br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm2.htm#FUN">PLAIDOYER POUR M. FUNDANIUS.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm3.htm">PLAIDOYER POUR C. CORNÉLIUS.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm4.htm">DISCOURS POUR SA CANDIDATURE.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm4.htm#GAL">PLAIDOYER POUR Q. GALLIUS</a>.<br />
§ ii. DISCOURS CONSULAIRES.<br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm5.htm">DISCOURS SUR L. OTHON.</a></span></b><span style="font-family: Verdana;"><b><span style="font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm5.htm#ENF">DISCOURS SUR LES ENFANTS DES PROSCRITS. </a></span></b><span style="font-size: x-small;"><br />
</span></span><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm5.htm#HAR">DISCOURS CONTRE LA HARANGUE DE Q. MÉTELLUS.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm5.htm#CON">DISCOURS SUR SON CONSULAT.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm5.htm#CLO">DISCOURS CONTRE P. CLODIUS ET CURION.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm5.htm#MIL">DISCOURS SUR LES DETTES DE MILON.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm6.htm">DISCOURS SUR LE ROI D'ALEXANDRIE.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm6.htm#VAT">DISCOURS POUR VATINIUS.</a></span></b><span style="font-family: Verdana;"><b><span style="font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm6.htm#SCA">PLAIDOYER POUR E. SCAURUS.</a></span></b><span style="font-size: x-small;"><br />
</span></span><b><span style="font-family: Verdana; font-size: x-small;">§ iii. <a href="http://remacle.org/bloodwolf/orateurs/fragm7.htm">TITRES DES DISCOURS ENTIÈREMENT PERDUS.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm7.htm#DEU">2e partie. Fragments de Notes ou Mémoires</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">614</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm7.htm#TRO">3e partie. Fragments des Discours qui sont parvenus jusqu'à nous, mais avec des lacunes</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">615</span><span style="font-family: Verdana; font-size: x-small;"><br />
4e partie. Fragments des Ouvrages philosophiques </span><span style="color: red; font-family: Verdana; font-size: xx-small;">617</span><span style="font-family: Verdana; font-size: x-small;"><br />
§ i. FRAGMENTS DES OUVRAGES PHILOSOPHIQUES PERDUS.</span><span style="color: red; font-family: Verdana; font-size: x-small;"><br />
</span></b><span style="font-family: Verdana;"><a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm"><b><span style="font-size: x-small;">DU DROIT CIVIL</span></b><span style="font-size: x-small;">.</span></a><span style="font-size: x-small;"><br />
</span></span><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#AUG">DES AUGURES.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#HOR">HORTENSIUS, OU DE LA PHILOSOPHIE.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#CAT">M. CATON, OU ÉLOGE DE CATON.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#GLO">DE LA GLOIRE.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#CON">DE LA CONSOLATION.</a></span></b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#VIE"><b>DE SA VIE POLITIQUE, OU EXPOSITION DE SA CONDUITE.</b> </a></span><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#VER">DES VERTUS.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#SIG">DES SIGNES.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm8.htm#CHO">LA CHOROGRAPHIE.</a><br />
§ ii. FRAGMENTS DES OUVRAGES PHILOSOPHIQUES QUI NOUS SONT PARVENUS, MAIS AVEC DES LACUNES.<br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm9.htm">ACADÉMIQUES A VARRON </a></span><a href="http://remacle.org/bloodwolf/orateurs/fragm9.htm#NAT"><span style="font-family: Verdana; font-size: x-small;">DE LA NATURE DES DIEUX.</span></a><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm9.htm#DIV">DE LA DIVINATION.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm9.htm#DES">DU DESTIN.</a></span></b><span style="font-family: Verdana;"><b><span style="font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/fragm9.htm#LOI">DES LOIS</a></span></b></span><b><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm10.htm">5e partie. Fragments d'ouvrages inconnus. </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">624</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm10.htm#SIX">6e partie. Fragments des lettres de Cicéron.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">625</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragmnotes.htm">Notes des fragments des ouvrages en prose</a>. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">627</span><span style="font-family: Verdana; font-size: x-small;"><br />
<span style="color: green;"><span style="text-transform: uppercase;">Fragments des poésies de M. et Q. Cicéron.</span></span> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">631</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm11.htm">Fragments des Phénomènes d'Aratus.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/orateurs/fragm11.htm#POE">Fragments des poésies de Q. Cicéron.</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">640</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/fragmnotes1.htm">Notes de ces fragments </a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">641</span><span style="font-family: Verdana; font-size: x-small;"><span style="font-variant: small-caps;"><br />
</span><span style="color: green;"><span style="text-transform: uppercase;">De La Demande Du Consulat, Ou Essai Sur La Candidature</span></span>, adressée à M. T. Cicéron par son frère Quintus, traduction nouvelle par M. Eusèbe Salverte. </span><span style="color: red; font-family: Verdana; font-size: xx-small;">644</span><span style="font-family: Verdana; font-size: x-small;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/candidature.htm">Préface par le même</a> </span><span style="color: red; font-family: Verdana; font-size: xx-small;">ib</span><span style="font-family: Verdana; font-size: x-small;">.<br />
<a href="http://remacle.org/bloodwolf/orateurs/candidature.htm">Texte</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/candidature.htm#NOTES">Notes, par le même </a></span><span style="color: red; font-family: Verdana; font-size: xx-small;">657</span></b></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><b><span style="font-family: Verdana; font-size: x-small;">FIN DU QUATRIEME VOLUME.<br />
</span></b></div><br />
<div align="center" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"><img border="0" src="http://remacle.org/bloodwolf/orateurs/lettre1.jpg" style="border: 10px groove rgb(0, 128, 0);" /></div><br />
<div align="center" style="line-height: 150%;"><span style="font-family: Arial Unicode MS; font-size: 11pt; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm">lettres 1 à 49</a></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm">lettres 50 à 99</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm">lettres 100 à 149</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm">lettres 150-199</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm">lettres 200-249</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm">lettres 250-299</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-family: Arial Unicode MS; font-size: 11pt; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm">lettres 300 à 349</a></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm">lettres 350-399</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm">lettres 400-449</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm">lettres 450-499</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm">lettres 500-549</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm">lettres 550-599</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm">lettres 600-649</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm">lettres 650-699</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm">lettres 700-749</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm">lettres 750-799</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;">l<a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm">ettres 800-849</a></span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: 11pt;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm">lettres 850-893</a></span></span></div><br />
<div align="center" style="line-height: 150%;"></div><br />
<div align="center" style="line-height: 150%;"><b><span style="font-family: Arial Unicode MS; font-size: 11pt;">Les lettres chez Nisard étant par ordre chronologique, je donne en dessous la correspondance</span></b></div><br />
<div align="center" style="line-height: 150%;"><b><span style="font-family: Arial Unicode MS; font-size: 11pt;">classique (ad familiares, ad Atticum,...)</span></b></div><br />
<div align="justify" style="line-height: 150%;"></div><br />
<div align="justify" style="line-height: 150%;"></div><br />
<div align="center" style="line-height: 150%;"><span style="font-family: Arial Unicode MS; font-size: large; font-weight: 700;">AD ATTICUM</span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: large;">Si vous voulez le texte latin et l'ensemble d'un livre</span></span></div><br />
<div align="center" style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/atticus1.htm">livre 1</a> - <a href="http://remacle.org/bloodwolf/orateurs/atticus2.htm">livre 2</a> - <a href="http://remacle.org/bloodwolf/orateurs/atticus3.htm">livre 3</a> -<a href="http://remacle.org/bloodwolf/orateurs/atticus4.htm"> livre 4 </a>- <a href="http://remacle.org/bloodwolf/orateurs/atticus5.htm">livre 5</a> - <a href="http://remacle.org/bloodwolf/orateurs/atticus6.htm">livre 6 </a>- <a href="http://remacle.org/bloodwolf/orateurs/atticus7.htm">livre 7</a>- <a href="http://remacle.org/bloodwolf/orateurs/atticus9.htm">livre 9</a> - <a href="http://remacle.org/bloodwolf/orateurs/atticus10.htm">livre 10 </a>- <a href="http://remacle.org/bloodwolf/orateurs/atticus11.htm">livre 11</a> -<a href="http://remacle.org/bloodwolf/orateurs/atticus12.htm"> livre 12</a> - <a href="http://remacle.org/bloodwolf/orateurs/atticus15.htm">livre 15</a> - <a href="http://remacle.org/bloodwolf/orateurs/atticus16.htm">livre 16</a></span></span></div><br />
<div align="center" style="line-height: 150%;"></div><br />
<div align="center"><table border="1" id="table2"><tbody>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus1.htm">LIVRE I</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A11">1</a></span></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A12">2</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A13">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A14">4</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A15">5</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A16">6</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A17">7</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A18">8</a></span></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A19">9</a></span></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A110">10</a></span></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A111">11</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A112">12</a></span></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A113">13</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A114">14</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A115">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A116">16</a></span></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A117">17</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A118">18</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A119">19</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A120">20</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus2.htm">LIVRE II</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A21">1</a></span></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A22">2</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A23">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A24">4</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A25">5</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A26">6</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A27">7</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A28">8</a></span></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A29">9</a></span></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A210">10</a></span></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A211">11</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A212">12</a></span></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A213">13</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A214">14</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A215">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A216">16</a></span></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A217">17</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A218">18</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A219">19</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A220">20</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A221">21</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A222">22</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#A223">23</a></span></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A224">24</a></span></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A225">25</a></span></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus3.htm">LIVRE III</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A31">1</a></span></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A32">2</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A33">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A34">4</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A35">5</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A36">6</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A37">7</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A38">8</a></span></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A39">9</a></span></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A310">10</a></span></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A311">11</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A312">12</a></span></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A313">13</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A314">14</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A315">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A316">16</a></span></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A317">17</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A318">18</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A319">19</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A320">20</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A321">21</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A322">22</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A323">23</a></span></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A324">24</a></span></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A325">25</a></span></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A326">26</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A327">27</a></span></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus4.htm">LIVRE IV</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="37" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A41">1</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A42">2</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A43">3</a> </b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#A44">4</a>(<a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A44b">b</a>)</b></span></div></td> <td bgcolor="#f0f0f0" height="37"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A45">5</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A46">6</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A47">7</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A48">8</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A48b">b</a>)</b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A49">9</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#A410">10</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#AIV11">11</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#AIV12">12</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#AIV13">13</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#AIV14">14</a></b></span></div></td> <td bgcolor="#f0f0f0" height="37" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#AIV15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AIV16">16</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AIV17">17</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AIV18">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus5.htm">LIVRE V</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV1">1</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV2">2</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV4">4</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV5">5</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV6">6</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV7">7</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#AV8">8</a></b></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV9">9</a></b></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV10">10</a></b></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV11">11</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV12">12</a></b></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV13">13</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV14">14</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV16">16</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV17">17</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV18">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV19">19</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#AV20">20</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AV21">21</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus6.htm">LIVRE VI</a></span></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI1">1</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI2">2</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI4">4</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI5">5</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI6">6</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI7">7</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI8">8</a></b></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVI9">9</a></b></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus7.htm">LIVRE VII</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVII1">1</a></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVII2">2</a></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#AVII3">3</a></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A74">4</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A75">5</a></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A76">6</a></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A77">7</a></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A78">8</a></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A79">9</a></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A710">10</a></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A711">11</a></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A712">12</a></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A713">13</a></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A714">14</a></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A715">15</a></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A716">16</a></b></span></div></td> <td bgcolor="#f0f0f0" height="31" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A717">17</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A718">18</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A719">19</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A720">20</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A721">21</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A722">22</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A723">23</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A724">24</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A725">25</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="21"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A726">26</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE VIII</span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A81">1</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A82">2</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A83">3</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A84">4</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A85">5</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A86">6</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A87">7</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A88">8</a></span></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A89">9</a></span></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A810">10</a></span></b></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A811">11</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A812">12</a></span></b></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A813">13</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A814">14</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A815">15</a></span></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A816">16</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus9.htm">LIVRE IX</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A91">1</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#A92">2</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A93">3</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A94">4</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A95">5</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A96">6</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A97">7</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A98">8</a></span></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A99">9</a></span></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A910">10</a></span></b></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A911">11</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A912">12</a></span></b></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A913">13</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A914">14</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A915">15</a></span></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A916">16</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A917">17</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A918">18</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A919">19</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus10.htm">LIVRE X</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A101">1</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A102">2</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A103">3</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A104">4</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A105">5</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#AX6">6</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A107">7</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A108">8</a></span></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A109">9</a></span></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1010">10</a></span></b></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1011">11</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1012">12</a></span></b></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1013">13</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1014">14</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1015">15</a></span></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1016">16</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1017">17</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A1018">18</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/atticus11.htm">LIVRE XI</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A111">1</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A112">2</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A113">3</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#A114">4</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A115">5</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A116">6</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A117">7</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A118">8</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A119">9</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1110">10</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="21"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1111">11</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1112">12</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="51"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1113">13</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1114">14</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1115">15</a></span></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1116">16</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1117">17</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1118">18</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1119">19</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1120">20</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1121">21</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1122">22</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1123">23</a></span></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1124">24</a></span></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A1125">25</a></span></b></div></td> <td bgcolor="#f0f0f0" width="21"></td> <td bgcolor="#f0f0f0" width="18"></td> <td bgcolor="#f0f0f0" width="51"></td> <td bgcolor="#f0f0f0" width="18"></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="4" width="136"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/atticus12.htm">LIVRE XII</a></b></span> </div><div align="justify"></div><div align="justify"></div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#A111">1</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A122">2</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A123">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A124">4</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A125">5</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A126">6</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FXII7">7</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII8">8</a></b></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A129">9</a></b></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#A1210">10</a></b></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII11">11</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII12">12</a></b></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII13">13</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII14">14</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII16">16</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII17">17</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#AXII18">18</a></b></span> </div><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;">(<a href="http://remacle.org/bloodwolf/orateurs/index.htm#AXII18b">b</a>)</span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/index.htm#AXII19">19</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII20">20</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII21">21</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII22">22</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII23">23</a></b></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII24">24</a></b></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII25">25</a></b></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII26">26</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII27">27</a></b></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII28">28</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII29">29</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII30">30</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII31">31</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII32">32</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII33">33</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII34">34</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII35">35</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII36">36</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII37">37</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII38">38</a></b></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII39">39</a></b></span></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII40">40</a></b></span></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII41">41</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII42">42</a></b></span></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII43">43</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII44">44</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII45">45</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII46">46</a></b></span></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII47">47</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII48">48</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII49">49</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII50">50</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII51">51</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII52">52</a></b></span></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXII53">53</a></b></span></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="4" width="136"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;">LIVRE XIII</span></b> </div><div align="justify"></div><div align="justify"></div><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXIII1">1</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXIII2">2</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXIII3">3</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIIIIV">4</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII5">5</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII6">6</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII7">7</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII8">8</a></span></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII9">9</a></span></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII10">10</a></span></b></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII11">11</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII12">12</a></span></b></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII13">13</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII14">14</a></span></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><span style="font-weight: 700;"><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII15">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII16">16</a></span></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII17">17</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII18">18</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII19">19</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII20">20</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII21">21</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII22">22</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII23">23</a></span></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII24">24</a></span></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII25">25</a></span></b></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#AXIII26">26</a></b></span></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII27">27</a></span></b></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII28">28</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII29"><span style="font-family: Verdana; font-size: x-small;">29</span></a></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII30"><span style="font-family: Verdana; font-size: x-small;">30</span></a></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII31"><span style="font-family: Verdana; font-size: x-small;">31</span></a></b></div></td> <td bgcolor="#f0f0f0" width="32"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII32"><span style="font-family: Verdana; font-size: x-small;">32</span></a></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII33"><span style="font-family: Verdana; font-size: x-small;">33</span></a></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII34">34</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII35">35</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII35">36</a></span></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII37">37</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII38"><span style="font-family: Verdana; font-size: x-small;">38</span></a></b></div></td> <td bgcolor="#f0f0f0" width="29"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII39"><span style="font-family: Verdana; font-size: x-small;">39</span></a></b></div></td> <td bgcolor="#f0f0f0" width="35"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII40"><span style="font-family: Verdana; font-size: x-small;">40</span></a></b></div></td> <td bgcolor="#f0f0f0" width="21"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII41"><span style="font-family: Verdana; font-size: x-small;">41</span></a></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIII42"><span style="font-family: Verdana; font-size: x-small;">42</span></a></b></div></td> <td bgcolor="#f0f0f0" width="51"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII43"><span style="font-family: Verdana; font-size: x-small;">43</span></a></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII44"><span style="font-family: Verdana; font-size: x-small;">44</span></a></b></div></td> <td bgcolor="#f0f0f0" width="18"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII45"><span style="font-family: Verdana; font-size: x-small;">45</span></a></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0" width="23"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII46"><span style="font-family: Verdana; font-size: x-small;">46</span></a></b></td> <td bgcolor="#f0f0f0" width="32"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII47"><span style="font-family: Verdana; font-size: x-small;">47</span></a></b></td> <td bgcolor="#f0f0f0" width="23"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#AXIII48"><span style="font-family: Verdana; font-size: x-small;">48</span></a></b></td> <td bgcolor="#f0f0f0" width="23"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIII49"><span style="font-family: Verdana; font-size: x-small;">49</span></a></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIII50"><span style="font-family: Verdana; font-size: x-small;">50</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIII51"><span style="font-family: Verdana; font-size: x-small;">51</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIII52"><span style="font-family: Verdana; font-size: x-small;">52</span></a></b></td> <td bgcolor="#f0f0f0" width="23"></td> <td bgcolor="#f0f0f0" width="29"></td> <td bgcolor="#f0f0f0" width="35"></td> <td bgcolor="#f0f0f0" width="21"></td> <td bgcolor="#f0f0f0" width="18"></td> <td bgcolor="#f0f0f0" width="51"></td> <td bgcolor="#f0f0f0" width="18"></td> <td bgcolor="#f0f0f0" width="18"></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="136"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;">LIVRE XIV</span></b></div></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV1">1</a></span></b></td> <td bgcolor="#f0f0f0" width="32"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV2">2</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV3">3</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV4">4</a></span></b></td> <td bgcolor="#f0f0f0"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV5">5</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV6">6</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV7">7</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV8">8</a></span></b></td> <td bgcolor="#f0f0f0" width="29"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#AXIV9">9</a></span></b></td> <td bgcolor="#f0f0f0" width="35"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV10">10</a></span></b></td> <td bgcolor="#f0f0f0" width="21"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV11">11</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV12">12</a></span></b></td> <td bgcolor="#f0f0f0" width="51"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV13">13</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV14">14</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXVI15">15</a></span></b></td></tr>
<tr> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV16">16</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="32"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV17">17</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV18">18</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV19">19</a></span></b></td> <td bgcolor="#f0f0f0" height="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV20">20</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV21">21</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV22">22</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="23"></td> <td bgcolor="#f0f0f0" height="23" width="29"></td> <td bgcolor="#f0f0f0" height="23" width="35"></td> <td bgcolor="#f0f0f0" height="23" width="21"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td> <td bgcolor="#f0f0f0" height="23" width="51"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/atticus15.htm">LIVRE XV</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV1">1</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXIV1b">b</a>)</span></b></td> <td bgcolor="#f0f0f0" width="32"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV2">2</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV3">3</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV4">4</a></span></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV5"><span style="font-family: Verdana; font-size: x-small;">5</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV6"><span style="font-family: Verdana; font-size: x-small;">6</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV7"><span style="font-family: Verdana; font-size: x-small;">7</span></a></b></td> <td bgcolor="#f0f0f0" width="23"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV8"><span style="font-family: Verdana; font-size: x-small;">8</span></a></b></td> <td bgcolor="#f0f0f0" width="29"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV9" name="90">9</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV9a">b</a>)</span></b></td> <td bgcolor="#f0f0f0" width="35"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV10">10</a></span></b></td> <td bgcolor="#f0f0f0" width="21"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV11">11</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV12">12</a></span></b></td> <td bgcolor="#f0f0f0" width="51"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV13">13</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV13b">b</a>)</span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV14">14</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV15">15</a></span></b></td></tr>
<tr> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV16">16</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV16a">b</a>)</span></b></td> <td bgcolor="#f0f0f0" height="23" width="32"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV17">17</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV18">18</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV19">19</a></span></b></td> <td bgcolor="#f0f0f0" height="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV20">20</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV21">21</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV22">22</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV23">23</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="29"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXV24">24</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="35"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV25"><span style="font-family: Verdana; font-size: x-small;">25</span></a></b></td> <td bgcolor="#f0f0f0" height="23" width="21"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV26">26</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV27">27</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="51"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV28">28</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXV29">29</a></span></b></td> <td bgcolor="#f0f0f0" height="23" width="18"></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" width="136"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/atticus16.htm">LIVRE XVI</a></span></b></div></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI1">1</a></span></b></td> <td bgcolor="#f0f0f0" width="32"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI2">2</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI3">3</a></span></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI4">4</a></span></b></td> <td bgcolor="#f0f0f0"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI5">5</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI6"><span style="font-family: Verdana; font-size: x-small;">6</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI7"><span style="font-family: Verdana; font-size: x-small;">7</span></a></b></td> <td bgcolor="#f0f0f0" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI8">8</a></span></b></td> <td bgcolor="#f0f0f0" width="29"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI9">9</a></span></b></td> <td bgcolor="#f0f0f0" width="35"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI10">10</a></span></b></td> <td bgcolor="#f0f0f0" width="21"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI11">11</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI12">12</a></span></b></td> <td bgcolor="#f0f0f0" width="51"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI13">13</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI13a">b</a>) (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI13b">c</a>)</span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI14">14</a></span></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI15">15</a></span></b></td></tr>
<tr> <td bgcolor="#f0f0f0" height="23" width="23"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#AXVI16">16</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI16a">a</a>) (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI16b">b</a>) (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI16c">c</a>) (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI16e">e</a>) (<a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#AXVI16f">f</a>)</span></b></td> <td bgcolor="#f0f0f0" height="23" width="32"></td> <td bgcolor="#f0f0f0" height="23" width="23"></td> <td bgcolor="#f0f0f0" height="23" width="23"></td> <td bgcolor="#f0f0f0" height="23"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td> <td bgcolor="#f0f0f0" height="23" width="23"></td> <td bgcolor="#f0f0f0" height="23" width="29"></td> <td bgcolor="#f0f0f0" height="23" width="35"></td> <td bgcolor="#f0f0f0" height="23" width="21"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td> <td bgcolor="#f0f0f0" height="23" width="51"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td> <td bgcolor="#f0f0f0" height="23" width="18"></td></tr>
</tbody></table><div align="justify"></div><div style="line-height: 150%;"><b><span style="font-family: Arial Unicode MS; font-size: large;">AD FAMILIARES</span></b></div><div style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS; font-size: large;">Si vous voulez le texte latin et l'ensemble d'un livre</span></span></div><div style="line-height: 150%;"><span style="font-weight: 700;"><span style="font-family: Arial Unicode MS;"><a href="http://remacle.org/bloodwolf/orateurs/fam1.htm">livre I</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam2.htm">livre 2</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam3.htm">livre 3</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam4.htm">livre 4</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam5.htm">livre 5</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam6.htm">livre 6</a> -<a href="http://remacle.org/bloodwolf/orateurs/fam7.htm"> livre 7</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam8.htm">livre 8</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam12.htm">livre 12</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam13.htm">livre 13</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam14.htm">livre 14</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam15.htm">livre 15</a> - <a href="http://remacle.org/bloodwolf/orateurs/fam16.htm">livre 16</a></span></span></div><div style="line-height: 150%;"></div><div align="center"><table border="1" id="table3"><tbody>
<tr> <td bgcolor="#ffffd7" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam1.htm">LIVRE I</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F11">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F12">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F13">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F14">4</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F15">5</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F15">b</a>)</b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F16">6</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F17">7</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FI8">8</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FI9">9</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FI10">10</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam2.htm">LIVRE II</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FII1">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FII2">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FII3">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FII4">4</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FII5">5</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FII6">6</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FII7">7</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FII8">8</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FII9">9</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FII10">10</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII11">11</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII12">12</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII13">13</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII14">14</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII15">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#FII16">16</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII17">17</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII18">18</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FII19">19</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam3.htm">LIVRE III</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FIII1">1</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FIII2">2</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FIII3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FIII4">4</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FIII5">5</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FIII6">6</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FIII7">7</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FIII8">8</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FIII9">9</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FIII10">10</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FIII11">11</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FIII12">12</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FIII13">13</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam4.htm">LIVRE IV</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F41">1</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F42">2</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F43">3</a></span></b></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F44">4</a></span></b></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FIV5">5</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FIV6">6</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F47">7</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F48">8</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F49">9</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FIV10">10</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F411">11</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FIV12">12</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F413">13</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FIV14">14</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F415">15</a></span></b></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam5.htm">LIVRE V</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#F51">1</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#F52">2</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F53">3</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F54">4</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#F55">5</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#F56">6</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#F57">7</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FV8">8</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FV9">9</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FV10a">10</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FV10b">b</a>)</b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FV11">11</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F512">12</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FV13">13</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FV14">14</a></b></span></div></td> <td bgcolor="#f0f0f0" height="30"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FV15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F516">16</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FV17">17</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FV18">18</a></b></span></td> <td bgcolor="#f0f0f0" width="19"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F519">19</a></b></span></td> <td bgcolor="#f0f0f0" width="52"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F520">20</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F521">21</a></b></span></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam6.htm">LIVRE VI</a></span></span> </div><div align="center"></div></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI1">1</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FVI2">2</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI3">3</a></b></span></td> <td bgcolor="#f0f0f0" width="19"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI4">4</a></b></span></td> <td bgcolor="#f0f0f0" width="52"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F65">5</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F66">6</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F67">7</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F68">8</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F69">9</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI10">10</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI10b">b</a>)</b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVI11">11</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI12">12</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F613">13</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F614">14</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVI15">15</a></b></span></td></tr>
<tr> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVI16">16</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FVI17">17</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FVI18">18</a></b></span></td> <td bgcolor="#f0f0f0" width="19"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FVI19">19</a></b></span></td> <td bgcolor="#f0f0f0" width="52"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FVI20">20</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FVI21">21</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F622">22</a></b></span></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="3" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam7.htm">LIVRE VII</a></span></span> </div><div align="justify"></div><div align="center"></div></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII1">1</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII2">2</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F73">3</a></b></span></td> <td bgcolor="#f0f0f0" width="19"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F74">4</a></b></span></td> <td bgcolor="#f0f0f0" width="52"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII5">5</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII6">6</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII7">7</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII8">8</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII9">9</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII10">10</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII11">11</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII12">12</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII13">13</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII14">14</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII15">15</a></b></span></td></tr>
<tr> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII16">16</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII17">17</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVII18">18</a></b></span></td> <td bgcolor="#f0f0f0" width="19"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FVII19">19</a></b></span></td> <td bgcolor="#f0f0f0" width="52"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FVII20">20</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII21">21</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII22">22</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FVII23">23</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII24">24</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII25">25</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F726">26</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F727">27</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F728">28</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII29">29</a></b></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII30">30</a></b></span></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FVII31">31</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVII32">32</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F733">33</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam8.htm">LIVRE VIII</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FVIII1">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII2">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII3">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII4">4</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII5">5</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII6">6</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII7">7</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII8">8</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII9">9</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FVIII10">10</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FVIII11">11</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FVIII12">12</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FVIII13">13</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FVIII14">14</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F815">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F816">16</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F817">17</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE IX</span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F91" name="F91">1</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F92">2</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F93">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F94">4</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F95">5</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F96">6</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F97">7</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FIX8">8</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F99">9</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FIX10">10</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FIX11">11</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FIX12">12</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/index.htm#FIX13">13</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm%7BFIX14">14</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F915">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F916">16</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F917">17</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F918">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F919">19</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F920">20</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FIX21">21</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FIX22">22</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F923">23</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FIX24">24</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FIX25">25</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F926">26</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="3" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE X</span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FX1">1</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FX2">2</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX4">4</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX5">5</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX6">6</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX7">7</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX8">8</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX9">9</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX10">10</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX11">11</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX12">12</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX13">13</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX14">14</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX16">16</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX17">17</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX18">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX19">19</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX20">20</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX21">21</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX22">22</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX23">23</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX24">24</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX25">25</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX26">26</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX27">27</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX28">28</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FX29">29</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FX30">30</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII31">31</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX32">32</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX33">33</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX34">34</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FX35">35</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE XI</span></span> </div><div align="center"></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXI1">1</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXI2">2</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXI4">4</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXI5">5</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXI6">6</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXI7">7</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI8">8</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI9">9</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI10">10</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI11">11</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI12">12</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI13">13</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI14">14</a></b></span></div></td> <td bgcolor="#f0f0f0" height="29"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI16">16</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI17">17</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI18">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI19">19</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI20">20</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI21">21</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXI22">22</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI23">23</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI24">24</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI25">25</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXI26">26</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXII27">27</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXII28">28</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXI29">29</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam12.htm">LIVRE XII</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXII1">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII2">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII3">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII4">4</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII5">5</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII6">6</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII7">7</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII8">8</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII9">9</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII10">10</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII11">11</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII12">12</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII13">13</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII14">14</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII15">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXII16">16</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXII17">17</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXII18">18</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXII19">19</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1220">20</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXII21">21</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII22">22</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII23">23</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII24">24</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII25">25</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII25a">b</a>)</span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII26">26</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXII27">27</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII28">28</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#FXII29">29</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#FXII30">30</a></span></span></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="6" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam13.htm">LIVRE XIII</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII1">1</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII2">2</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII4">4</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII5">5</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F136">6</a> (<a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#F136b">b</a>)</b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII7">7</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII8">8</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII9">9</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1310">10</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1311">11</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1312">12</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1313">13</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1314">14</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FXIII15">15</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres12.htm#FXIII16">16</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1317">17</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1318">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1319">19</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1320">20</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1321">21</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1322">22</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1323">23</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII21">24</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII25">25</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII26">26</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII27">27</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII28">28</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1329">29</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII30">30</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII31">31</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII32">32</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII33">33</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII34">34</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII35">35</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII36">36</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII37">37</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII38">38</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII39">39</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FXIII40">40</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXIII41">41</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXIII42">42</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII43">43</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII44">44</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII45">45</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII46">46</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII47">47</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII48">48</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXIII49">49</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII50">50</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII51">51</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII52">52</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII53">53</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII54">54</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII55">55</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII56">56</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII57">57</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII58">58</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII59">59</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXIII60">60</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII61">61</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII62">62</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIII63">63</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII64">64</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXIII65">65</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII66">66</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII67">67</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres10.htm#F1368">68</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII69">69</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII70">70</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII71">71</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXIII72">72</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXIII73">73</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FXIII74">74</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXIII75">75</a></b></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXIII76">76</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres13.htm#FXIII77">77</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1378">78</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1379">79</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam14.htm">LIVRE XIV</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F141">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F142">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F143">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#F144">4</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXIV5">5</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F146">6</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F147">7</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres8.htm#F148">8</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F149">9</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1410">10</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1411">11</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1412">12</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1413">13</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F1414">14</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1415">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1416">16</a></span></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1417">17</a></span></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F1418">18</a></span></span></td> <td bgcolor="#f0f0f0" width="19"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1419">19</a></span></span></td> <td bgcolor="#f0f0f0" width="52"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1420">20</a></span></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1421">21</a></span></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1422">22</a></span></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1423">23</a></span></span></td> <td bgcolor="#f0f0f0"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1424">24</a></span></span></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam15.htm">LIVRE XV</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV1">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV2">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV3">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV4">4</a></span></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXV5">5</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXV6">6</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV7">7</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV8">8</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV9">9</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV10">10</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXV11">11</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV12">12</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV13">13</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres5.htm#FXV14">14</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1515">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0" height="31"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXV16">16</a></span></span></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXV17">17</a></span></span></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXV18">18</a></span></span></div></td> <td bgcolor="#f0f0f0" height="31" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXV19">19</a></span></span></div></td> <td bgcolor="#f0f0f0" height="31" width="52"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXV20">20</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres9.htm#F1521">21</a></span></b></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td> <td bgcolor="#f0f0f0" height="31"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="88"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/fam16.htm">LIVRE XVI</a></span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI1">1</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI2">2</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI3">3</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI4">4</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI5">5</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI6">6</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI7">7</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F168">8</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres6.htm#FXVI9">9</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXVI10">10</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F1611">11</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres7.htm#F1612">12</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FXVI13">13</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FXVI14">14</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#FXVI15">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#FXVI16">16</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXVI17">17</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXVI18">18</a></b></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXVI19">19</a></b></span></div></td> <td bgcolor="#f0f0f0" width="52"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXVI20">20</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXVI21">21</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres11.htm#FXVI22">22</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXVI23">23</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres15.htm#FXVI24">24</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXVI25">25</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres14.htm#FXVI26">26</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#FXVI27">27</a></b></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
</tbody></table></div><div align="justify"></div><div style="line-height: 150%;"><span style="font-family: Arial Unicode MS; font-size: large;">AD QUINTUM</span></div><div align="center"><table border="1" id="table4"><tbody>
<tr> <td bgcolor="#ffffd7" valign="top" width="94"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE I</span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres1.htm#Q11">1</a> </span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#Q12">2</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#Q13">3</a></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#Q14">4</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="39"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" rowspan="2" valign="top" width="94"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE II</span></span> </div><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#Q21">1</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#Q22">2</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres2.htm#Q23">3</a></span></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q24">4</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q25">5</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q26">6</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q27">7</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q28">8</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q29">9</a></span></span></div></td> <td bgcolor="#f0f0f0" width="39"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#Q210">10</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QII11">11</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QII12">12</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QII13">13</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QII14">14</a></span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QII15">15</a></span></span></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QII16">16</a></span></span></div></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="19"></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0" width="39"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#ffffd7" valign="top" width="94"><div align="center"><span style="font-family: Verdana; font-size: x-small;"><span style="font-weight: 700;">LIVRE III</span></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres3.htm#QIII1">1</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII2">2</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII3">3</a></span></div></td> <td bgcolor="#f0f0f0" width="19"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII4">4</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII5">5</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII6">6</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII7">7</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII8">8</a></span></div></td> <td bgcolor="#f0f0f0"><div align="justify"><span style="font-family: Verdana; font-size: x-small; font-weight: 700;"><a href="http://remacle.org/bloodwolf/orateurs/lettres4.htm#QIII9">9</a></span></div></td> <td bgcolor="#f0f0f0" width="39"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
</tbody></table><div align="justify"></div><div style="line-height: 150%;"><span style="font-family: Arial Unicode MS; font-size: large;">AD BRUTUM</span></div><div align="center"><table border="1" id="table5"><tbody>
<tr> <td bgcolor="#ffffd7" rowspan="4" valign="top" width="94"><div align="center"></div></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres16.htm#B1"><span style="font-family: Verdana; font-size: x-small;">1</span></a></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B2"><span style="font-family: Verdana; font-size: x-small;">2</span></a></b></td> <td bgcolor="#f0f0f0"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B3">3</a></span></b></td> <td bgcolor="#f0f0f0" width="19"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B4">4</a></span></b></td> <td bgcolor="#f0f0f0"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B5">5</a></span></b></td> <td bgcolor="#f0f0f0" width="16"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B6"><span style="font-family: Verdana; font-size: x-small;">6</span></a></b></td> <td bgcolor="#f0f0f0"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B7">7</a></span></b></td> <td bgcolor="#f0f0f0" width="16"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B8">8</a></span></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B9"><span style="font-family: Verdana; font-size: x-small;">9</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B10"><span style="font-family: Verdana; font-size: x-small;">10</span></a></b></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B11">11</a></span></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B12"><span style="font-family: Verdana; font-size: x-small;">12</span></a></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B13"><span style="font-family: Verdana; font-size: x-small;">13</span></a></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B14"><span style="font-family: Verdana; font-size: x-small;">14</span></a></b></div></td> <td bgcolor="#f0f0f0"><div align="justify"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B15">15</a></span></b></div></td></tr>
<tr> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B16"><span style="font-family: Verdana; font-size: x-small;">16</span></a></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B17"><span style="font-family: Verdana; font-size: x-small;">17</span></a></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres18.htm#B18"><span style="font-family: Verdana; font-size: x-small;">18</span></a></b></td> <td bgcolor="#f0f0f0" width="19"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B19">19</a></span></b></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="16"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B23"><span style="font-family: Verdana; font-size: x-small;">21</span></a></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B22"><span style="font-family: Verdana; font-size: x-small;">22</span></a></b></td> <td bgcolor="#f0f0f0" width="16"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B23"><span style="font-family: Verdana; font-size: x-small;">23</span></a></b></td> <td bgcolor="#f0f0f0"><b><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B24"><span style="font-family: Verdana; font-size: x-small;">24</span></a></b></td> <td bgcolor="#f0f0f0" width="18"><b><span style="font-family: Verdana; font-size: x-small;"><a href="http://remacle.org/bloodwolf/orateurs/lettres17.htm#B25">25</a></span></b></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td></tr>
<tr> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="19"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="16"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="16"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="18"></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
<tr> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="19"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="16"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="16"></td> <td bgcolor="#f0f0f0"></td> <td bgcolor="#f0f0f0" width="18"></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td> <td bgcolor="#f0f0f0"><div align="justify"></div></td></tr>
</tbody></table></div><div align="justify"></div></div><div align="justify"></div><div align="justify"></div></div><br />
<div align="justify" style="line-height: 150%; margin-left: 150px; margin-right: 150px; text-indent: 30px;"></div><br />
<ul><li><span style="font-family: Arial Unicode MS; font-size: medium;">81 : <i><a href="http://remacle.org/bloodwolf/orateurs/quintius.htm">Pro Quinctio</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">80 : <i><a href="http://remacle.org/bloodwolf/orateurs/amerie.htm">Pro Roscio Amerino</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">77 : <i>P<a href="http://remacle.org/bloodwolf/orateurs/roscius.htm">ro Roscio Comodeo</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">70 : <i>In Verrem</i> <a href="http://remacle.org/bloodwolf/orateurs/cecilius.htm">DISCOURS CONTRE Q. CECILIUS. </a> <a href="http://remacle.org/bloodwolf/orateurs/verres1.htm">Action première contre Verrès.</a> <span style="font-family: Arial Unicode MS;">SECONDE ACTION CONTRE VERRÈS. <a href="http://remacle.org/bloodwolf/orateurs/verres2.htm">LIVRE PREMIER. SUR SA PRÉTURE DE ROME.</a> </span><a href="http://remacle.org/bloodwolf/orateurs/preture.htm">LIVRE SECOND. <span style="text-transform: uppercase;">préture de Sicile</span>, </a><a href="http://remacle.org/bloodwolf/orateurs/signis.htm">LIVRE TROISIÈME. DE SIGNIS </a> <a href="http://remacle.org/bloodwolf/orateurs/bles.htm">LIVRE IV. DE FRUMENTO</a> <a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm">LIVRE V. DE SUPPLICIIS </a></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">69 : <i>Pro Tullio</i> ; <a href="http://remacle.org/bloodwolf/orateurs/fonteius.htm"><i>Pro Fonteio</i> </a>; <i><a href="http://remacle.org/bloodwolf/orateurs/cecinia.htm">Pro Cæcina</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">66 : <a href="http://remacle.org/bloodwolf/orateurs/maniliatrad.htm"><i>Pro lege Manilia</i>,</a> </span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">66 : <i><a href="http://remacle.org/bloodwolf/orateurs/cluentius.htm">Pro Cluentio</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">63 : Discours <i><a href="http://remacle.org/bloodwolf/orateurs/agra1.htm">De Lege agraria contra Rullum</a></i> ; <a href="http://remacle.org/bloodwolf/orateurs/rabirius.htm"><i>Pro Rabirio Perduellionis Reo</i> </a>; <i><a href="http://remacle.org/bloodwolf/orateurs/catilinaire1.htm">In Catilinam I-IV</a></i> ; <i><a href="http://remacle.org/bloodwolf/orateurs/murena.htm">Pro Murena</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">62 : <a href="http://remacle.org/bloodwolf/orateurs/sylla.htm"><i>Pro Sulla</i> </a>; <i><a href="http://remacle.org/bloodwolf/orateurs/archiatrad.htm">Pro Archia</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">59 : <i><a href="http://remacle.org/bloodwolf/orateurs/flaccus.htm">Pro Flacco</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">57 : <i><a href="http://remacle.org/bloodwolf/orateurs/quirites.htm">Post Reditum in Quirites</a></i> ; <a href="http://remacle.org/bloodwolf/orateurs/retour.htm"><i>Post Reditum in Senatu</i> </a> ; <i>Pro Domo sua ;</i> <i><a href="http://remacle.org/bloodwolf/orateurs/aruspices.htm">De Haruspicum responsis</a></i> </span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">56 : <a href="http://remacle.org/bloodwolf/orateurs/sextius.htm"><i>Pro Sestio</i> </a>; <i><a href="http://remacle.org/bloodwolf/orateurs/vatinus.htm">In Vatinium</a></i> ; <i><a href="http://remacle.org/bloodwolf/orateurs/caelius.htm">Pro Cælio</a></i> ; <i><a href="http://remacle.org/bloodwolf/orateurs/balbus.htm">Pro Balbo</a></i></span> </li>
</ul><br />
<dl><dd>
<dl><dd><span style="font-family: Arial Unicode MS; font-size: medium;"><a href="http://remacle.org/bloodwolf/orateurs/consulaires.htm"><i>De Provinciis consularibus</i> </a></span></dd></dl></dd></dl><br />
<ul><li><span style="font-family: Arial Unicode MS; font-size: medium;">55 : <i><a href="http://remacle.org/bloodwolf/orateurs/pison.htm">In Pisonem</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">54 : <a href="http://remacle.org/bloodwolf/orateurs/plancius.htm"><i>Pro Cn. Plancio</i> </a>; <a href="http://remacle.org/bloodwolf/orateurs/rabiriuspost.htm"><i>Pro Rabirio Postumo</i> </a>; <i>Pro Scauro</i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">52 : <a href="http://remacle.org/bloodwolf/orateurs/milon.htm"><i>Pro Milone</i> </a>:</span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">46 <i><a href="http://remacle.org/bloodwolf/orateurs/marcellotrad.htm">Pro Marcello</a></i> ; <i><a href="http://remacle.org/bloodwolf/orateurs/ligarius.htm">Pro Ligario</a></i> ; <i><a href="http://remacle.org/bloodwolf/orateurs/dejotarius.htm">Pro Rege Deiotarus</a></i></span> </li>
<li><span style="font-family: Arial Unicode MS; font-size: medium;">44 : <i>Philippiques</i>, <a href="http://remacle.org/bloodwolf/orateurs/phil1.htm">I</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil2.htm">II</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil3.htm">III</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil4.htm">IV</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil5.htm">V</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil6.htm">VI</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil7.htm">VII</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil8.htm">VIII</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil9.htm">IX</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil10.htm">X</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil11.htm">XI</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil12.htm">XII</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil13.htm">XIII</a> - <a href="http://remacle.org/bloodwolf/orateurs/phil14.htm">XIV</a></span> </li>
</ul><br />
<div align="center"></div><br />
<div align="center"><span style="font-family: Arial Unicode MS; font-size: medium;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/quintius.htm">PLAIDOYER POUR QUINTIUS</a><br />
<b> </b><a href="http://remacle.org/bloodwolf/orateurs/dejotarius.htm">PLAIDOYER POUR LE ROI DEJOTARUS.</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/milon.htm">PRO MILONE</a></span><br />
<br />
<span style="font-family: Arial Unicode MS; font-size: xx-small;"><span style="font-size: medium;"><a href="http://remacle.org/bloodwolf/orateurs/balbus.htm">DISCOURS POUR L. CORNELIUS BALBUS.</a><br />
</span><br />
<span style="font-family: Arial Unicode MS; font-size: medium;"><br />
</span><br />
<br />
<span style="font-size: medium;"><a href="http://remacle.org/bloodwolf/orateurs/ligarius.htm">PLAIDOYER POUR Q. LIGARIUS.</a></span><br />
<span style="font-size: medium;"><a href="http://remacle.org/bloodwolf/orateurs/roscius.htm">PLAIDOYER POUR Q. ROSCIUS LE COMÉDIEN</a></span><br />
<span style="font-family: Arial Unicode MS; font-size: medium;"><b> </b><a href="http://remacle.org/bloodwolf/orateurs/amerie.htm">PLAIDOYER POUR SEXTUS ROSCIUS D'AMERIE</a></span></span></div><span style="font-family: Arial Unicode MS; font-size: xx-small;"> </span><br />
<span style="font-family: Arial Unicode MS; font-size: xx-small;"></span><br />
<span style="font-family: Arial Unicode MS; font-size: xx-small;"><div align="center" style="line-height: 150%; margin-left: 100px; margin-right: 100px;"></div><br />
<div align="center" style="line-height: 150%; margin-left: 100px; margin-right: 100px;"></div></span> <br />
<div align="center"><span style="font-family: Arial Unicode MS; font-size: medium;"><span style="text-transform: uppercase;"><span style="color: green;"><b>Verrines</b></span> : </span></span></div><br />
<div align="center"><span style="font-family: Arial Unicode MS; font-size: medium;"><a href="http://remacle.org/bloodwolf/orateurs/cecilius.htm">DISCOURS CONTRE Q. CECILIUS. </a></span></div><span style="font-family: Arial Unicode MS; font-size: medium;"> </span><br />
<span style="font-family: Arial Unicode MS; font-size: medium;"></span><br />
<span style="font-family: Arial Unicode MS; font-size: medium;"><div align="center" style="line-height: 200%; margin-left: 100px; margin-right: 100px;"><a href="http://remacle.org/bloodwolf/orateurs/verres1.htm">Action première contre Verrès.</a></div><span style="font-family: Arial Unicode MS;"> </span><br />
<span style="font-family: Arial Unicode MS;"><div align="center" style="line-height: 200%; margin-left: 100px; margin-right: 100px;">SECONDE ACTION CONTRE VERRÈS. </div><br />
<div align="center" style="margin-left: 100px; margin-right: 100px;"><a href="http://remacle.org/bloodwolf/orateurs/verres2.htm">LIVRE PREMIER. SUR SA PRÉTURE DE ROME.</a></div></span><div align="center" style="margin-left: 100px; margin-right: 100px;"><br />
<a href="http://remacle.org/bloodwolf/orateurs/preture.htm">LIVRE SECOND. <span style="text-transform: uppercase;">préture de Sicile</span>, </a><br />
<a href="http://remacle.org/bloodwolf/orateurs/signis.htm">LIVRE TROISIÈME. DE SIGNIS </a><br />
<a href="http://remacle.org/bloodwolf/orateurs/bles.htm">LIVRE IV. DE FRUMENTO</a><br />
<a href="http://remacle.org/bloodwolf/orateurs/suppliciis.htm">LIVRE V. DE SUPPLICIIS </a></div></span><br />
<div align="center" style="margin-left: 100px; margin-right: 100px;"></div><br />
<div align="center"></div><br />
<div align="center"><b><span style="color: green; font-family: Arial Unicode MS; font-size: medium;">PHILIPPIQUES</span></b></div><br />
<div align="center"><span style="font-family: Arial Unicode MS; font-size: medium;"> - <a href="http://remacle.org/bloodwolf/orateurs/phil14.htm">XIV</a></span></div><br />
<br />
<br />
<div align="center"></div><br />
<div align="center"><span style="font-family: Verdana; font-size: xx-small;"><br />
</span></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-5318898683492141252012-01-07T16:10:00.000-08:002012-02-11T10:45:46.872-08:00Reflexões sobre o ensino de Língua Latina em cursos superiores de Letras Modernas<div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; text-align: justify;"><span style="font-size: large;"><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">por Samantha de Moura Maranhão</span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">*<o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; text-align: justify;"><b><span style="color: white; font-family: "Garamond-Bold","serif"; mso-bidi-font-family: Garamond-Bold;"><span style="font-size: large;">Resumo<o:p></o:p></span></span></b></div><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; text-align: justify;"><span style="font-size: large;"><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">Este artigo propõe uma reflexão sobre o ensino de Latim em cursos superiores de Letras Modernas, considerando,</span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">particularmente, o objeto ensinado, os objetivos da disciplina e a carga horária dedicada ao ensino </span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">da referida língua. Pauta-se na análise da ementa de programas vigentes em diferentes instituições públicas </span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">de ensino superior nas quais são ofertadas simultaneamente licenciaturas em Letras Clássicas e Modernas.<o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; text-align: justify;"><span style="font-size: large;"><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">Critica a ênfase no ensino da estrutura morfossintática da língua e de léxico em um ou dois semestres, com a </span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">prática da tradução de sentenças descontextualizadas e de (fragmentos de) textos, em detrimento do estudo </span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">da sócio-história da língua latina, com a possibilidade de compreensão da origem vulgar da língua portuguesa, </span><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">bem como dos latinismos que em norma mais tensa figuram como cultismos.</span></span></div><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"><br />
</div><div class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">Palavras-Chave: Ensino de Línguas Clássicas. Ensino de Latim. Linguística Aplicada. Filologia Românica.</span></div><div class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span style="color: black; font-family: "Garamond","serif"; mso-bidi-font-family: Garamond;">Para ler o artigo completo: <a href="http://www.editoraufjf.com.br/revista/index.php/revistainstrumento/article/viewFile/4/4">http://www.editoraufjf.com.br/revista/index.php/revistainstrumento/article/viewFile/4/4</a></span></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-72538956861413229762012-01-04T06:35:00.000-08:002012-01-04T06:35:15.658-08:00Documentário sobre os Jogos de Gladiadores<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-64nlLpCeR0k/TwRjPDuKYpI/AAAAAAAAAxA/Wr-axddGsE8/s1600/gladiatores.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="304" src="http://4.bp.blogspot.com/-64nlLpCeR0k/TwRjPDuKYpI/AAAAAAAAAxA/Wr-axddGsE8/s320/gladiatores.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/qXr6FmNJHck?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/uKqDtr3N4Ew?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/QNJPdekUHAE?feature=player_embedded' frameborder='0'></iframe></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-70398697894435664472012-01-04T06:23:00.000-08:002012-01-04T06:26:13.549-08:00Hino a Vênus (T. Lucrécio Caro, De Rerum Natura I, 1-27)<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-M_WcLZ9ysd8/TwRge8qhb6I/AAAAAAAAAw0/PtPKSE9zfeQ/s1600/PIC980O.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="250" src="http://3.bp.blogspot.com/-M_WcLZ9ysd8/TwRge8qhb6I/AAAAAAAAAw0/PtPKSE9zfeQ/s400/PIC980O.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="commentBody" data-jsid="text">O poema abaixo inspirou Botticelli na composição desta célebre pintura. Claramente estão retratados os seguintes versos: quae mare navigerum, quae terras frugiferentis \ concelebras per te quoniam genus omne animantum \ concipitur visitque exortum lumina solis</span><br />
<br />
<span class="messageBody" data-ft="{"type":3}"></span><br />
<span class="messageBody" data-ft="{"type":3}"><div class="text_exposed_root text_exposed" id="id_4f046098428358e02912603"><span style="font-size: large;">Aeneadum genetrix, hominum divomque voluptas,<br />
alma Venus, caeli subter labentia signa<br />
quae mare navigerum, quae terras frugiferentis<br />
concelebras, per te quoniam genus omne animantum<br />
concipitur visitque exortum lumina solis: <br />
<span class="text_exposed_hide">...</span></span><span class="text_exposed_show"><span style="font-size: large;"> te, dea, te fugiunt venti, te nubila caeli<br />
adventumque tuum, tibi suavis daedala tellus<br />
summittit flores, tibi rident aequora ponti<br />
placatumque nitet diffuso lumine caelum.<br />
nam simul ac species patefactast verna diei <br />
et reserata viget genitabilis aura favoni,<br />
aeriae primum volucris te, diva, tuumque<br />
significant initum perculsae corda tua vi.<br />
inde ferae pecudes persultant pabula laeta <br />
et rapidos tranant amnis: ita capta lepore <br />
te sequitur cupide quo quamque inducere pergis. <br />
denique per maria ac montis fluviosque rapacis<br />
frondiferasque domos avium camposque virentis<br />
omnibus incutiens blandum per pectora amorem<br />
efficis ut cupide generatim saecla propagent. <br />
quae quoniam rerum naturam sola gubernas<br />
nec sine te quicquam dias in luminis oras<br />
exoritur neque fit laetum neque amabile quicquam,<br />
te sociam studeo scribendis versibus esse,<br />
quos ego de rerum natura pangere conor <br />
Memmiadae nostro, quem tu, dea, tempore in omni<br />
omnibus ornatum voluisti excellere rebus.</span><br />
</span></div></span><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/0gF908y0QNw?feature=player_embedded' frameborder='0'></iframe></div></td></tr>
</tbody></table>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-30078613195535846102012-01-02T06:20:00.000-08:002012-02-11T12:40:56.710-08:00Rhetorical Criticism: History, Purpose, and Method<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-R5cmsZ4hopo/TwG8wcn2skI/AAAAAAAAAwo/SRbMHVLNYzk/s1600/papiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-R5cmsZ4hopo/TwG8wcn2skI/AAAAAAAAAwo/SRbMHVLNYzk/s320/papiro.jpg" width="213" /></a></div><br />
<div style="text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: large; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">By Michael Morrison </span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">My research goal is to explore the function of the new covenant in the parenesis of Hebrews. <span style="display: none; mso-hide: all;">Questa è una questione di come l'argomento di Ebrei opere, cioè, la sua strategia retorica.</span> This is a question of how the argument of Hebrews works, that is, its rhetorical strategy. <span style="display: none; mso-hide: all;">È pertanto opportuno indagine il metodo investigativo conosciuto come una critica retorica, per questo metodo è stato progettato per studiare domande come ho.</span> It is therefore appropriate to survey the investigative method known as rhetorical criticism, for this method is designed to study questions such as I have. <span style="display: none; mso-hide: all;">Comincerò con una breve storia, chiarire il metodo, e affrontare i problemi all'interno della disciplina.</span> I will begin with a brief history, clarify the method, and address problems within the discipline. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Storia</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> History <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Duane Watson scrive: "Ci è sempre stata limitata critica classica retorica del Nuovo Testamento. Questo ha quasi sempre riguardato questioni stilistiche, in particolare figure di parola e di pensiero, e le questioni di genere e forma. Ad esempio, sant'Agostino ha analizzato lo stile retorico degli scrittori biblici, in particolare Paolo, nel libro IV della sua opera <i>sulla dottrina cristiana,</i> e il Venerabile Beda nel suo <i>De schematibus tropi et</i> analizzato figure e tropi in entrambi i Testamenti. "1" Melantone ... ha scritto commenti retorici su Romani e ai Galati utilizzando le convenzioni classiche d'invenzione, la disposizione e lo stile, così come più moderne concezioni di questi Erasmus .... ... fornito analisi retorica di 1 e 2 Corinzi .... Calvino ... oltre a notare le caratteristiche retoriche (soprattutto stilistiche ) in tutta la sua commentari al Nuovo Testamento, dà una analisi retorica dei Romani. "2</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Duane Watson writes, "There has always been limited classical rhetorical criticism of the New Testament. This has almost always pertained to stylistic matters, especially figures of speech and thought, and matters of genre and form. For example, Saint Augustine analyzed the rhetorical style of the biblical writers, especially Paul, in Book IV of his work <i>On Christian Doctrine,</i> and the Venerable Bede in his <i>De schematibus et tropis</i> analyzed figures and tropes in both Testaments."1 "Melanchthon...wrote rhetorical commentaries on Romans and Galatians utilizing classical conventions of invention, arrangement, and style, as well as more modern conceptions of these.... Erasmus...provided rhetorical analyses of 1 and 2 Corinthians.... Calvin...besides noting rhetorical features (particularly stylistic) throughout his commentaries on the New Testament, gives a rhetorical analysis of Romans."2 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Wilhelm Wuellner osserva che l'attenzione era su stilistica: "Retorica continuato a svolgere un ruolo cruciale nella interpretazione della Bibbia, sia come parte della <i>lectio divina tradizionale,</i> o come parte della <i>moderna via</i> coltivata dalle università emergenti europei a partire dal 12 ° secolo. Uno degli sviluppi che hanno interessato l'ermeneutica sacra e profana è stata l'identificazione virtuale di poetica e retorica nel Rinascimento. "3</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Wilhelm Wuellner notes that the focus was on stylistics: "Rhetoric continued to play a crucial role in the interpretation of the Bible, whether as part of the traditional <i>lectio divina,</i> or as part of the <i>via moderna</i> cultivated by the emerging European universities beginning in the 12th century. One of the developments that affected sacred and secular hermeneutics was the virtual identification of poetics and rhetorics in the Renaissance."3 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Olbricht Thomas scrive: "gli studiosi puritana abbracciato in particolare la retorica grammatica e la logica di Pietro Ramus .... Gli studiosi della Bibbia dell'era preso in prestito da queste intuizioni, strutturazione commenti secondo i dettami delle divisioni Ramian logico e suddivisioni. Partire nel 1730 , l'interesse per la retorica oratoria e ritorno alla tradizione classica, in particolare il ciceroniano. "4 Ramus rafforzato l'identificazione di retorica stilistica con concerns.5</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Thomas Olbricht writes, "Puritan scholars embraced particularly the grammar, rhetoric and logic of Peter Ramus.... The biblical scholars of the era borrowed from these insights, structuring commentaries according to the dictates of the Ramian logical divisions and subdivisions. Beginning in 1730, interest in oratory and rhetoric returned to the classical traditions, especially the Ciceronian."4 Ramus reinforced the identification of rhetoric with stylistic concerns.5 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Folker Siegert scrive che Johann Bengel gli appunti erano "basate su una conoscenza magistrale di retorica", ". Dal naturale (o intrinseco) la forza delle parole" il suo <i>Gnomone</i> (1742) aveva il sottotitolo 6 Nel 1753, Robert Lowth pubblicato le sue lezioni su parallelismo in OT poetry.7 Jack Lundbom osserva che la retorica classica "vissuto una rinascita in precedenza nella metà del 18 ° secolo, quando, per la prima volta, le opere di Cicerone e Quintiliano divenne ampiamente disponibile e nuovi libri di testo sulla teoria retorica e la pratica sono stati scritti "8. Watson scrive:" La Germania divenne il centro di analisi retorica del Nuovo Testamento alla fine degli anni 18 al inizio del 20esimo secolo. importanti in questo flusso di tradizione è lo studio massiccia Karl Ludwig Bauer di utilizzo di Paolo di tecniche classiche di retorica. "9 Olbricht osserva che Johann Ernesti avviato (o rivivere) un trend stilistico di studies.10 studiosi inglesi incluso John Jebb e Thomas Boys.11</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Folker Siegert writes that Johann Bengel's notes were "based on a masterful knowledge of rhetoric"; his <i>Gnomon</i> (1742) had the subtitle "from the natural (or inherent) strength of the words."6 In 1753, Robert Lowth published his lectures on parallelism in OT poetry.7 Jack Lundbom notes that classical rhetoric "experienced an earlier revival in the mid-18th century, when, for the first time, the works of Cicero and Quintilian became widely available and new textbooks on rhetorical theory and practice were written."8 Watson writes, "Germany became the center of rhetorical analysis of the New Testament in the late 18th to early 20th centuries. Important in this stream of tradition is Karl Ludwig Bauer's massive study of Paul's use of classical rhetorical techniques."9 Olbricht notes that Johann Ernesti started (or revived) a trend of stylistic studies.10 English scholars included John Jebb and Thomas Boys.11 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'attenzione continua ad essere sullo stile.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The emphasis continued to be on style. <span style="display: none; mso-hide: all;">Lundbom scrive: "Il 19 ° secolo anche assistito ad una specializzazione delle discipline che tronca la retorica, al punto che è diventato associato soprattutto con <i>belle lettere</i> sua enfasi era ormai in gran parte la correttezza, lo stile e l'apprezzamento estetico della <i>letteratura.."</i> 12 studi retorici sono stati anche fatto da Royaards, Wilke, Blass, Norden, Heinrici, König, Weiss, Bultmann, Windisch e Bullinger.13 "Dal momento che questa effusione al volgere del secolo, la retorica del Nuovo Testamento ha ricevuto solo un trattamento limitato." 14</span> Lundbom writes: "The 19th century also witnessed a specialization of disciplines that truncated rhetoric to the point that it became associated primarily with <i>belles-lettres.</i> Its emphasis was now largely on correctness, style, and the aesthetic appreciation of literature."12 Rhetorical studies were also done by Royaards, Wilke, Blass, Norden, Heinrici, König, Weiss, Bultmann, Windisch, and Bullinger.13 "Since this outpouring at the turn of the century, the rhetoric of the New Testament has received only limited treatment."14 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Il declino negli studi retorici potrebbe essere stato causato dalla scarsa utilità degli studi stilistici.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The decline in rhetorical studies may have been caused by the limited usefulness of stylistic studies. <span style="display: none; mso-hide: all;">Wuellner scrive: "Con la nascita della storica (= scientifica o moderna) la critica, la retorica divenne emarginati fino al punto di estinzione vicino o almeno crescente irrilevanza, in contrasto con la sua 1500 anni lunga fondamentale importanza per l'esegesi." 15 Lundbom dà la stessa valutazione: "Stile, che tesoro del Rinascimento, dominata istruzione retorica in altri college e università americane fino alla fine del 19 ° secolo, con il risultato che nel 1900 la retorica si è trovato in netto declino." 16 anche Watson: "Nuovo studi testamento divenne isolata dalla retorica "- forse perché" la retorica è stata troncata ed era venuto a essere intesa come stile semplice ornamento o "17.</span> Wuellner writes, "With the rise of historical (= scientific or modern) criticism, rhetoric became marginalised to the point of near extinction or at least increasing irrelevance, in contrast to its fifteen hundred year-long central importance to exegesis."15 Lundbom gives the same assessment: "Style, that darling of the Renaissance, dominated rhetorical instruction in other American colleges and universities through the end of the 19th century, with the result that by 1900 rhetoric found itself in sharp decline."16 Watson also: "New Testament studies became isolated from rhetoric"--perhaps because "rhetoric was truncated and had come to be understood as mere style or ornament."17 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, osserva Lundbom c'erano i semi della rinascita tra gli studiosi laici:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> However, Lundbom notes there were the seeds of revival among secular scholars: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Gli inizi della [moderna] critica retorica appartengono ad una rinascita della retorica classica che ebbe luogo in college e università americane tra il 1900 e il 1925, un tempo, ironia della sorte, quando un movimento vecchio retorica in molte delle stesse istituzioni da poco estinto ....</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The beginnings of [modern] rhetorical criticism belong to a revival of classical rhetoric that took place in American colleges and universities between 1900 and 1925, a time, ironically enough, when an older rhetorical movement in many of the same institutions had only recently died out.... <span style="display: none; mso-hide: all;">Cornell nel 1920 fu al centro di questo nuovo interesse per la retorica classica e divenne il luogo dove nacque la critica retorica ....</span> Cornell in the 1920s was the center of this new interest in classical rhetoric and became the place where rhetorical criticism was born.... <span style="display: none; mso-hide: all;">E 'stato' saggio molto influente, 'Herbert Wichelns la critica letteraria di Oratorio,' [1925] che ha definito 'la critica retorica' e tracciato il suo programma ....</span> It was Herbert Wichelns' highly influential essay, 'The Literary Criticism of Oratory,' [1925] which defined 'rhetorical criticism' and mapped out its agenda.... <span style="display: none; mso-hide: all;">Wichelns stato dopo un discorso persuasivo di quality.18</span> Wichelns was after a speech's persuasive quality.18 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Questo fine filtrate in studi biblici attraverso James Muilenburg, uno studioso OT che aveva avuto qualche esperienza in classici e literature.19</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> This eventually filtered into biblical studies through James Muilenburg, an OT scholar who had some background in classics and literature.19 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Muilenburg</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>Muilenburg</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Dopo alcuni decenni di abbandono tra gli studiosi biblici, critica retorica ha ricevuto una certa pubblicità rivivificante nel 1968, quando Muilenburg descritto il bisogno di essa e il nome della disciplina nel suo discorso presidenziale SBL address.20 Muilenburg ha contribuito a fornire la definizione, la direzione e impulso per questo approccio alla Scritture.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> After several decades of neglect among biblical scholars, rhetorical criticism received some revivifying publicity in 1968, when Muilenburg described the need for it and named the discipline in his SBL presidential address.20 Muilenburg's speech helped provide definition, direction and impetus for this approach to the Scriptures. <span style="display: none; mso-hide: all;">I suoi studenti ha fornito un nucleo di praticanti di questo sotto-disciplina, in particolare per l'OT, e altri studiosi si unì gli studi retorici per il NT sono stati stimolati soprattutto da HD Betz con una lezione sulla Galati nel 1974 seguita da un commento a 1979,21</span> His students provided a nucleus of practitioners of this subdiscipline, particularly for the OT, and other scholars joined in. Rhetorical studies for the NT were stimulated especially by HD Betz with a lecture on Galatians in 1974 followed by a commentary in 1979.21 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, ciò che Muilenburg chiamarsi critica retorica non era esattamente la stessa cosa laica critici letterari chiamato critiche retoriche, 22 e quando gli studiosi biblici sono interessato "critica retorica", alcuni non si sono limitati alla definizione di Muilenburg.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> However, what Muilenburg called rhetorical criticism was not exactly the same as what secular literary critics called rhetorical criticism,22 and when biblical scholars became interested in "rhetorical criticism," some did not limit themselves to Muilenburg's definition. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Muilenburg cominciato lodando critica delle forme, che era stato lanciato da Hermann Gunkel.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Muilenburg began by praising form criticism, which had been pioneered by Hermann Gunkel. <span style="display: none; mso-hide: all;">Ha descritto ciò che Gunkel aveva fatto: "L'entità del suo contributo alla borsa di studio biblico è quello di essere spiegato in parte dal fatto che la critica storica era giunto ad un vicolo cieco, soprattutto a causa degli eccessi di analisi fonte .... Gunkel mai rinnegato questa metodo ... ma affermò che era insufficiente per rispondere alle richieste più urgenti e naturale del lettore. "23 spostare Gunkel costituire un precedente per quello che Muilenburg voluto fare, perché vedeva la critica si forma come proveniente da un vicolo cieco.</span> He described what Gunkel had done: "The magnitude of his contribution to biblical scholarship is to be explained in part by the fact that historical criticism had come to an impasse, chiefly because of the excesses of source analysis.... Gunkel never repudiated this method...but rather averred that it was insufficient for answering the most pressing and natural queries of the reader."23 Gunkel's move set a precedent for what Muilenburg wished to do, for he saw form criticism itself as having come to an impasse. <span style="display: none; mso-hide: all;">Lui non voleva ripudiare, ma per dire che era inadeguato per le domande ha portato al testo.</span> He did not want to repudiate it, but to say that it was inadequate for the questions he brought to the text. <span style="display: none; mso-hide: all;">Muilenburg ha detto:</span> Muilenburg said: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Lo studioso avveduto non mancherà di integrare la sua forma-critica analisi con un accurato controllo del gruppo letterario nella sua formulazione precisa e unica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The circumspect scholar will not fail to supplement his form-critical analysis with a careful inspection of the literary unit in its precise and unique formulation. <span style="display: none; mso-hide: all;">Egli non sarà completamente vincolato gli elementi tradizionali e motivi del genere letterario, il suo compito non sarà completata fino a che non ha tenuto pienamente conto delle caratteristiche che si trovano oltre lo spettro del genre.24</span> He will not be completely bound by the traditional elements and motifs of the literary genre; his task will not be completed until he has taken full account of the features which lie beyond the spectrum of the genre.24 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">In altre parole, il critico cercherà non solo i modi in cui un passaggio è simile ad altri, ma anche il modo che sia unico, il modo in cui essa si discosta dalla "forma".</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> In other words, the critic will look not only the ways in which a passage is similar to others, but also the way that it is unique, the way that it deviates from the "form." <span style="display: none; mso-hide: all;">Dopo che il modulo è stato determinato, "resta pur sempre il compito di discernere l'attualità del testo particolare." 25 Roy Melugin è sintetizzato bene: "Un testo dato è quasi sempre un misto di tipico e unico .... Buona esegesi, poi, sarà lo studio sia il tipico e unico. "26</span> After the form has been determined, "there still remains the task of discerning the actuality of the particular text."25 Roy Melugin summarized it well: "A given text is almost invariably a mixture of the typical and the unique.... Good exegesis, then, will study both the typical and the unique."26 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Muilenburg notato alcuni precedenti per il tipo di analisi ha sostenuto: "Il campo della stilistica o di critica estetica è oggi fiorente, e la letteratura che ha raccolto su di esso è impressionante, forse il suo rappresentante più importante è Alonzo <i>[sic]</i> Schökel ... <i>de Estudios. Poetica Hebraea</i> (1963). "27 Egli ha osservato che gli studiosi antichi come Girolamo e dei rabbini erano spesso attento" alle questioni di stile. "28 Muilenburg Anche se usato il <i>stilistica</i> parola per questi studiosi precedenti, è stato per qualche ragione non soddisfatto di questo termine:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Muilenburg noted some precedents for the type of analysis he advocated: "The field of stylistics or aesthetic criticism is flourishing today, and the literature that has gathered about it is impressive. Perhaps its foremost representative is Alonzo [ <i>sic</i> ] Schökel... <i>Estudios de Poetica Hebraea</i> (1963)."27 He noted that ancient scholars such as Jerome and the rabbis were often attentive "with matters of style."28 Although Muilenburg used the word <i>stylistics</i> for these previous scholars, he was for some reason not satisfied with this term: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'aspetto di tutte queste opere che mi sembra più fruttuoso e gratificante io preferirei indicare con un termine diverso stilistica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The aspect of all these works which seems to me most fruitful and rewarding I should prefer to designate by a term other than stylistics. <span style="display: none; mso-hide: all;">Ciò che mi interessa, soprattutto, è nella comprensione della natura della composizione letteraria ebraica, ad esporre i modelli strutturali che vengono impiegate per la modellare di una unità letteraria, sia in poesia o in prosa, e nel discernere i molti dispositivi e vari con cui il predicazioni sono formulati e ordinati in un tutto unitario.</span> What I am interested in, above all, is in understanding the nature of Hebrew literary composition, in exhibiting the structural patterns that are employed for the fashioning of a literary unit, whether in poetry or in prose, and in discerning the many and various devices by which the predications are formulated and ordered into a unified whole. <span style="display: none; mso-hide: all;">Una tale impresa avrei dovuto descrivere come retorica e la metodologia come retorica criticism.29</span> Such an enterprise I should describe as rhetoric and the methodology as rhetorical criticism.29 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Muilenburg dichiarato tre interessi principali: composizione letteraria, modelli strutturali e dispositivi letteraria, tutti e tre dei quali riguardavano il modo in cui è stato scritto un passaggio.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Muilenburg stated three main interests: literary composition, structural patterns, and literary devices, all three of which concerned the way in which a passage was written. <span style="display: none; mso-hide: all;">Egli non ha spiegato perché i tre non si sposava bene con il termine <i>stilistica,</i> 30 né ha spiegato perché ha scelto la <i>retorica termine.</i> Questo era un problema, per la <i>retorica</i> parola potrebbe includere più di questioni strutturali.</span> He did not explain why these three did not fit well under the term <i>stylistics,</i> 30 nor did he explain why he chose the term <i>rhetoric.</i> This was a problem, for the word <i>rhetoric</i> could include more than structural matters. <span style="display: none; mso-hide: all;">Aristotele aveva definito la retorica come "la facoltà di osservare in ogni caso, dato i mezzi di persuasione." 31 Come si vedrà in seguito, questo interesse per la persuasione è stato ripreso da alcuni critici moderni retorica, e questo interesse tende a concentrarsi non tanto su dispositivi letterario e struttura, ma lo <i>scopo</i> per cui vengono utilizzati i dispositivi letterario.</span> Aristotle had defined rhetoric as "the faculty of observing in any given case the available means of persuasion."31 As we will see below, this interest in persuasion was taken up by some modern rhetorical critics, and this interest tends to focus not so much on literary devices and structure, but on the <i>purpose</i> for which the literary devices are used. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Concentrano spesso su stilistica</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>Focus often on stylistics</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Molti critici retorica concentrarsi sul stilistica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Many rhetorical critics focus on stylistics. <span style="display: none; mso-hide: all;">Alcuni di loro oggetto di questa caratterizzazione, così sarò fornire alcune prove da mie osservazioni ei pareri di altri studiosi.</span> Some of them object to this characterization, so I will provide some evidence for it from my own observations and the opinions of other scholars. <span style="display: none; mso-hide: all;">Howard scrive: "la critica retorica tende a essere principalmente un problema letterario, con enfasi sulla stilistica." 32 Kennedy dice: "Per molti studiosi di retorica biblica probabilmente significa stile." 33 Anche tra i secolari studi retorici, questo è stato spesso vero.</span> Howard writes, "Rhetorical criticism has tended to be primarily a literary concern, with emphasis upon stylistics."32 Kennedy says, "To many biblical scholars rhetoric probably means style."33 Even among secular rhetorical studies, this has often been true. <span style="display: none; mso-hide: all;">Nel Medioevo, per esempio, "retori accumulato lunghe liste di stilemi ... che ha portato ad una visione della retorica come soprattutto ornamentale." 34 Ciò ha portato ad un interesse ridotto nella retorica, dal momento che non era logico o scientific.35</span> In the Middle Ages, for example, "rhetoricians amassed lengthy lists of stylistic devices...which led to a view of rhetoric as chiefly ornamental."34 This led to a reduced interest in rhetoric, since it was not logical or scientific.35 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, molti critici biblici limitato le loro critiche retoriche alle preoccupazioni stilistiche.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Nevertheless, many biblical critics limited their rhetorical criticism to stylistic concerns. <span style="display: none; mso-hide: all;">Muilenburg aveva fissato un ordine del giorno e un esempio che si concentravano sullo stile.</span> Muilenburg had set an agenda and an example that focused on style. <span style="display: none; mso-hide: all;">Nel suo discorso, ha citato tre preoccupazioni: composizione, struttura e dispositivi letterario.</span> In his speech, he mentioned three concerns: composition, structure, and literary devices. <span style="display: none; mso-hide: all;">36 Nel suo commento a Isaia, egli ha dimostrato una preoccupazione per la struttura e letterarie devices.37 Di seguito sono riportati alcuni commenti tipici che mostrano la sua intuizione e attenzione al dettaglio:</span> 36 In his commentary on Isaiah, he demonstrated a concern for structure and literary devices.37 Following are some typical comments that show his insight and attention to detail: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'unità stilistica del poema di apertura si trova nel imperativi, quello della seconda poesia sta nella interrogativi ....</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The stylistic unity of the opening poem lies in the imperatives; that of the second poem lies in the interrogatives.... <span style="display: none; mso-hide: all;">La corretta poesia è composta da nove strofe, raggruppati in terne ....</span> The poem proper is composed of nine strophes, grouped in triads.... <span style="display: none; mso-hide: all;">Il culmine cade in ogni caso al momento il terzo membro della triade ....</span> The climax falls in each case upon the third member of the triad.... <span style="display: none; mso-hide: all;">Il poeta ebreo ama ripetere parole chiave all'inizio della strofe ....</span> The Hebrew poet is fond of repeating key words at the beginning of strophes.... <span style="display: none; mso-hide: all;">Il triplice evento in una strofa sola è un dispositivo comune stilistico ....</span> The threefold occurrence in a single strophe is a common stylistic device.... <span style="display: none; mso-hide: all;">La strofa è un modello di forma letteraria e lo stile ....</span> The strophe is a model of literary form and style.... <span style="display: none; mso-hide: all;">Lo stile è misurato, tranquillo, terse, incinta, e concentrato ....</span> The style is measured, quiet, terse, pregnant, and concentrated.... <span style="display: none; mso-hide: all;">E 'caratteristica del poeta alla fine le sue poesie con brevi quotations.38</span> It is characteristic of the poet to end his poems with brief quotations.38 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, Muilenburg non commentare l'stilemi sostenuto l'obiettivo del passaggio.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> However, Muilenburg did not comment on how the stylistic devices supported the purpose of the passage. <span style="display: none; mso-hide: all;">La sua analisi dello stile e la sua analisi del significato raramente rispettate.</span> His analysis of style and his analysis of meaning rarely met. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Allo stesso modo, Kenneth Kuntz fornisce un commento dettagliato sulle caratteristiche stilistiche di Isaia 51:1-16,39 ma mi sembra che la sua analisi è una serie di osservazioni scollegato.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Similarly, Kenneth Kuntz gives a detailed commentary on the stylistic features of Isaiah 51:1-16,39 but it seems to me that his analysis is a series of disconnected observations. <span style="display: none; mso-hide: all;">A ogni verso, osserva i dispositivi letterario, poi va al verso successivo.</span> At each verse, he notes the literary devices, then goes to the next verse. <span style="display: none; mso-hide: all;">Dice poco su come questi dispositivi si incastrano, come avrebbero aiutare i lettori originale, o come essi ci aiutano a capire il passaggio.</span> He says little about how these devices fit together, how they would help the original readers, or how they help us understand the passage. <span style="display: none; mso-hide: all;">Rimangono una serie di osservazioni stilistiche - una lista di dispositivi senza molta attenzione a come un verso si riferisce ad un altro per ottenere un purpose.40</span> They remain a series of stylistic observations--a list of devices without much attention to how one verse relates to another to achieve a purpose.40 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Bisogno di più di stilistica</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>Need more than stylistics</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Lundbom dice: "Triste a dirsi, molto più attuale la critica retorica della Bibbia è ... riflessioni semplicemente casuale e soggettivo produrre rendimenti poco o niente." 41 Patricia Tull dice: "Importante come l'analisi stilistica sia per la partecipazione ai particolari, lo fa non sufficientemente conto di tutti i testi che <i>fanno</i> e vengono a dire. "42 Wuellner nota la tendenza della critica retorica di avere un" preoccupazione stilistica biblica che è rimasta per secoli formalizzata, e senza funzione, e senza contesto. "43 Howard scrive:" Troppo Spesso l'analisi è semplicemente una catalogazione dei 'retoriche' trovato in un <i>testo.</i> "- senza chiedere che cosa sono <i>per</i> questi dispositivi". In quanto tale, è solo questione stilistica con "44 Fox dà un esempio di persone che amava lo stile ma ignorato significato:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Lundbom says, "Sad to say, much current rhetorical criticism of the Bible is...simply random and subjective reflections producing little or no yield."41 Patricia Tull says, "As important as stylistic analysis is for attending to particulars, it does not sufficiently account for all that texts <i>do</i> and come to mean."42 Wuellner notes the tendency of rhetorical critics to have a "preoccupation with biblical stylistics which has remained for centuries formalized, and functionless, and contextless."43 Howard writes, "Too often the analysis is merely a cataloguing of the 'rhetorical devices' found in a text"--without asking what those devices are <i>for.</i> "As such, it is merely concerned with stylistics."44 Fox gives an illustration of people who liked style but ignored meaning: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Ezechiele si respinge con vigore un approccio estetico o strettamente letterario per la sua profezia come banale e irrilevante.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Ezekiel himself emphatically rejects an aesthetic or strictly literary approach to his prophecy as trivial and irrelevant. <span style="display: none; mso-hide: all;">Dio gli dice che i suoi connazionali gregge di ascoltare le sue parole "... ma non li ascolterà, perché trattano (come), canti d'amore (?) <i>[Sic]</i> in bocca, mentre il loro cuore è il nulla . guadagno ma per loro sei solo un cantante di canzoni d'amore che ha una voce dolce e gioca abilmente, ma ascoltare le tue parole, ma non di obbedire "(33:31-32).</span> God tells him that his fellow countrymen flock to hear his words "...but they will not obey them, for they treat (them as) love-songs (?) [ <i>sic</i> ] in their mouths, while their hearts are set on nothing but gain. To them you are just a singer of love-songs who has a sweet voice and plays skillfully; they hear your words, but will not obey them" (33:31-32). <span style="display: none; mso-hide: all;">Arte di Ezechiele stava disegnando crowds.45</span> Ezekiel's artistry was drawing crowds.45 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">La gente amava lo stile di Ezechiele, ma sono state trascurando il suo messaggio.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The people liked Ezekiel's style, but were neglecting his message. <span style="display: none; mso-hide: all;">Critica stilistica oggi può essere trascurato il messaggio in modo diverso - si affaccia lo scopo del messaggio.</span> Stylistic critics today may be neglecting the message in a different way--overlooking the purpose of the message. <span style="display: none; mso-hide: all;">Volpe dice: "Se le strutture formali che il critico afferma di scoprire sono davvero retoricamente efficace, avrebbe dovuto dimostrare non solo che esistono ma <i>che cosa</i> fanno e <i>come funzionano."</i> 46</span> Fox says, "If the formal structures that the critic claims to discover are indeed rhetorically effective, he should show not only that they exist but <i>what</i> they do and <i>how</i> they work."46 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">La funzione è a volte trascurato nella NT studi retorici, anche.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Function is sometimes neglected in NT rhetorical studies, too. <span style="display: none; mso-hide: all;">Commenti Olbricht che gli studi strutturali "non sono stati forti relative osservazioni retorica alla teologia di Paolo in modo da accertare il motivo per cui ha proceduto come lui. Solo in misura modesta sono questi studi ci hanno aiutato a comprendere meglio il potere del testo." 47 Eugene Botha scrive "Una mera elencazione o enumerazione delle caratteristiche diverse contribuisce molto poco per capire un particolare documento o un passaggio." 48 Egli commenta sull'opera di un solo studioso, "Come l'identificazione di questa funzione migliora l'esegesi è, purtroppo, non indicato." 49 Anderson scrive: "E 'molto facile etichettare un particolare passaggio o un argomento ... da qualche termine greco tecnico, ma a meno teoria retorica ci permette di dire qualcosa di rilevante sul suo <i>uso</i> e la <i>funzione</i> a quel punto, la nostra analisi è abbastanza inutile ... . E <i>'l'effetto</i> di tali figure, sia stilisticamente e argomentato, che è importante. "50</span> Olbricht comments that structural studies "have not been strong on relating rhetorical observations to Paul's theology so as to ascertain why he proceeded as he did. Only to a modest extent have these studies helped us to comprehend better the text's power."47 Eugene Botha writes, "A mere listing or enumeration of different features contributes very little to understanding a particular document or passage."48 He comments on one scholar's work, "How the identification of this feature enhances the exegesis is, unfortunately, not indicated."49 Anderson writes, "It is very easy to label a particular passage or argument...by some Greek technical term, but unless rhetorical theory enables us to say something relevant concerning its <i>use</i> and <i>function</i> at that point, our analysis is pretty worthless.... It is the <i>effect</i> of such figures, both stylistically and argumentatively, that is important."50 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Wuellner lamenta la tendenza della critica retorica per essere ridotto a stilistica e dispositivi retorici.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Wuellner laments the tendency of rhetorical criticism to be reduced to stylistics and rhetorical devices. <span style="display: none; mso-hide: all;">"Riduzione alle preoccupazioni di stile, con l'arte di disposizione testuali e struttura testuale, la critica retorica è diventato indistinguibile dalla critica letteraria, come è evidente nelle opere di due importanti critici letterari: L. Alonso-Schökel e R. Alter." 51 Howard scrive: "L'interesse per la critica letteraria del Vecchio Testamento retorica è tale che molti dei documenti nella sezione retoriche critica SBL sono virtualmente indistinguibili in termini di metodo da quelli del SBL sezioni letteraria o narrativa o gruppi." 52 Jeffrey Arthurs scrive: "In generale ... marchio Muilenburg della critica 'retorica' dovrebbe essere incluso con le critiche letterarie." 53</span> "Reduced to concerns of style, with the artistry of textual disposition and textual structure, rhetorical criticism has become indistinguishable from literary criticism, as is evident in the works of two leading literary critics: L. Alonso-Schökel and R. Alter."51 Howard writes, "The literary interest of Old Testament rhetorical criticism is such that many of the papers in the SBL Rhetorical Criticism section are virtually indistinguishable in terms of method from those in the SBL literary or narrative sections or groups."52 Jeffrey Arthurs writes, "In general... Muilenburg's brand of 'rhetorical' criticism should be included with the literary criticisms."53 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">O meno critici retorico <i>intenzione</i> di concentrarsi sul stilistica, people54 molti percepiscono dai risultati che l'attenzione è stata stilistica - una descrizione delle caratteristiche letterarie, versetto per versetto.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Whether or not rhetorical critics <i>intend</i> to concentrate on stylistics, many people54 perceive from the results that the focus has been stylistics--a description of literary features, verse by verse. <span style="display: none; mso-hide: all;">Patrick e Scult caratterizzano carta Muilenburg come un appello "per la rinascita di una forma più antica di analisi, spesso definita 'critica stilistica.'" 55 Allo stesso modo, nero identifica proposta Muilenburg come "lo studio della linguistica caratteristica e caratteristiche strutturali di un testo particolare sua forma attuale .... Per Muilenburg, 'retorica' è praticamente sinonimo di 'arte letteraria.' "56</span> Patrick and Scult characterize Muilenburg's paper as a call "for revival of an older form of analysis, frequently termed 'stylistic criticism.'"55 Similarly, Black identifies Muilenburg's proposal as "the study of the characteristic linguistic and structural features of a particular text in its present form.... For Muilenburg, 'rhetoric' is virtually synonymous with 'literary artistry.'"56 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Come morfologia e grammatica, i dispositivi letterari sono da studiare, ma non sono un fine in sé - sono un mezzo per raggiungere un Yehoshua end.57 Gitay scrive "Lo stile, è uno strumento per realizzare una comunicazione efficace e deve essere studiato come un integrale parte del messaggio e la situazione retorica di un testo dato, lo studio dello stile non è mai fine a se stessa "58 studi biblici normalmente vanno oltre le descrizioni strutturali di esplorare funzione e significato..</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Like morphology and grammar, literary devices are worth studying, but they are not an end in themselves--they are a means to an end.57 Yehoshua Gitay writes, "Style is a tool for achieving effective communication and must be studied as an integral part of the message and the rhetorical situation of a given text; the study of style is never an end in itself."58 Biblical studies normally go beyond structural descriptions to explore function and meaning. <span style="display: none; mso-hide: all;">Non è sbagliato di apprezzare l'estetica della poesia per se stessa, ma voglio andare oltre - Voglio sapere ciò che il testo sta cercando di realizzare.</span> It is not wrong to appreciate the aesthetics of poetry for its own sake, but I want to go further--I want to know what the text is trying to accomplish. <span style="display: none; mso-hide: all;">Stilistica ha raggiunto per me il punto che la critica aveva forma per Muilenburg: E 'inadeguato per le domande che mi portano al testo - vale a dire, che cosa significa, e come trasmettere questo significato?</span> Stylistics has reached for me the point that form criticism had for Muilenburg: It is inadequate for the questions that I bring to the text--namely, what does it mean, and how does it convey that meaning? <span style="display: none; mso-hide: all;">Il testo ha uno scopo, e uno studio del testo dovrebbe cercare di capire il modo in cui va in giro a tale scopo.</span> The text has a purpose, and a study of the text ought to try to understand the way it goes about that purpose. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Focus sulla funzione</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>Focus on function</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Numerosi critici hanno notato retorica la necessità di una considerazione della funzione:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Numerous rhetorical critics have noted the need for a consideration of function: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Lundbom scrive: "la critica retorica va oltre la semplice individuazione e catalogazione delle figure, vuole sapere come figure funzione in discorso." 59</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Lundbom writes, "Rhetorical criticism goes beyond the simple identifying and cataloguing of figures; it wants to know how figures function in discourse."59 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Wuellner scrive che le tecniche stilistiche dovrebbe essere visto "come mezzo per un fine, e non solo formale, elementi decorativi." 60</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Wuellner writes that stylistic techniques should be seen "as means to an end, and not as merely formal, decorative features."60 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Alan Hauser scrive che l'analisi letteraria "fornisce una base per discutere il messaggio del testo e l'impatto che ha sul suo pubblico." 61</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Alan Hauser writes that a literary analysis "provides a basis for discussing the message of the text and the impact it had on its audience."61 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Thurén scrive: "Lo scopo della ricerca di dispositivi stilistici nel testo è quello di vedere come fanno a funzionare nella loro situazione retorica .... L'obiettivo finale per un'analisi stile è quello di conoscere lo scopo principale del testo." 62</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Thurén writes, "The purpose of searching for stylistic devices in the text is to see how do they function in their rhetorical situation.... The ultimate goal for a style analysis is to learn about the basic purpose of the text."62 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Watson osserva: "C'è stato un andare oltre la descrizione delle caratteristiche retoriche all'analisi della loro funzione in un testo." 63</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Watson notes, "There has been a move beyond description of rhetorical features to analysis of their function in a text."63 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Beniamino Fiore dice: "Il metodo deve identificare non solo gli elementi retorici e la struttura, ma anche la loro funzione nel flusso di argomentazione." 64</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Benjamin Fiore says: "The method ought to identify not only the rhetorical elements and structure but also their function in the flow of argumentation."64 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Lundbom elenca quattro caratteristiche principali di una buona critica retorica: 1) E 'un metodo per analizzare la comunicazione esistente, non un manuale di tecnica per i relatori futuro.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Lundbom lists four main characteristics of good rhetorical criticism: 1) It is a method for analyzing existing communication, not a technique manual for future speakers. <span style="display: none; mso-hide: all;">2) E 'interessato con la struttura e la persuasione, non solo di stile.</span> 2) It is concerned with structure and persuasion, not just style. <span style="display: none; mso-hide: all;">3) Va al di là di un elenco di figure - "vuole sapere come figure <i>funzione</i> nel discorso."</span> 3) It goes beyond a list of figures--"it wants to know how figures <i>function</i> in discourse." <span style="display: none; mso-hide: all;">4) Si concentra sul pubblico, "che inizia con il pubblico originali." 65</span> 4) It focuses on the audience, "beginning with the original audience."65 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Kennedy, dopo aver approfondito studio della retorica classica, definisce la retorica come "che la qualità nel discorso con cui un oratore o uno scrittore cerca di realizzare i suoi scopi."</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Kennedy, after extensive study of classical rhetoric, defines rhetoric as "that quality in discourse by which a speaker or writer seeks to accomplish his purposes." <span style="display: none; mso-hide: all;">66 stilemi devono essere considerate per il modo in cui contribuiscono a tale scopo.</span> 66 Stylistic devices are to be viewed for how they contribute to that purpose. <span style="display: none; mso-hide: all;">"Se la critica è retorica ... per essere utile deve abbracciare più di stile .... L'obiettivo finale dell'analisi retorica, poche parole, è la scoperta di intenti dell'autore e di come ciò viene trasmessa attraverso un testo ad un pubblico . "67</span> "If rhetorical criticism...is to be useful it must embrace more than style.... The ultimate goal of rhetorical analysis, briefly put, is the discovery of the author's intent and of how that is transmitted through a text to an audience."67 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, è legittimo cercare l'intenzione dell'autore?</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> However, is it legitimate to seek the author's intent? <span style="display: none; mso-hide: all;">Dozeman dice che molti interpreti "rifiutare ogni tesi secondo cui l'interprete potrebbe svelare l'intenzione di un autore." 68 Thurén è disposto a cercare l'intento non è dell'autore, ma del testo: "la critica retorica prende le informazioni storiche sul serio, ma invece di essere [ semplicemente] descrittivo che cerca di penetrare l'intenzione del testo .... Il suo obiettivo principale non è quello di ricostruire l'originale, storico, reale o lettori il vero autore ..., ma di concentrarsi sul testo come un indipendente, più o meno entità argomentativa. E 'interessato alla situazione del testo per amore di argomentazione. "69</span> Dozeman says that many interpreters "reject any claims that the interpreter could uncover an author's intention."68 Thurén is willing to seek the intent not of the author, but of the text: "Rhetorical criticism takes historical information seriously, but instead of being [merely] descriptive it seeks to penetrate the intention of the text.... Its main objective is not to reconstruct the original, historical, real readers or the real author..., but to focus on the text as a more or less independent argumentative entity. It is interested in the situation of the text for the sake of argumentation."69 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Il testo ha un intento?</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Does the text have an intent? <span style="display: none; mso-hide: all;">Un testo non hanno un significato illimitato e può essere utilizzato per eliminare alcune letture come spuri o sbagliato.</span> A text does not have unlimited meanings; it can be used to eliminate some readings as spurious or mistaken. <span style="display: none; mso-hide: all;">Paul Noble (argomentando principalmente contro lettore-risposta teorie) descrive come un testo possa confutare alcune letture come erronea: "Chi viene in Genesi con domande su, per esempio, la teoria quantistica dei campi o la vita di Giulio Cesare non riceverà alcuna risposta sensata; ma ammettere anche questo fa già molto alcune concessioni per l'oggettivismo - e cioè che il testo è sufficiente indipendente 'thereness' per confutare almeno queste interpretazioni tentato "70 Nobile sostiene che la legittimità di un significato può essere testata contro un testo,. e studiosi può arrivare a conclusioni sul fatto che una lettura rende meglio il senso di un altro.</span> Paul Noble (arguing primarily against reader-response theories) describes how a text may refute some readings as erroneous: "Anyone who comes to Genesis with questions about, say, quantum field theory or the life of Julius Caesar will not receive any sensible answers; but to admit even this much already makes some concessions to objectivism--namely, that the text has sufficient independent 'thereness' to refute at least these attempted interpretations."70 Noble argues that the legitimacy of a meaning can be tested against a text, and scholars can come to conclusions as to whether one reading makes better sense than another. <span style="display: none; mso-hide: all;">Eppure ci possono essere più di una lettura che abbia un senso - e, osserva, "Approcci letterari ... può essere di notevole aiuto nella scoperta di" legittima meanings.71</span> Yet there may be more than one reading that makes sense--and, he notes, "literary approaches...can be of considerable assistance in discovering" legitimate meanings.71 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Noble osservazioni sono corrette, ma non distinguono tra autore e testo.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Noble's observations are correct, but do not distinguish between author and text. <span style="display: none; mso-hide: all;">Per molte analisi retorica, una distinzione non è essenziale, per l'autore non è noto, e l'approccio Thurén è tutto ciò che possiamo raggiungere.</span> For many rhetorical analyses, a distinction is not essential, for the author is not known, and Thurén's approach is all that we can achieve. <span style="display: none; mso-hide: all;">Spesso, le nostre informazioni solo l'autore è il testo, in modo che quando si discute l'intento dell'autore, stiamo discutendo l'intento dell'autore, <i>come implica il testo. Dobbiamo</i> supporre che il testo riflette accuratamente l'intento dell'autore .</span> Often, our only information about the author is the text, so when we discuss the intent of the author, we are discussing the intent of the author <i>as implied by the text.</i> We have to assume that the text accurately reflects the intent of the author. <span style="display: none; mso-hide: all;">Vogliamo capire come il testo raggiunge il suo scopo, e per fare questo abbiamo bisogno di discernere il fine o lo scopo o l'intenzione del testo.</span> We want to understand how the text achieves its purpose, and in order to do that we need to discern the goal or purpose or intent of the text. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Critica retorica si concentra la nostra attenzione sul testo, non la storia delle credenze religiose, non l'uso di generi tradizionali, non la storia redazione del testo.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Rhetorical criticism focuses our attention on the text, not the history of religious beliefs, not the use of traditional genres, not the redaction history of the text. <span style="display: none; mso-hide: all;">Piuttosto, dice continuamente a chiedere, cosa dice il testo, e come fare per dirlo?</span> Rather, it continually tells us to ask, What does the text say, and how does it go about saying it? <span style="display: none; mso-hide: all;">Che cosa è cercando di fare, e come tentativo che?</span> What is it trying to do, and how does it attempt that? <span style="display: none; mso-hide: all;">Come dice Kennedy, questo metodo si avvicina di altri nello spiegare ciò che gli studenti vogliono più Bibbia spiegato nel testo: la sua message.72</span> As Kennedy says, this method comes closer than others in explaining what most Bible students want explained in the text: its message.72 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Lo scopo: la persuasione</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>The purpose: persuasion</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Alcuni critici retorica riassumere lo "scopo" del testo con la <i>persuasione parola:</i> l'autore vuole convincere i lettori di una verità o di convincerli a fare qualcosa.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Some rhetorical critics summarize the "purpose" of the text with the word <i>persuasion:</i> the author wants to persuade the readers of a truth or persuade them to do something. <span style="display: none; mso-hide: all;">Wuellner si spinge fino a dire: "le critiche retoriche viene messa a fuoco in primo luogo su <i>una</i> questione:. Potenziale Il testo di convincere" 73 Come osservato in precedenza, la retorica Aristotele definita come lo studio dei metodi di persuasion.74 critiche retoriche quindi studia come il testo tenta di persuadere il pubblico.</span> Wuellner goes so far as to say, "Rhetorical criticism comes into focus primarily on <i>one</i> issue: The text's potential to persuade."73 As noted earlier, Aristotle defined rhetoric as a study of methods of persuasion.74 Rhetorical criticism therefore studies how the text attempts to persuade the audience. <span style="display: none; mso-hide: all;">Nei libri biblici, gli autori hanno voluto il pubblico a credere quello che stavano scrivendo, e, spesso, per rispondere in certi modi.</span> In biblical books, the authors wanted the audience to believe what they were writing, and, often, to respond in certain ways. <span style="display: none; mso-hide: all;">Hanno usato diversi metodi per sostenere questo obiettivo, di convincere il pubblico, la critica e gli studi retorici quei metodi.</span> They used various methods to support that goal, to persuade the audience, and rhetorical criticism studies those methods. <span style="display: none; mso-hide: all;">Tull scrive che molti studiosi della Bibbia ", hanno iniziato a rivolgere l'attenzione alla natura esortativo di gran parte della Bibbia - che è, il suo sforzo di convincere il pubblico, non solo per apprezzare la potenza estetica del suo linguaggio, ma, ancora più importante, di agire e pensare secondo le sue norme. "75</span> Tull writes that many biblical scholars "have begun to direct attention to the hortatory nature of much of the Bible--that is, its effort to persuade audiences, not merely to appreciate the aesthetic power of its language but, even more importantly, to act and think according to its norms."75 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Lo studio dei metodi di persuasione è un legittimo interesse per gli studiosi della Bibbia, e dovrebbe essere chiamato retorica, perché è si chiama tra laici critici letterari.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The study of the methods of persuasion is a legitimate interest for biblical scholars, and it should be called rhetoric, for that is it is called among secular literary critics. <span style="display: none; mso-hide: all;">Infatti, la critica retorica <i>dovrebbe</i> includere uno studio di persuasione, perché altrimenti sarebbe analisi letteraria, senza bisogno di rivendicare o al nome "retorico." 76 Quindi, da questo punto in poi, quando uso il termine <i>critica retorica,</i> voglio dire un studio che <i>comprende</i> i metodi di persuasione e non è solo un elenco di accorgimenti stilistici.</span> Indeed, rhetorical criticism <i>should</i> include a study of persuasion, for otherwise it would be literary analysis, without any need for or claim to the name "rhetorical."76 So from this point on, when I use the term <i>rhetorical criticism,</i> I mean a study that <i>includes</i> methods of persuasion and is not just a list of stylistic devices. <span style="display: none; mso-hide: all;">Lo stile è solo uno dei diversi componenti di persuasion.77</span> Style is only one of several components of persuasion.77 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'interesse per la persuasione coinvolge un disciplinato tentativo di individuare le principali finalità e il significato di un passaggio - un aspetto essenziale di studi biblici - e il pensiero che è andato in sua formulazione.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The interest in persuasion involves a disciplined attempt to identify the major purpose and meaning of a passage--an essential aspect of biblical studies--and the thought that went into its formulation. <span style="display: none; mso-hide: all;">Howard sostiene che i critici devono prestare maggiore attenzione alla persuasione:</span> Howard argues that critics need to give more attention to persuasion: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Vecchio Testamento critici retorica sarebbe trarre grandi vantaggi da consapevolmente incentrate su interventi e altri discorsi nella Bibbia con un occhio a discernere i mezzi di persuasione esercitata ....</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Old Testament rhetorical critics would benefit greatly from self-consciously focusing upon the speeches and other discourses in the Bible with an eye to discerning the means of persuasion practiced.... <span style="display: none; mso-hide: all;">Possiamo notare qui il punto che <i>tutti i</i> religiosi di scrittura possono essere visti come "retoriche" nel senso che tenta di cambiare il comportamento (e convincere).</span> We may note here the point that <i>all</i> religious writing may be seen as "rhetorical" in the sense that it attempts to change behavior (and to convince). <span style="display: none; mso-hide: all;">In questo senso, tutta la Bibbia è retorica, retorica e critica biblica possono studiare gli argomenti di ogni autore biblico a discernere i mezzi di persuasione used.78</span> In that sense, the entire Bible is rhetorical, and biblical rhetorical critics can study the arguments of any biblical author to discern the means of persuasion used.78 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Howard scrive che per la maggior parte degli studiosi laici di retorica, "lo studio dei mezzi di persuasione" è "fondamentale." 79 Dozeman scrive che "la recente discussione di critica retorica ha cercato di ampliare la portata del metodo al di là di uno studio descrittivo della stilistica, al fine di sondare il potere persuasivo di testi per influenzare l'azione o la pratica "80 Watson scrive:" Di particolare rilievo è il lavoro di Chaim Perelman e L. Olbrechts-Tyteca, <i>La Nouvelle Rhétorique:. Traité l'argomentazione</i> [1958; ET 1969 ], che concettualizza la retorica come argomentazione e persuasione (non solo di stile) "81 commenti Trible sulla" nuova "retorica di Perelman e Olbrechts-Tyteca:". Questa retorica in realtà rivivere la vecchia retorica del pensiero aristotelico, si è concentrata sulla persuasione e la sua mezzi. "82</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Howard writes that for most secular scholars of rhetoric, "the study of the means of persuasion" is "foundational."79 Dozeman writes that "recent discussion of rhetorical criticism has sought to expand the scope of the method beyond a descriptive study of stylistics, in order to probe the persuasive power of texts to influence action or practice."80 Watson writes, "Of particular note is the work of Chaim Perelman and L. Olbrechts-Tyteca, <i>La Nouvelle Rhétorique: Traité l'Argumentation</i> [1958; ET 1969], which conceptualizes rhetoric as argumentation and persuasion (not just style)."81 Trible comments on the "new" rhetoric of Perelman and Olbrechts-Tyteca: "This rhetoric actually revived the old rhetoric of Aristotelian thought; it focused on persuasion and its means."82 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'interesse per la persuasione non solo ha il supporto classico e moderno, è un concetto più ampio che <i>include</i> la disciplina della stilistica e interessi sociologici.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The interest in persuasion not only has classical and modern support, it is a broader concept that <i>includes</i> the discipline of stylistics and sociological interests. <span style="display: none; mso-hide: all;">La stilistica sono visti non solo per la loro arte, ma anche per il loro scopo, e l'interesse per persuasione richiede che l'interprete studio del contesto storico e sociologico con attenzione.</span> The stylistics are seen not just for their artistry, but also for their purpose, and the interest in persuasion requires that the interpreter study the historical and sociological setting carefully. <span style="display: none; mso-hide: all;">Philip Esler scrive: "Contesto e la retorica sono strettamente legate, dal momento che chi parla (o scrive) deve allineare con cura la sua comunicazione con la natura e l'impostazione del problema in mano per avere qualche speranza di convincere il pubblico in un particolare punto di vista . "83 Questo ci porta ad un'altra preoccupazione di retorica critica - il pubblico.</span> Philip Esler writes, "Context and rhetoric are closely linked, since the speaker (or writer) must carefully align his or her communication with the nature and setting of the problem at hand to have any hope of persuading the audience to a particular point of view."83 This brings us to another concern of rhetorical criticism -- the audience. <span style="display: none; mso-hide: all;">Persuasione comporta un effetto su un pubblico.</span> Persuasion involves an effect on an audience. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Effetto sul pubblico</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>Effect on the audience</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Descrizione di Watson di critica retorica si conclude con una preoccupazione per il <i>significato</i> dei dispositivi retorici - in particolare il loro effetto sul pubblico: "Un esame attento della composizione è un tentativo di ottenere una migliore comprensione del movimento del pensiero dell'autore, l'intento e il messaggio , e per determinare come la retorica sarebbe vissuto dal pubblico. "84 Alexandre dice che che gli studiosi" che si sono dedicati alla teoria della retorica in epoca moderna ... sottolineare soprattutto il concetto di pubblico. "85 Lundbom scrive che critica retorica si concentra sul pubblico, "che inizia con il pubblico originale e si estende fino al pubblico attuale". Thurén 86 aggiunge questa importante qualifica: "Anche se questo metodo non necessariamente ci forniscono accurate fatti storici sui destinatari, ritratto <i>dell'autore</i> di loro è certamente riflette nel modo in cui egli opera nel testo. "87</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Watson's description of rhetorical criticism ends with a concern for the <i>significance</i> of the rhetorical devices--especially their effect on the audience: "Close examination of composition is an attempt to achieve a better understanding of the movement of the author's thought, intent, and message, and to determine how the rhetoric would be experienced by the audience."84 Alexandre says that that scholars "who have devoted themselves to the theory of rhetoric in modern times...emphasize above all the concept of audience."85 Lundbom writes that rhetorical criticism focuses on the audience, "beginning with the original audience and extending up to current audiences."86 Thurén adds this important qualification: "Although this method does not necessarily provide us with accurate historical facts about the addressees, the <i>author's</i> picture of them is certainly reflected in the way he operates in the text."87 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Thomas afferma Sloan, "Il marchio di retorica moderna ... è il suo spostamento dell'attenzione per il revisore o lettore .... Una preoccupazione per il pubblico, per intenzione e per la struttura è ... il segno della retorica moderna." 88 Herbert Wichelns, un critico letterario laico, distingue la critica letteraria e retorica: La critica letteraria si concentra sulle caratteristiche astorica del testo, mentre la critica retorica "richiede una descrizione del pubblico di chi parla .... L'effetto del discorso sulla sua ascoltatori immediata non è per essere ignorato. "89 dice che la critica retorica" non si occupa di bellezza .... E 'interessato con <i>effetto.</i> E per quanto riguarda un discorso come una comunicazione ad un pubblico specifico, e tiene la propria attività ad essere l'analisi e l'apprezzamento della . metodo dell'oratore di impartire le sue idee ai suoi ascoltatori "90 Questa definizione si concentra sulle <i>intenzioni dell'autore,</i> al contrario, Patrick e Scult concentrarsi maggiormente sugli <i>effetti</i> del testo sul pubblico:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Thomas Sloan states, "The mark of modern rhetoric...is its shift of focus to the auditor or reader.... A concern for audience, for intention, and for structure is...the mark of modern rhetoric."88 Herbert Wichelns, a secular literary critic, distinguishes literary and rhetorical criticism: Literary criticism focuses on ahistorical features of the text, whereas rhetorical criticism "requires a description of the speaker's audience.... The effect of the discourse on its immediate hearers is not to be ignored."89 He says that rhetorical criticism "is not concerned with...beauty. It is concerned with effect <i>.</i> It regards a speech as a communication to a specific audience, and holds its business to be the analysis and appreciation of the orator's method of imparting his ideas to his hearers."90 This definition focuses on author <i>intent;</i> in contrast, Patrick and Scult focus more on the <i>effect</i> of the text on the audience: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Critica retorica, come si è sviluppata dalle idee Muilenburg e quelli dei suoi studenti, non riusciva a aggiungere fino a un metodo completamente sviluppata di interpretazione che ha integrato la lingua del testo stesso con il suo conseguente effetto sul pubblico.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Rhetorical criticism, as it developed from Muilenburg's ideas and those of his students, did not quite add up to a fully developed method of interpretation which integrated the language of the text itself with its subsequent effect on audiences. <span style="display: none; mso-hide: all;">Quello che serviva era una comprensione più piena di retorica come il modo in cui un testo di gestire il suo rapporto con il suo pubblico - una comprensione che nasce dalla tradizione antica e moderna di retorica ed ermeneutica ....</span> What was needed was a fuller understanding of rhetoric as the way a text manages its relationship with its audiences--an understanding which grows out of the ancient and modern traditions of rhetoric and hermeneutics.... <span style="display: none; mso-hide: all;">La 'retorica' nella critica retorica deve essere ampliato al massimo intervallo nella tradizione classica, vale a dire, come il mezzo attraverso cui un testo elabora e gestisce il suo rapporto con il suo pubblico al fine di ottenere una particolare effect.91</span> The 'rhetoric' in rhetorical criticism must be broadened to its fullest range in the classical tradition, namely, as the means by which a text establishes and manages its relationship to its audience in order to achieve a particular effect.91 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Hauser fornisce una definizione di critica retorica che include sia stile e funzionalità, tra cui l'effetto sul pubblico:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Hauser gives a definition of rhetorical criticism that includes both style and function, including the effect on the audience: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Critica retorica è una forma di critica letteraria che utilizza la nostra conoscenza delle convenzioni di composizione letteraria praticato nell'antico Israele e il suo ambiente per scoprire e analizzare l'arte letteraria particolare si trovano in una specifica unità di Antico Testamento testo.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Rhetorical criticism is a form of literary criticism which uses our knowledge of the conventions of literary composition practiced in ancient Israel and its environment to discover and analyze the particular literary artistry found in a specific unit of Old Testament text. <span style="display: none; mso-hide: all;">Questa analisi fornisce quindi una base per discutere il messaggio del testo e l'impatto che ha sul suo pubblico ....</span> This analysis then provides a basis for discussing the message of the text and the impact it had on its audience.... <span style="display: none; mso-hide: all;">Un critico retorico sarà essenzialmente fare due cose nello studio di un testo: analizzare le caratteristiche del testo letterario, nella misura massima possibile, dal punto di vista dello stile letterario riconoscibile nelle opere degli antichi scrittori d'Israele, e articolare l'impatto del gruppo letterario sul suo audience.92</span> A rhetorical critic will basically do two things in studying a text: analyze the literary features of the text, to the maximum extent possible, from the perspective of literary style discernible in the works of ancient Israelite writers; and articulate the impact of the literary unit on its audience.92 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">A differenza di lettore-risposta critica, che riporta la risposta dei lettori moderni, la critica retorica si concentra sugli effetti sui lettori <i>antichi.</i></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Unlike reader-response criticism, which reports the response of modern readers, rhetorical criticism focuses on the effect on <i>ancient</i> readers. <span style="display: none; mso-hide: all;">93 Così la critica retorica deve essere sempre storicamente radicata, con particolare attenzione al contesto storico e la genre.94 Non dovrebbe essere separata dalla storia e forma criticism.95 Quando cerchiamo di capire come il testo avrebbe colpito il pubblico antico, abbiamo deve lavorare per capire che l'antica audience.96 note Classen che gli esegeti non deve solo cercare di scoprire di fondo dell'autore e di intenti, ma anche "le condizioni dei destinatari, la loro situazione, i loro problemi ei loro sentimenti." 97 Vediamo i lettori non come destinatari passivi di un discorso, ma come persone che pensano che sono in grado di interagire con il testo e scegliere se rispondere alle message.98 Ci sono fattori psicologici e sociologici nel modo in cui viene presentato il messaggio e come potrebbe essere ricevuto.</span> 93 Thus rhetorical criticism must always be historically rooted, with careful attention to the historical setting and the genre.94 It should not be separated from historical and form criticism.95 When we try to understand how the text would have affected the ancient audience, we must work to understand that ancient audience.96 Classen notes that exegetes should not only try to find out the author's background and intent, but also "the circumstances of the addressees, their situation, their problems and their feelings."97 We see the readers not as passive recipients of a speech, but as thinking people who are able to interact with the text and choose whether to respond to the message.98 We include psychological and sociological factors in the way the message is presented as well as how it might be received. <span style="display: none; mso-hide: all;">Come fa notare Kennedy, i tentativi critica retorica di discernere come un lavoro "sarebbe percepito da un pubblico di coetanei nei pressi." 99 Watson dice: "E 'una posizione storica impresa tra astorico critica letteraria e critica storica." 100</span> As Kennedy notes, rhetorical criticism attempts to discern how a work "would be perceived by an audience of near contemporaries."99 Watson says, "It is a historical enterprise standing between ahistorical literary criticism and historical criticism."100 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Gitay sottolinea l'importanza della comprensione del pubblico: "L'obiettivo del suono critica retorica è quello di studiare le condizioni che rendono una comunicazione efficace possibile il principio principali di una comunicazione efficace sia le aspettative del lettore.." 101 Si tratta di uno studio di come le persone pensano e giunti a conclusioni: "L'analisi retorica rivela la strategia di chi parla di fare appello o padroneggiare la mente del pubblico." 102 L'interprete moderno deve anche considerare il tipo di letteratura e le idee del pubblico erano stati esposti a prima, se sostenere o in conflitto.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Gitay emphasizes the importance of understanding the audience: "The goal of sound rhetorical criticism is to study the conditions which make an effective communication possible. The major principle of effective communication is the reader's expectations."101 It involves a study of how people think and come to conclusions: "Rhetorical analysis reveals the speaker's strategy of appealing to or mastering the audience's mind."102 The modern interpreter must even consider the kinds of literature and ideas the audience had been exposed to before, whether supporting or conflicting. <span style="display: none; mso-hide: all;">Il pubblico originale era a volte critica e difficile da persuade.103 infatti, un tentativo di convincere di solito comporta una certa resistenza.</span> The original audience was sometimes critical and difficult to persuade.103 Indeed, an attempt to persuade usually implies some resistance. <span style="display: none; mso-hide: all;">Fox osserva che uno studio di efficacia deve includere l'impostazione:</span> Fox notes that a study of effectiveness must include the setting: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'efficacia di una profezia particolare non derivano da quella espressione da solo.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The effectiveness of a particular prophecy did not derive from that utterance alone. <span style="display: none; mso-hide: all;">Fattori esterni al discorso in questione avrebbe portato con forza sulla sua efficacia.</span> Factors external to the discourse in question would bear strongly upon its effectiveness. <span style="display: none; mso-hide: all;">Questi includono il peso della intera carriera del profeta, il contesto teologico e sociale della profezia, che il pubblico predisposto ad una certa attenzione (o non ricettività) alla profezia in quanto tali, e la precisione prima del profeta in prediction.104</span> These include the weight of the prophet's entire career, the theological and social contexts of the prophecy, which predisposed the audience to a certain attentiveness (or not receptiveness) to prophecy as such, and the prophet's prior accuracy in prediction.104 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Volpe dice: "le critiche retoriche dovrebbe concentrarsi sull'analisi e la valutazione della forza suadente del discorso piuttosto che sulle sue caratteristiche formali della letteratura o della struttura." 105 Cioè, l'analisi dovrebbe concentrarsi sull'analisi, non i dati grezzi.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Fox says, "Rhetorical criticism should focus on the analysis and evaluation of the suasive force of discourse rather than on its formal literary features or structure."105 That is, the analysis should focus on the analysis, not the raw data. <span style="display: none; mso-hide: all;">Il critico non deve solo identificare il parallelismo, ripetizioni, chiasmi, ecc, ma anche tentare di capire come potrebbero funzionare psicologicamente e sociologicamente.</span> The critic must not only identify parallelism, repetitions, chiasms, etc., but also attempt to ascertain how they might function psychologically and sociologically. <span style="display: none; mso-hide: all;">Questo è inevitabilmente soggettiva, ma ancora una parte essenziale della comprensione di un testo biblico.</span> This is inevitably subjective, but still an essential part of understanding a biblical text. <span style="display: none; mso-hide: all;">Anche stilistica comporta alcuni subjectivity.106</span> Even stylistics involves some subjectivity.106 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Alcuni critici parlano della volontà dell'autore o del testo, alcune di persuasione, alcune di effetto sul pubblico.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Some critics speak of the intent of the author or text, some of persuasion, some of effect on the audience. <span style="display: none; mso-hide: all;">Anche se ci sono differenze in questi focolai, si sovrappongono molto.</span> Though there are differences in these foci, they overlap a great deal. <span style="display: none; mso-hide: all;">Ci possono essere differenze significative tra l'intenzione di un autore e la risposta del pubblico (ad esempio, l'autore ha voluto il popolo a pentirsi, ma non si pentono), ma è attraverso l'analisi della strategia struttura e lo stile del testo che possiamo ipotizzare che l'autore sperava e se è stato raggiunto.</span> There may be significant differences between an author's intent and the audience's response (eg, the author wanted the people to repent, but they did not repent), but it is through an analysis of the structure, strategy and style of the text that we can speculate what the author was hoping for and whether it was achieved. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">C'è spesso una sostanziale sovrapposizione tra l'intenzione apparente del testo e il probabile effetto sul pubblico, in modo che si concentra l'analisi si può anche suggerire molto su l'altro.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> There is often substantial overlap between the apparent intention of the text and the probable effect on the audience, so an analysis that focuses one can also suggest much about the other. <span style="display: none; mso-hide: all;">In alcuni casi ci viene detto come le persone hanno risposto al messaggio (per esempio, bruciando la pergamena, Ger 36:21-27), e possiamo vedere che c'era una differenza tra l'intenzione dell'autore e la risposta reale.</span> In a few cases we are told how people responded to the message (eg, by burning the scroll, Jer 36:21-27), and we can see that there was a difference between the author's intent and the actual response. <span style="display: none; mso-hide: all;">In alcuni casi si può giudicare un argomento debole e improbabile di persuadere il pubblico - ad esempio, "l'autore sembra voler il popolo a fare così e così, ma un'obiezione importante ed evidente non viene affrontata." 107 Potremmo anche giudice che l'argomento sarebbe stato convincente per un pubblico, ma non un altro, e in questi casi generalmente si conclude che il testo non è stato progettato per il gruppo più resistente.</span> In some cases we may judge an argument weak and unlikely to persuade the audience--eg, "the author seems to want the people to do such-and-such, but an important and obvious objection is not addressed."107 We might even judge that an argument would be persuasive for one audience but not another, and in such cases we generally conclude that the text was not designed for the more resistant group. <span style="display: none; mso-hide: all;">Tali conclusioni devono essere basate sulle prove del testo e il suo contesto storico probabile.</span> Such conclusions must be based on the evidence of the text and its probable historical context. <span style="display: none; mso-hide: all;">Nella maggior parte dei casi (dato che stiamo lavorando con gli autori e il pubblico implicita implicite) dobbiamo presumere che l'autore era competenza rispondere alle preoccupazioni del pubblico.</span> In most cases (since we are working with implied authors and implied audiences) we have to assume that the author was competently addressing the concerns of the audience. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Metodo</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>Method</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Ancora nel 1999, Watson osserva che "il campo è attualmente occupato con la raffinatezza della metodologia." 108 Wuellner dice: "Né Muilenburg né la sua scuola ha lavorato con un modello di identificazione di critica retorica, anche se eccezioni sono state fatte che la pratica della critica retorica . aveva bisogno di una metodologia "109 Trible dice," non è mai Muilenburg sviluppato una dichiarazione esaustiva di critica retorica Ha lavorato con intuizione;. ha condiviso le percezioni in continua evoluzione, egli non ha costruito un sistema di "110.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> As recently as 1999, Watson notes that "the field is currently occupied with the refinement of methodology."108 Wuellner says, "Neither Muilenburg nor his school worked with an identifiable model of rhetorical criticism, though pleas were made that the practice of rhetorical criticism needed a methodology."109 Trible says, "Muilenburg never developed a comprehensive statement of rhetorical criticism. He worked by intuition; he shared evolving perceptions; he did not construct a system."110 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Kennedy ha offerto una metodologia basata sulla classica rhetoric.111 nero si spinge fino a dire, "il contributo primario di Kennedy è metodologico: la presentazione di un modo distintivo di esegesi che è lucido e sistematico, di gran lunga più accurata rispetto alla proposta Muilenburg, e intuitivamente da undergirded erudizione classica .... metodo di Kennedy sia invita nuovi modi di meditare vecchie domande e apre gli occhi moderni a dimensioni trascurati della letteratura antica. "112 Tuttavia, altri studiosi hanno promosso altre" retoriche "punti di vista, ognuno con i propri metodi.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Kennedy offered a methodology based on classical rhetoric.111 Black goes so far as to say, "Kennedy's primary contribution is methodological: the presentation of a distinctive manner of exegesis that is lucid and systematic, far more painstaking than Muilenburg's proposal, and insightfully undergirded by classical erudition.... Kennedy's method both invites new ways of pondering old questions and opens modern eyes to neglected dimensions of ancient literature."112 However, other scholars have promoted other "rhetorical" perspectives, each with its own methods. <span style="display: none; mso-hide: all;">Trible elenca cinque prospettive per la retorica: la tradizionale attenzione sulla persuasione, la prospettiva sociologica, l'esperienziale, l'drammaturgico, e il postmodern.113 Tuttavia, gli ultimi tre "metodi" sono così mal definite che non offrono molte speranze per risultati riproducibili .</span> Trible lists five perspectives for rhetoric: the traditional focus on persuasion, the sociological perspective, the experiential, the dramaturgical, and the postmodern.113 However, the last three "methods" are so poorly defined that they do not offer much hope for reproducible results. <span style="display: none; mso-hide: all;">Come Black dice: "Nella maggior parte di questi studi, le tattiche e le implicazioni interpretative esegetico non sono ancora completamente a fuoco." 114 mi prenderà in esame l'approccio più "tradizionale" alle critiche retoriche, a cominciare da Kennedy, e poi guardare un sociologico approccio.</span> As Black says, "In most of these studies, the interpretive tactics and exegetical implications have not yet come completely into focus."114 I will examine the more "traditional" approach to rhetorical criticism, starting with Kennedy, and then look at a sociological approach. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Kennedy descrive cinque fasi di analisi.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Kennedy describes five stages of analysis. <span style="display: none; mso-hide: all;">La prima fase consiste nel definire <i>l'unità di retorica,</i> la quantità di testo da studied.115 Questo può essere un intero libro della Bibbia, o una sezione all'interno di un libro.</span> The first stage is defining the <i>rhetorical unit,</i> the amount of text to be studied.115 This may be an entire book of the Bible, or a section within a book. <span style="display: none; mso-hide: all;">Lundbom osserva che "l'analisi che presta poca o nessuna attenzione alle unità letteraria non passerà per la critica retorica e finisce per essere una rimessa di nuovo a studiare precritica della Bibbia." 116</span> Lundbom notes that "analysis that pays little or no attention to literary units will not pass for rhetorical criticism and ends up being a throw-back to precritical study of the Bible."116 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Critiche retoriche tratta generalmente il testo come lo abbiamo, piuttosto che lo separa in fonti ipotetico, frammenti, e interpolations.117 Classen scrive: "L'approccio più ovvio sembra essere sempre di considerare il testo come unità, ammesso che ha un unità, e solo quando questo risulta impossibile per cercare di spiegare perché questo sembra impossibile e per quali motivi diversi elementi sembrano essere stati messi insieme o perché manca qualcosa. "118 Come osserva Classen, la critica retorica può essere applicato ad un ricostruzione ipotetica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Rhetorical criticism generally treats the text as we have it, rather than separating it into hypothetical sources, fragments, and interpolations.117 Classen writes, "The most obvious approach seems to be always to regard a text as a unit, assuming that it has a unity, and only when this turns out to be impossible to try to explain why this seems impossible and for which reasons several elements seem to have been put together or why something is missing."118 As Classen notes, rhetorical criticism can be applied to a hypothetical reconstruction. <span style="display: none; mso-hide: all;">Per esempio, se si sospetta un verso da una interpolazione più tardi, si potrebbe analizzare il modo in cui comunica il passaggio senza di essa, e poi con esso.</span> For example, if we suspect a verse to be a later interpolation, we could analyze the way the passage communicates without it, and then with it. <span style="display: none; mso-hide: all;">Se l'argomento sembra funzionare meglio senza che con essa, allora la critica retorica potrebbero essere utilizzati a sostegno di giudizi su redazione.</span> If the argument seems to work better without it than with it, then rhetorical criticism could be used in support of judgments about redaction. <span style="display: none; mso-hide: all;">Questo richiederebbe uno sforzo concertato per capire il passaggio <i>con</i> il verso, così come senza.</span> This would necessitate a concerted effort to understand the passage <i>with</i> the verse, as well as without. <span style="display: none; mso-hide: all;">Come esempio di critica retorico utilizzato per indagare la storia della letteratura, Watson lo utilizza per valutare la dipendenza letteraria tra Jude e 2 Peter.119 Indipendentemente redazione della sua storia, tuttavia, il risultato finale della storia di un testo è ancora un testo, note di Paolo Beauchamp, e "chiede di essere trattata come un prodotto finito." 120</span> As an example of rhetorical criticism being used to investigate literary history, Watson uses it to evaluate the literary dependence between Jude and 2 Peter.119 Regardless of its redaction history, however, the end result of a text's history is still a text, notes Paul Beauchamp, and it "begs to be treated as a finished product."120 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Secondo stadio Kennedy di critica retorica è discernere la <i>situazione retorica.</i> Ciò include la causa del testo, il motivo è stato scritto, l'umore del pubblico, l'umore dell'autore, e il loro valore sociale.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Kennedy's second stage of rhetorical criticism is discerning the <i>rhetorical situation.</i> This includes the cause of the text, the reason it was written, the mood of the audience, the mood of the author, and their social values. <span style="display: none; mso-hide: all;">Questo è soggettivo, speculativo, e complesso, ma fondamentale per la comprensione della retorica.</span> This is subjective, speculative, and complex, but crucial for understanding the rhetoric. <span style="display: none; mso-hide: all;">La "situazione" comprende altre spiegazioni degli stessi eventi, altre risposte alle stesse domande, ecc Kennedy osserva che "questo corrisponde grosso modo al <i>Sitz im Leben</i> di critica modulo .... Il critico ha bisogno di chiedere di ciò che questo pubblico è costituito , quello che il pubblico si aspetta che la situazione, e come chi parla o scrive manipola queste aspettative .... Platone afferma che un vero oratore filosofico deve conoscere l'anima del suo pubblico. "</span> The "situation" includes other explanations of the same events, other answers to the same questions, etc. Kennedy observes that "this roughly corresponds to the <i>Sitz im Leben</i> of form criticism.... The critic needs to ask of what this audience consists, what the audience expects in the situation, and how the speaker or writer manipulates these expectations.... Plato asserts that a true philosophical orator must know the souls of his audience." <span style="display: none; mso-hide: all;">121</span> 121 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">In terzo luogo, "in molte situazioni retoriche i relatori si troverà ad affrontare un <i>problema</i> prioritario <i>retorica</i> Il suo pubblico è forse già prevenuto contro di lui e non disposto ad ascoltare qualsiasi cosa si può <i>dire;.</i> O il pubblico non lo percepisce come aventi il potere di avanzare le pretese che vuole fare;. o ciò che vuole dire è molto complicato e quindi difficile da seguire, o almeno così totalmente diverso da quello che il pubblico si aspetta che essi non intrattenere immediatamente la possibilità di una sua verità "122 Tull osserva che la tentativo di convincere solitamente implica l'esistenza di una certa resistenza, cioè, un problema retorico, ma è spesso una sfida per accertare quale sia il problema was.123</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Third, "in many rhetorical situations the speakers will be found to face one overriding <i>rhetorical problem.</i> His audience is perhaps already prejudiced against him and not disposed to listen to anything he may say; or the audience may not perceive him as having the authority to advance the claims he wishes to make; or what he wishes to say is very complicated and thus hard to follow, or so totally different from what the audience expects that they will not immediately entertain the possibility of its truth."122 Tull notes that the attempt to persuade usually implies the existence of some resistance, ie, a rhetorical problem, but it is often a challenge to ascertain what the problem was.123 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Il quarto passo nel metodo di Kennedy è quello di descrivere la struttura del brano come una strategia per lo scopo comunicativo: "Considerate la <i>disposizione del materiale</i> nel testo: quello che le suddivisioni cade in, quello che l'effetto persuasivo di queste parti sembra essere, e come funzionano insieme - o non riescono a farlo -. per uno scopo unitario nel soddisfare la situazione retorica Per fare questo avrà bisogno di impegnarsi in linea per linea l'analisi della questione, compresi i suoi presupposti, i suoi argomenti , e le sue caratteristiche formali, come entimemi, e dei <i>dispositivi di stile,</i> cercando di definire la loro funzione nel contesto. "124</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The fourth step in Kennedy's method is to describe the structure of the passage as a strategy for the communicative purpose: "Consider the <i>arrangement of material</i> in the text: what subdivisions it falls into, what the persuasive effect of these parts seems to be, and how they work together--or fail to do so--to some unified purpose in meeting the rhetorical situation. In order to do this he will need to engage in line-by-line analysis of the argument, including its assumptions, its topics, and its formal features, such as enthymemes, and of the <i>devices of style,</i> seeking to define their function in context."124 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Il quinto passo è mettere tutto insieme - stimare l'efficacia del passaggio per la situazione e purpose.125 Questa fase serve anche a mettere i pezzi in un insieme coerente, piuttosto che lasciarli come frammenti o passi sconnesso di una metodologia.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The fifth step is putting it all together--estimating the effectiveness of the passage for the situation and purpose.125 This step also serves to put the pieces into a cohesive whole, rather than leaving them as fragments or disconnected steps of a methodology. <span style="display: none; mso-hide: all;">Per esempio, il critico può chiedere, ho spiegato <i>come</i> la struttura supporta il messaggio?</span> For example, the critic may ask, Have I explained <i>how</i> the structure supports the message? <span style="display: none; mso-hide: all;">Come le parole e il modo di lavorare insieme per influenzare il pubblico nella loro situazione?</span> How do the words and the style work together to affect the audience in their situation? <span style="display: none; mso-hide: all;">Come Kennedy riconosce, questo può comportare una revisione di precedenti passaggi: "Queste tappe sono indicate ... come una sequenza, ma è meglio vederli come un processo circolare, per l'analisi dettagliata delle fasi successive potrebbero infatti rivelare aspetti del problema retorico o una definizione della specie o della stasi che non era evidente al primo avvicinando a un passaggio. "126</span> As Kennedy acknowledges, this may entail a revision of earlier steps: "These stages are set forth...as a sequence, but it is better to view them as a circular process, for the detailed analysis of later stages may in fact reveal aspects of the rhetorical problem or a definition of the species or stasis which was not obvious on first approaching a passage."126 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Per riassumere, Kennedy descrive come segue:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> To summarize, Kennedy describes these steps: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">1.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Determinare l'unità di retorica</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> </span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Determine the rhetorical unit <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">2.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span style="display: none; font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Definire la situazione retorica</span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Define the rhetorical situation <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">3.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Descrivere il problema retorico, se del caso</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Describe the rhetorical problem, if any <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">4.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Considerare la disposizione del materiale</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> </span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Consider the arrangement of material <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l0 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">5.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Rivedere il successo del passaggio nel soddisfare la situazione.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Review the success of the passage in meeting the situation. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Watson, con la pretesa di riprodurre Kennedy passi, li dichiara un po 'diverso:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Watson, while claiming to reproduce Kennedy's steps, states them somewhat differently: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l1 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">1.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Determinare l'unità di retorica</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> </span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Determine the rhetorical unit <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l1 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">2.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span style="display: none; font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Analizzare la situazione retorica</span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Analyze the rhetorical situation <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l1 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">3.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Determinare la specie di retorica, la questione, e la stasi</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Determine the species of rhetoric, the question, and the stasis <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l1 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">4.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Analizzare invenzione, disposizione, e lo stile</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> </span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Analyze invention, arrangement, and style <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 108pt; mso-list: l1 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">5.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span style="display: none; font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Valutare retorica effectiveness.127</span><span style="font-family: "Times New Roman","serif"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Evaluate rhetorical effectiveness.127 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Nella maggior parte della letteratura biblica, possiamo discernere la situazione solo attraverso il testo, quindi per scopi pratici dobbiamo determinare la domanda principale o lo scopo del testo <i>prima di poter</i> descrivere la situazione.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> In most biblical literature, we can discern the situation only through the text, so for practical purposes we must determine the primary question or purpose of the text <i>before</i> we can describe the situation. <span style="display: none; mso-hide: all;">Lauri Thurén riconosce questo quando include l'obiettivo del testo all'interno della retorica situation.128 La sua preoccupazione successivo è quello di analizzare "i mezzi utilizzati in un testo al fine di raggiungere l'obiettivo del discorso. Questi mezzi includono sia la strategia complessiva del testo e le tecniche usate per servire questa strategia "- cioè, l'invenzione di argomenti, la loro disposizione, e come strumenti stilistici contribuire al raggiungimento degli goal.129 In effetti, Thurén presenta un metodo in due fasi: definire l'obiettivo, e analizzare il metodo per raggiungere tale goal.130 Egli descrive poi un più dettagliato metodo in cinque fasi, che migliora Kennedy e Watson:</span> Lauri Thurén recognizes this when he includes the goal of the text within the rhetorical situation.128 His next concern is to analyze "the means utilized in a text in order to achieve the goal of the discourse. These means include both the total strategy of the text and the techniques used to serve this strategy"--that is, the invention of arguments, their arrangement, and how stylistic devices help achieve the goal.129 In effect, Thurén presents a two-step method: determine the goal, and analyze the method of achieving that goal.130 He later describes a more detailed five-step method, which improves upon Kennedy and Watson: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l4 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">1.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Definire l'unità di retorica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Define the rhetorical unit. <span style="display: none; mso-hide: all;">"Se cominciamo definendo l'unità, tale analisi non può che essere preliminare e suggestivo." 131</span> "If we begin by defining the units, such an analysis can only be preliminary and suggestive."131 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l4 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">2.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Identificare la situazione retorica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Identify the rhetorical situation. <span style="display: none; mso-hide: all;">"Il primo passo per identificare la situazione retorica di un testo è quello di determinare in quale <i>genere retorico</i> il testo può essere classificata .... Ci sono in realtà rilievo che <i>tipo di risposta</i> da parte del pubblico è stato progettato per produrre il testo .... La genere forense viene utilizzato quando l'altoparlante vuole giudicare eventi del passato, il genere deliberativo quando vuole suscitare una decisione su qualche azione espediente da adottare nel prossimo futuro, e l'epidittico per consolidare o diminuire assenso a un certo valore, per lodare o colpa qualcosa. "132 Si dovrebbe anche accertare lo stato (stasi), o il problema principale del testo, l'angolo principale dell'argomento.</span> "The first step in identifying the rhetorical situation of a text is to determine into which <i>rhetorical genus</i> the text can be classified.... We are actually surveying what <i>type of response</i> from the audience the text is designed to produce.... The forensic genre is used when the speaker wants to judge past events, the deliberative genre when he wants to elicit a decision about some expedient action to be taken in the near future, and the epideictic to consolidate or diminish assent to some value, to praise or blame something."132 One should also ascertain the status (stasis), or the main issue of the text, the main angle of the argument. <span style="display: none; mso-hide: all;">Ma la parte più importante della situazione retorica, Thurén dice, "è quello di creare un'immagine del pubblico che è implicito nel testo, a distinguere le sue premesse e le aspettative." 133</span> But the most important part of the rhetorical situation, Thurén says, "is to create a picture of the audience which is implied in the text, to distinguish its premises and expectations."133 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l4 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">3.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Esaminare la disposizione retorica, "discernere le diverse parti del testo e identificare i loro effetti immaginato convincente e persuasivo".</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Examine the rhetorical disposition, "discerning different parts of the text and identifying their envisioned convincing and persuasive effects." <span style="display: none; mso-hide: all;">Questo non è solo uno studio della struttura, Thurén cautele, perché deve riconoscere che la situazione cambia retorica da una parte del testo ad un altro, in quanto il testo stesso sta colpendo il pubblico.</span> This is not just a study of the structure, Thurén cautions, for it must acknowledge that the rhetorical situation changes from one part of the text to another, since the text itself is affecting the audience. <span style="display: none; mso-hide: all;">"L'appello dell'autore modifica i pensieri della implica destinatari '." 134 L'introduzione colpisce l'atteggiamento del pubblico verso l'autore, la spiegazione di un punto influenza il modo che un altro sarà ricevuto, ecc "Alla fine del testo l'autore ha, a causa della sua argomentazione, un pubblico diverso implicita di fronte a lui. "135 A causa della situazione che cambia," la funzione delle tecniche e degli argomenti è in gran parte determinata dalla loro posizione nel testo. "</span> "The author's appeal modifies the implies addressees' thoughts."134 The introduction affects the audience's attitude toward the author, the explanation of one point affects the way that another will be received, etc. "At the end of the text the author has, as a result of his argumentation, a different implied audience in front of him."135 Because of the changing situation, "the function of the techniques and arguments is largely determined by their position in the text." <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l4 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">4.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Analizzare le figure retoriche e stile, chiedendo "la funzione di particolari accorgimenti di stile nel loro contesto interattivo, quali atteggiamenti che dovrebbero evocare nel pubblico, come fanno a contribuire alla interazione desiderato dall'autore." 136 Queste tecniche poi ci aiutano a vedere l'autore di vista della situazione.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Analyze the rhetorical devices and style, asking "the function of particular devices of style in their interactive context, what attitudes they should evoke in the audience, how do they contribute to the interaction desired by the author."136 These techniques then help us see the author's view of the situation. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l4 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">5.<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Scorso, si consideri il tutto sincronica ", fino a che punto si incontra, come unità, l'esigenza retorica." 137</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Last, consider the synchronic whole, "to what degree it meets, as a unit, the rhetorical exigency."137 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Sulla base di Kennedy, Watson, e Thurén, propongo le seguenti operazioni, vederle come un processo circolare in cui fasi successive possono richiedere la revisione di precedenti conclusioni:</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Based on Kennedy, Watson, and Thurén, I propose the following steps, viewing them as a circular process in which later steps may necessitate revision of earlier conclusions: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">1.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> 1. <span style="display: none; mso-hide: all;">Determinare la retorica dell'unità: Qual è il testo 138?</span> Determine the rhetorical unit: What is the text?138 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">2.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> 2. <span style="display: none; mso-hide: all;">Determinare la domanda: qual è il testo cercando di comunicare 139 Come si tenta di influenzare il pubblico?</span> Determine the question: What is the text trying to communicate?139 How is it attempting to influence the audience? <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">3.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> 3. <span style="display: none; mso-hide: all;">Determinare la situazione: Come ha fatto l'aiuto impostazione originale o ostacolare il messaggio?</span> Determine the situation: How did the original setting aid or hinder the message? <span style="display: none; mso-hide: all;">Dov'è finito l'autore e pubblico d'accordo e in disaccordo?</span> Where did the author and audience agree and disagree? <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">4.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> 4. <span style="display: none; mso-hide: all;">Determinare la strategia</span> Determine the strategy <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">a.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> a. <span style="display: none; mso-hide: all;">Invenzione: Quali argomenti sono usati e quali ipotesi si fanno?</span> Invention: What arguments are used, and what assumptions do they make? <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">b.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> b. <span style="display: none; mso-hide: all;">Disposizione: Qual è la struttura, e le specie di retorica 140</span> Arrangement: What is the structure, and the species of rhetoric?140 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">c.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> c. <span style="display: none; mso-hide: all;">Stile: Quali dispositivi letterari sono utilizzati, e come contribuire alla finalità del testo?</span> Style: What literary devices are used, and how do they contribute to the purpose of the text? <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">5.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> 5. <span style="display: none; mso-hide: all;">Valutare l'efficacia della strategia per la situazione.</span> Evaluate the effectiveness of the strategy for the situation. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Vernon Robbins ha descritto una metodologia diversa per "socio-retorico critica", concentrandosi su cinque aspetti del testo: "(a) consistenza interiore, (b) tra le texture, (c) tessuto sociale e culturale; (d) consistenza ideologica ;. e (e) texture sacro "141 struttura interna, spiega, consiste" la ripetizione di parole particolare, la creazione dell'inizio e della fine, alternanza di parola e di narrazione, modi particolari in cui le parole argomenti attuali, e la particolare ' sentire 'o estetici del testo 142 "- in altre parole, le questioni stilistiche.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Vernon Robbins has described a different methodology for "socio-rhetorical criticism," focusing on five aspects of the text: "(a) inner texture; (b) inter-texture; (c) social and cultural texture; (d) ideological texture; and (e) sacred texture."141 Inner texture, he explains, involves "the repetition of particular words, the creation of beginnings and endings, alternation of speech and storytelling, particular ways in which the words present arguments, and the particular 'feel' or aesthetic of the text"142--in other words, stylistic matters. <span style="display: none; mso-hide: all;">Sotto inter-texture, Robbins comprende la situazione retorica, compresi i riferimenti del testo alla letteratura precedente e lingua, costumi e valori culturali, e la storia.</span> Under inter-texture, Robbins includes the rhetorical situation, including the text's references to previous literature and language, cultural customs and values, and history. <span style="display: none; mso-hide: all;">Tessuto sociale e culturale "riguarda la capacità del testo di sostenere riforme sociali, il ritiro o di opposizione e di evocare percezioni culturali di posizione dominante, subalternità, differenza, o l'esclusione." 143 Ciò includerebbe i tentativi del testo di persuadere o influenzare il pubblico.</span> Social and cultural texture "concerns the capacities of the text to support social reform, withdrawal, or opposition and to evoke cultural perceptions of dominance, subordinance, difference, or exclusion."143 This would include the text's attempts to persuade or influence the audience. <span style="display: none; mso-hide: all;">Struttura ideologica coinvolge il modo in cui l'autore ei lettori "si posizionano in relazione ad altri individui e groups.144 Questo sarebbe quello che si sovrappongono Robbins chiama il tessuto sociale, e che si sovrappongono e con la texture sacro, che si chiede come gli esseri umani in relazione con il divino .</span> Ideological texture involves the way that the author and readers "position themselves in relation to other individuals and groups.144 This would overlap what Robbins calls the social texture, and would overlap as well with the sacred texture, which asks how humans relate with the divine. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Robbins presenta alcune domande utili per chiarire l'impostazione e le finalità di un testo, ma questo è inferiore di una metodologia di retorica criticism.145 Anche se in teoria si potrebbe esaminare i dettagli stilistici per accertare lo scopo di un testo, in pratica siamo di solito hanno un traduzione provvisoria e comprensione molto prima che sonda i dettagli che aiutano a trasmettere il messaggio.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Robbins presents some helpful questions for clarifying the setting and purpose of a text, but this falls short of a methodology of rhetorical criticism.145 Although in theory one might examine stylistic details to ascertain the purpose of a text, in actual practice we usually have a provisional translation and understanding long before we probe the details that help convey the message. <span style="display: none; mso-hide: all;">E 'con questa comprensione preliminare che possiamo esplorare le domande sociologiche che evidenzia Robbins - per esempio, è il testo cercando di plasmare la cultura, ideologia e / o relazioni dei lettori' con il divino?</span> It is with this preliminary understanding that we can explore the sociological questions that Robbins highlights--eg, Is the text attempting to shape culture, ideology, and/or the readers' relationship with the divine? <span style="display: none; mso-hide: all;">Questa domanda è un altro modo di chiedere come il testo sta tentando di influenzare o convincere il pubblico, e in alcuni casi può far luce sullo scopo del testo.</span> This question is another way of asking how the text is attempting to influence or persuade the audience, and in some cases it can shed light on the purpose of the text. <span style="display: none; mso-hide: all;">Allo stesso modo, una considerazione di ideologia e appartenenza al gruppo può essere importante nella comprensione delle dinamiche sociali che hanno aiutato o ostacolato lo scopo comunicativo.</span> Likewise, a consideration of ideology and group membership may be important in understanding the social dynamics that helped or hindered the communicative purpose. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'obiettivo della critica retorica non è quello di terminare con una ideologia dell'autore e del pubblico (come interessante ed utile come esso sia), ma di concentrarsi sul testo, in particolare il modo in cui il testo raggiunge il suo scopo nella sua situazione.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The goal of rhetorical criticism is not to end with an ideology of the author and audience (as interesting and useful as that may be), but to focus on the text, particularly the way the text achieves its purpose within its situation. <span style="display: none; mso-hide: all;">Alcuni circolarità è inevitabile, per il testo è la nostra finestra nella situazione, e poi quella situazione ipotetica viene utilizzato come base per una migliore comprensione di come il testo dovrebbe funzionare in una tale situazione.</span> Some circularity is inevitable, for the text is our window into the situation, and then that hypothetical situation is used as the basis for better understanding how the text would work in such a situation. <span style="display: none; mso-hide: all;">E 'dopo che cogliere la complessità della situazione (comprese le sue dinamiche sociologiche) che si può meglio apprezzare il modo in cui i dettagli stilistici contribuiscono al messaggio.</span> It is after we grasp the complexity of the situation (including its sociological dynamics) that we can better appreciate the way that stylistic details contribute to the message. <span style="display: none; mso-hide: all;">Per questo motivo preferisco la sequenza dei passaggi riportati a pagina 31, pur mantenendo Robbins 'preoccupazioni considerazioni integrative utili.</span> For that reason I prefer the sequence of steps outlined on page 31, while retaining Robbins' concerns as helpful supplementary considerations. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><b><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">L'importanza della retorica classica</span></b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> <b>The importance of classical rhetoric</b> <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Thurén identifica due questioni metodologiche che dovrebbero essere affrontate: "Una visione tipica della retorica contiene due tipi di ostacoli che impediscono un uso efficace di critica retorica: la retorica è visto sia come stilistica puro, anche in modo positivo o peggiorativo capito, o nella misura strettamente legato a Greco -romana retorica della scuola. "146 Ho già sostenuto che la critica retorica dovrebbe analizzare i metodi di persuasione, non solo per elencare i dispositivi stilistici, e mi hanno descritto una metodologia adeguata a tale scopo.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Thurén identifies two methodological questions that should be addressed: "A typical view of rhetorics contains two types of obstacle which prevent an effective use of rhetorical criticism: rhetorics is seen either as pure stylistics, whether positively or pejoratively understood, or as strictly bound to Greco-Roman school rhetoric."146 I have already argued that rhetorical criticism should analyze the methods of persuasion, not just list stylistic devices, and I have described a methodology appropriate for that purpose. <span style="display: none; mso-hide: all;">Ora mi si occuperà se la critica retorica del NT dovrebbe usare moderni approcci retorici, o se debba utilizzare solo le teorie retoriche del mondo antico.</span> Now I will address whether rhetorical criticism of the NT should use modern rhetorical approaches, or whether it should use only the rhetorical theories of the ancient world. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Watson chiede: "Può i canoni della retorica greco-romana essere usati per interpretare <i>tutti i</i> generi che intendono convincere?" 147 Alcuni interpreti, senza necessariamente fare questa affermazione, tuttavia, valutare i materiali NT con i modelli classici <i>come se questo</i> è l'unico metodo appropriato.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Watson asks, "Can the canons of Greco-Roman rhetoric be used to interpret <i>all</i> genres which intend to persuade?"147 Some interpreters, without necessarily making this claim, nevertheless evaluate NT materials with classical patterns <i>as if</i> that is the only appropriate method. <span style="display: none; mso-hide: all;">Black scrive che alcuni studiosi tendono "a premere oracoli o lettere in elaborati schemi retorici di organizzazione (da <i>proemio</i> al <i>epilogos),"</i> 148 come se quelle fossero l'unico modo corretto per analizzarli.</span> Black writes that some scholars tend "to press oracles or letters into elaborate rhetorical schemes of organization (from <i>proem</i> to <i>epilogos</i> ),"148 as if those were the only correct way to analyze them. <span style="display: none; mso-hide: all;">Tuttavia, Watson scrive:</span> However, Watson writes: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Interpreti molti considerano l'analisi retorica del NT esclusivamente utilizzando greco-romana convenzioni retoriche per essere troppo limitato ....</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Many interpreters consider rhetorical analysis of the NT solely using Greco-Roman rhetorical conventions to be too limited.... <span style="display: none; mso-hide: all;">Retorica antica non affronta tutte le questioni teoriche, pratiche e filosofiche poste dal discorso ....</span> Ancient rhetoric does not address all theoretical, practical, and philosophical questions posed by speech.... <span style="display: none; mso-hide: all;">Questo approccio presuppone che gli autori NT avevano familiarità con la retorica sia dall'istruzione formale o attraverso l'interazione con l'uso orale e scritto della cultura ellenistica, che è stato permeato di retorica practice.149</span> This approach assumes that the NT authors were familiar with rhetoric either from formal education or through interaction with oral and written Hellenistic culture, which was permeated with rhetorical practice.149 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, la cultura ellenistica non era l'unica influenza sugli scrittori NT; i loro metodi di spiegazione e di esortazione può anche essere influenzata da ebraico antico patterns.150 Inoltre, anche se gli scrittori NT aveva studiato retorica greca, non sarebbe necessariamente l'utilizzo di tali modelli in le lettere che hanno scritto.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> However, Hellenistic culture was not the only influence on NT writers; their methods of explanation and exhortation may also be influenced by ancient Hebrew patterns.150 Moreover, even if the NT writers had studied Greek rhetoric, they would not necessarily be using those patterns in the letters they wrote. <span style="display: none; mso-hide: all;">Così come gli scrittori ebraici modificato le forme ebraico / generi per soddisfare i loro scopi, e gli scrittori greci adattato forme retoriche, 151 così gli scrittori biblici potrebbe adattare modelli di base per soddisfare i loro scopi.</span> Just as Hebrew writers modified Hebrew forms/genres to suit their purposes, and Greek writers adapted rhetorical forms,151 so the biblical writers could adapt basic patterns to suit their purposes. <span style="display: none; mso-hide: all;">Come nota Nero ", i documenti biblici sembrano essere miscele di molti generi, allegramente aggravata dalla loro autori provenienti da una vasta gamma di componenti letterarie e orali .... Mentre i modelli retorici possono funzionare come guide euristico, testi particolari spesso resistono modelli predefiniti." 152 Pertanto Watson ha ragione quando scrive: "affidamento restrittive sui manuali di retorica può portare a una visione equilibrata di documenti del Nuovo Testamento." 153 Olbricht d'accordo: "I testi devono essere esaminati per le loro caratteristiche distintive e dei mezzi di prova e non forzata formalizzato in una camicia di forza della retorica antica. "154</span> As Black notes, "Biblical documents appear to be mixtures of many genres, blithely compounded by their authors from an enormous range of literary and oral components.... While rhetorical models may function as heuristic guides, particular texts often resist preset patterns."152 Therefore Watson is correct when he writes, "Restrictive reliance upon the rhetorical handbooks can lead to an imbalanced view of the New Testament documents."153 Olbricht agrees: "Texts must be scrutinized for their own distinctive features and means of proof rather than forced into a formalized straight jacket of ancient rhetoric."154 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Ma a favore dei greco-romana retorica, Kennedy afferma che</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> But in favor of Greco-Roman rhetoric, Kennedy claims that <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">La retorica è ... un fenomeno universale, che è condizionata da meccanismi di base della mente e del cuore umano e dalla natura di tutta la società umana.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Rhetoric is...a universal phenomenon which is conditioned by basic workings of the human mind and heart and by the nature of all human society. <span style="display: none; mso-hide: all;">Obiettivo di Aristotele per iscritto la sua <i>retorica</i> non era quello di descrivere retorica greca, ma per descrivere questo aspetto universale della comunicazione umana ....</span> Aristotle's objective in writing his <i>Rhetoric</i> was not to describe Greek rhetoric, but to describe this universal facet of human communication.... <span style="display: none; mso-hide: all;">E 'perfettamente possibile utilizzare le categorie della retorica aristotelica per studiare discorso in Cina, India, Africa e altrove ....</span> It is perfectly possible to utilize the categories of Aristotelian rhetoric to study speech in China, India, Africa, and elsewhere.... <span style="display: none; mso-hide: all;">Ciò che è unico retorica greca, e ciò che lo rende utile per la critica, è il grado in cui è stato concettualizzato che ....</span> What is unique about Greek rhetoric, and what makes it useful for criticism, is the degree to which it was conceptualized.... <span style="display: none; mso-hide: all;">Nella comprensione di come la loro retorica lavorato abbiamo altra scelta che utilizzare i concetti ei termini dei Greci. "155</span> In understanding how their rhetoric worked we have little choice but to employ the concepts and terms of the Greeks."155 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">In altre parole, le persone in tutte le culture cercano di persuadere in un modo o nell'altro, ma la nostra terminologia di persuasione si basa sul modello greco perché erano quelli che per primi hanno analizzato persuasione, e hanno fatto un buon lavoro.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> In other words, people in all cultures seek to persuade in one way or another, but our terminology about persuasion is based on the Greek model because they were the ones who first analyzed persuasion, and they did a good job. <span style="display: none; mso-hide: all;">Loro categorie sono utili per la maggior parte di ciò che vediamo in tutto il mondo.</span> Their categories are useful for most of what we see around the world. <span style="display: none; mso-hide: all;">Possiamo usare i nomi greci per le loro argomentazioni, proprio come facciamo per le loro strutture poetiche e figure retoriche.</span> We can use Greek names for their argumentation, just as we do for their poetic structures and figures of speech. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Tuttavia, dobbiamo essere aperti alla possibilità che gli scrittori e gli approcci utilizzati dispositivi che non hanno omologhi greci.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> However, we must be open to the possibility that writers used devices and approaches that have no Greek counterparts. <span style="display: none; mso-hide: all;">E <i>'possibile</i> analizzare tutto con il modello classico greco, ma è anche possibile che altri modelli potrebbero essere ancora migliore.</span> It is <i>possible</i> to analyze everything with the classical Greek model, but it is also possible that other models may be even better. <span style="display: none; mso-hide: all;">Nulla nella metodologia di Kennedy richiede la letteratura ad essere conformi ai modelli classici.</span> Nothing in Kennedy's methodology requires literature to be conformed to classical models. <span style="display: none; mso-hide: all;">Piuttosto, l'attenzione è più generale: sul modo in cui il testo cerca di influenzare il pubblico.</span> Rather, the focus is more general: on the way in which the text seeks to affect the audience. <span style="display: none; mso-hide: all;">Modelli classici possono fornire un utile punto di partenza, ma non sono l'ultima parola nei metodi di persuasione.</span> Classical models may provide a useful starting point, but they are not the last word in methods of persuasion. <span style="display: none; mso-hide: all;">Per gli studi biblici, la nostra domanda è: Come funziona questo testo persuadere un pubblico - e gli studiosi hanno imparato di più sul persuasione perché gli antichi.</span> For biblical studies, our question is, How does this text persuade an audience?--and scholars have learned more about persuasion since the ancients. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Anderson sostiene che avremmo potuto costruire l'opera di Aristotele, "ma non abbiamo poi sarebbe meglio che il sistema di raffinazione e utilizzando i benefici della moderna ricerca nella creazione di una grammatica universale di retorica? Non è questo infatti quello che Perelman e Olbrechts-Tyteca hanno cercato nella loro <i>nuova retorica?</i> Questo sembra essere uno strumento molto più <i>universale</i> di un greco 'sistema' scritto circa 2000 anni fa. "156 Classen scrive:" Non c'è alcuna buona ragione per sostenere che un testo può e deve essere . esaminato solo in base a categorie note (o forse sa) che l'autore in questione "157 Übelacker è del parere che i greco-romana manuali non deve essere utilizzato come standard con cui gli scrittori NT devono essere judged.158 Anderson conclude:" Analisi dei modelli argomentativo è probabilmente meglio affrontato attraverso moderna teoria retorica. Moderna libri di testo retorico, spesso forniscono un sistema migliore per analizzare i modelli argomentativi che quelli di antica teoria retorica. "159</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Anderson argues that we could build on the work of Aristotle, "but would we not then be better off refining that system and using the benefits of modern research in creating a universal grammar of rhetoric? Is this not in fact what Perelman and Olbrechts-Tyteca have attempted in their <i>New Rhetoric</i> ? This would seem to be a much better <i>universal</i> tool than a Greek 'system' written c. 2000 years ago."156 Classen writes, "There is no good reason to maintain that a text could and should be examined only according to categories known (or possibly known) to the author concerned."157 Übelacker is of the opinion that the Greco-Roman handbooks should not be used as the standard by which NT writers are to be judged.158 Anderson concludes: "Analysis of argumentative patterns is probably better approached via modern rhetorical theory. Modern rhetorical textbooks will often provide a better system for analysing argumentative patterns that those of ancient rhetorical theory."159 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Modelli classici sono stati progettati principalmente per situazioni giudiziarie, la deliberazione legislativa, e cerimonie pubbliche.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Classical models were designed primarily for judicial situations, legislative deliberation, and public ceremonies. <span style="display: none; mso-hide: all;">Essi non sono stati progettati per coprire didattico occasions160 (come le conferenze in cui è stato insegnato retorica), esortazioni religiose, 161 o letters.162 Stanley Stowers scrive: "Scrivere lettere rimaste solo ai margini della formale retorica tutta l'antichità. Non è mai stato integrati nei sistemi di retorica e quindi non compare nei manuali standard. Ciò significa che non sono mai stati una modalità sistematica di lettere. "163 Stanley Porter dice:" C'è poca o nessuna giustificazione teorica nel antichi manuali per l'applicazione del formale categorie delle specie e la disposizione di retorica per la scrittura e l'analisi delle lettere paoline. "164 Philip Esler conclude che" la mancanza di un rapporto formale tra retorica e epistolography rende un esercizio di dubbio valore per sapere se Galati è giudiziari <i>di per sé</i> ... o deliberativo <i>di per sé.</i> "165 Queste categorie non sono stati progettati per soddisfare tutte le lettere.</span> They were not designed to cover didactic occasions160 (such as the lectures in which rhetoric was taught), religious exhortations,161 or letters.162 Stanley Stowers writes, "Letter writing remained only on the fringes of formal rhetorical education throughout antiquity. It was never integrated into the rhetorical systems and thus does not appear in the standard handbooks. This means there were never any detailed systematic rules for letters."163 Stanley Porter says, "There is little if any theoretical justification in the ancient handbooks for application of the formal categories of the species and arrangement of rhetoric to the writing and analysis of the Pauline letters."164 Philip Esler concludes that "the lack of a formal relationship between rhetoric and epistolography renders it an exercise of dubious value to enquire whether Galatians is judicial <i>per se</i> ...or deliberative <i>per se.</i> "165 These categories were not designed to fit all letters. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Dal momento che i manuali di retorica antica non sono stati progettati per analizzare lettere o scritti religiosi, non ha senso insistere sul fatto che la retorica greco-romana sono l'unico o anche il modello primario per la critica retorica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Since the ancient manuals of rhetoric were not designed for analyzing letters or religious writings, it does not make sense to insist that Greco-Roman rhetoric be the only or even the primary pattern for rhetorical criticism. <span style="display: none; mso-hide: all;">Il fatto che <i>può</i> essere utile non significa che sia lo strumento più utile di analisi.</span> The fact that it <i>can</i> be useful does not mean that it is the most useful analytical tool. <span style="display: none; mso-hide: all;">Robert Jewett scrive: "Credo che la nuova retorica e strettamente associata teorie linguistiche offrire una comprensione più completa della comunicazione epistolare." 166 Olbricht dice: "Siamo poco aiutati semplicemente sovrapponendo le categorie della retorica classica su questi documenti." 167 Anche se alcuni metodi di persuasione può rimanere la stessa, dovremmo anche aspettarci di trovare alcune differenze quando guardiamo le altre situazioni di parlare e di comunicazione scritta, come lettere o racconti.</span> Robert Jewett writes, "I believe that the New Rhetoric and closely associated linguistic theories offer a more comprehensive grasp of epistolary communication."166 Olbricht says, "We are helped little by simply superimposing the categories of classical rhetoric upon these documents."167 Although some methods of persuasion may remain the same, we should also expect to find some differences when we look at other speaking situations and written communication, such as letters or narratives. <span style="display: none; mso-hide: all;">La retorica della religione è diversa dalla retorica del courtroom.168 Per queste ragioni, scrive Kennedy,</span> The rhetoric of religion is also different than the rhetoric of the courtroom.168 For these reasons, Kennedy writes, <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Fino a che punto è la consapevolezza delle convenzioni delle diverse forme letterarie essenziali per la validità critiche retoriche?</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> To what extent is an awareness of the conventions of different literary forms essential for valid rhetorical criticism? <span style="display: none; mso-hide: all;">La risposta sembra essere che può essere utile, ma che non è fondamentale ....</span> The answer seems to be that it can be helpful, but that it is not fundamental.... <span style="display: none; mso-hide: all;">Una consapevolezza di genere <i>(genos)</i> può tuttavia contribuire alla comprensione della situazione retorica, soprattutto percezione dell'autore del suo pubblico, e può spiegare la presenza di varie funzioni nel lavoro ....</span> An awareness of genre ( <i>genos</i> ) may, however, contribute to an understanding of the rhetorical situation, especially the author's perception of his audience, and it may explain the presence of various features in the work.... <span style="display: none; mso-hide: all;">In generale, l'identificazione di genere non è un fattore cruciale nella comprensione di come funziona realmente la retorica in unità del Nuovo Testament.169</span> In general, identification of genre is not a crucial factor in understanding how rhetoric actually works in units of the New Testament.169 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Gli scrittori classici (che scrivevano manuali per gli altoparlanti) incentrata sulla altoparlante non, le percezioni del pubblico.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> The classical writers (who were writing manuals for speakers) focused on the speaker, not the audience's perceptions. <span style="display: none; mso-hide: all;">Anderson identifica questo come un problema metodologico, quando osserva che la retorica "trattati sono stati scritti in modo da favorire un oratore per la <i>preparazione</i> di discorsi, e <i>non</i> sono stati progettati come strumento <i>analitico</i> per i discorsi già scritti." 170 Thurén osserva che "la retorica antica <i>di per sé</i> offre un metodo per l'analisi di un discorso, ma è stato progettato per produrre la retorica moderna, invece, pur adottando alcune intuizioni rinnovato dalla retorica antica, ha un obiettivo che è più descrittiva e analitica .... [E]. . ha una percezione più adeguata dello stesso discorso, e spiega molte caratteristiche di un discorso in termini più precisi "171, inoltre, i retori classici trascurato alcune tecniche - ad esempio, non ha analizzato irony.172 Quindi non possiamo assumere che classica modelli forniscono un sistema completo.</span> Anderson identifies this as a methodological problem when he notes that the rhetorical "treatises were written in order to aid an orator in the <i>preparation</i> of speeches, and were <i>not</i> designed as an <i>analytical</i> tool for speeches already written."170 Thurén notes that "ancient rhetoric <i>per se</i> offers no method for analyzing a discourse; it was designed to produce it. Modern rhetorics, on the other hand, while adopting some renewed insights from ancient rhetoric, has an objective which is more descriptive and analytical.... [It] has a more adequate perception of the discourse itself, and explains many features of a discourse in more accurate terms."171 Further, the classical rhetors overlooked some techniques--for example, they did not analyze irony.172 So we cannot assume that classical models provide a complete system. <span style="display: none; mso-hide: all;">Non rispondere a tutte le nostre domande, anche se sono un utile punto di partenza.</span> They do not answer all our questions, even though they are a useful starting point. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Anderson individua alcune ulteriori problemi con l'utilizzo di retorica antica: "Una questione fondamentale riguarda le fonti più appropriate per determinare il tipo di retorica insegnata nelle scuole del primo secolo dC .... E 'importante distinguere chiaramente tra la teoria retorica dei filosofi e della scuola retorica. A questo proposito, per esempio, sarà mostrato che un trattato, come Aristotele <i>non</i> è una fonte utile per i nostri scopi. "173 Thurén scrive," di Aristotele tesi non può essere usato come una descrizione del modo tradizionale antica di ragionare. Al contrario, ha acquisito la sua reputazione con la presentazione di pareri nuova e radicale. "174 Wuellner note," Non c'è mai esistito un sistema uniforme e unificato della retorica classica .... retorica 'classica' e la sua eredità consisteva in una grande varietà di teorie e pratiche. "175 Anderson elenca sette modi in cui il lavoro di Aristotele non descrive primo secolo practice.176 Tuttavia, alcuni critici retoriche hanno utilizzato il modello aristotelico <i>come</i> modello per la critica retorica.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Anderson identifies some further problems with using ancient rhetoric: "A fundamental question concerns the most appropriate sources for determining the kind of school rhetoric taught in the first century AD.... It is important to clearly distinguish between the rhetorical theory of philosophers and school rhetoric. In this respect, for example, it will be shown that a treatise such as Aristotle's is <i>not</i> a helpful source for our purposes."173 Thurén writes, "Aristotle's theses cannot be used as a description of the mainstream ancient way of reasoning. On the contrary, he acquired his reputation by presenting novel and radical opinions."174 Wuellner notes, "There never existed a uniform or unified system of classical rhetoric.... 'Classical' rhetoric and its legacy consisted of a wide diversity of theories and practices."175 Anderson lists seven ways in which Aristotle's work does not describe first-century practice.176 Nevertheless, some rhetorical critics have used the Aristotelian model as <i>the</i> model for rhetorical criticism. <span style="display: none; mso-hide: all;">Questo errore non dovrebbe essere fatta se i critici moderni utilizzati così come la retorica classica.</span> This mistake would not be made if critics used modern as well as classical rhetoric. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">In sintesi, sostengo che la critica NT retorica non deve limitarsi ai modelli di antiche greco-romana retorica, anche se la retorica greco-romana può essere utile.</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> In summary, I argue that NT rhetorical criticism should not limit itself to the patterns of ancient Greco-Roman rhetoric, even though Greco-Roman rhetoric may be useful. <span style="display: none; mso-hide: all;">Piuttosto, le intuizioni della moderna teorici retorica può essere utilizzato anche per ottenere una comprensione di come un testo cerca di soddisfare la sua situazione retorica.</span> Rather, the insights of modern rhetorical theorists may also be used to gain an understanding of how a text attempts to meet its rhetorical situation. <span style="display: none; mso-hide: all;">La nostra domanda di base rimane lo stesso: come fa questo testo cerca di convincere il pubblico?</span> Our basic question remains the same: How does this text try to persuade the audience? <span style="display: none; mso-hide: all;">Che cosa è cercando di dire, e come fare per dirlo?</span> What is it trying to say, and how does it go about saying it? <span style="display: none; mso-hide: all;">Noi utilizziamo qualsiasi strumento, sia antica o moderna, per aiutarci a capire come funziona il testo.</span> We use any tool, whether ancient or modern, to help us understand how the text functions. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Argomentazione</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> Argumentation <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-size: large;"><span lang="EN-US" style="display: none; font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-hide: all;">Un importante strumento di moderna critica retorica è la teoria dell'argomentazione. <i>La nuova retorica,</i> il libro influente di Perelman e Olbrechts-Tyteca, ha il sottotitolo "A Treatise on Argomentazione".</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"> An important tool of modern rhetorical criticism is argumentation theory. <i>The New Rhetoric,</i> the influential book of Perelman and Olbrechts-Tyteca, has the subtitle "A Treatise on Argumentation." A less influential but helpful theory of argumentation is that of Stephen Toulmin.177 Anderson goes so far as to say that NT rhetorical scholars "have tended to emphasise rhetoric in terms of argumentation."178 This focus on the rational component of persuasion may be an attempt to counterbalance the tendency of some rhetorical critics to concentrate on style.179 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Aristotle wrote that there are three components of persuasion: <i>ethos, pathos,</i> and <i>logos,</i> 180 which correspond to 1) the reputation of the speaker, or the way in which the audience's attitude toward the speaker can change during the message, 2) the mood of the audience, and the way that the speaker can change the mood during the message, and 3) the rational part of the message, the facts and implications that are brought out in the message, which would also take into consideration the facts (or misunderstandings) the audience had before the message began. Thus part of a persuasive message (often the introduction) might be only tangentially related to the main purpose--it is designed instead to increase the audience's confidence in the speaker, and thus improve their willingness to listen to the discussion of the main issue. Vocabulary and style may influence audience emotions toward the author and the topic. Alan Mitchell says, "Every rhetorical venture seeks to persuade the audience on the basis of something more than mere logic.... The speaker is persuasive...because in the meeting between speaker and audience there is a recognition of truth, compelling as much for the <i>way</i> the speaker articulates it as for what is said."181 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Argumentation theory, although it does not leave emotion completely out of the picture, focuses on the rational part of the message.182 Argumentation theory acknowledges that people rarely use formal logic in making day-to-day decisions, but there is a process of presenting and evaluating data. Compier writes: "In human affairs decisions must usually be made before all the facts are in, in an inescapable and perpetual state of imperfect knowledge. Rhetoric offers a technique by which persons can argue their way toward mutually agreed upon course of action based on probability, not certainty, and 'informed opinion,' not 'scientific demonstration.'"183 Data is given, claims are made, warrants may be given as rationale, qualifications may be noted, and uncertainties acknowledged.184 Perelman and Olbrechts-Tyteca list numerous methods that people use to support their conclusions: the rule of justice, arguments by comparison, the argument of direction, argument from authority, illustration, model, analogy, and many others.185 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Arguments usually do not follow rigorous logic; they appeal to experience, generalities and probabilities. They do not even state all the facts. Compier writes, "Any writer assumes that his or her readers could read between the lines; the author did not need to state all the presuppositions and implicit knowledge held in common with contemporary readers."186 For that reason, an argument that is effective with one audience is not necessarily effective with another, since a different audience may have different presuppositions and knowledge. Argumentation theory must consequently consider the audience as an essential component of the argument--it is the audience that must supply part of the data and often supply the rationale between data and conclusions.187 Alexandre writes that rhetorical critics "emphasize above all the concept of audience, since they realize that rhetorical argumentation, in order to be effective, not only implies principles and premises accepted by the listener but must also adapt itself to the listener and his already-existing convictions."188 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Thurén writes, "One of the most fruitful, but also difficult tasks, is to reveal hidden, implicit elements in an argumentative structure.... We shall ask which basic information he omits, supposing that the addressees are familiar with it, and furthermore, what kind of statements he chooses as a starting-point for his argumentation taking their agreement for granted."189 If the argument would be valid only if a particular concept is included, then the rhetorical critic generally assumes that the audience had that concept.190 An audience with that concept is the audience <i>implied</i> by the text. The author <i>may</i> have been completely mistaken, but the author is likely to know the audience better than the modern critic does. In this way, argumentation theory can help us understand the audience. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Argumentation theory focuses on the logic of an argument, but this should not be the only tool of rhetorical criticism, just as stylistics should not be its only approach. Persuasion uses both logic and emotion--not only objective arguments but also subjective appeals to <i>ethos</i> and <i>pathos.</i> Since people are influenced by their emotions, any study of "the means of persuasion" must include the speaker's attempts to influence the audience's emotions. Even if the critic thinks that these attempts are improper, substandard, or unethical, they should be included in any study of the persuasive force of a message. As we look at style, structure, and even logic, we must remain aware of the nonrational dimensions of persuasion.191 This may even help us in contemporary communications.192 Aristotle's trio of <i>ethos, pathos,</i> and <i>logos</i> remains a helpful grid for modern rhetorical critics. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Rhetorical criticism of Hebrews <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Rhetorical criticism has been applied to Hebrews in a modest number of studies. Some are studies of specific sections,193 but others are of the entire work. Notable among the latter are dissertations by Daniel Buck and Ronald Davis, commentaries by David DeSilva and Craig Koester, and monographs by Paolo Garuti, George Guthrie, Keijo Nissilä, and Walter Übelacker.194 Although several older works made some use of Greek rhetorical terms,195 the works I cite above use rhetoric as an analytic tool throughout Hebrews. Numerous smaller studies have also been published.196 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">I will explore the rhetoric of Hebrews in more detail in a later study. Here, I want to address a preliminary matter--the classification of Hebrews into a rhetorical genre. Aristotle described three categories of speech: the judicial, the deliberative, and the epideictic. In general, these ask the audience to (respectively) decide about what someone else did in the past, decide what the audience is to do in the future, and praise a person or reinforce a value that the audience currently holds.197 The genre or purpose often influences the style. Watson writes: "Epideictic usually employs amplification to stir emotion rather than arguments to effect proof. Deliberative chiefly relies upon ethos and examples and comparison of examples; whereas judicial is characterized by the use of enthymeme."198 How has Hebrews been evaluated in these categories? <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Watson reports that "Von Soden (1899: 11) proposed that Hebrews was judicial rhetoric," but this opinion has been abandoned.199 Some commentators classify Hebrews as epideictic, and some as deliberative. This reflects the commentators' view on the situation and purpose of Hebrews: If the audience is seen as simply apathetic and lethargic, then Hebrews is epideictic, designed to strengthen their faith and keep them where they are. If the audience is drifting away and they need to change their behavior, then Hebrews is judged to be deliberative. Pfitzner states that "Hebrews conforms more closely to epideictic oratory."200 Seid "classifies Hebrews as a written speech of encomium (epideictic rhetoric) belonging to the genre of <i>synkrisis.</i> "201 Aune also calls Hebrews epideictic.202 However, "Nissilä...classifies Hebrews as a speech conforming to the conventions of ancient deliberative rhetoric.... Übelacker...also argues that Hebrews is deliberative rhetoric."203 Lindars also categorizes Hebrews as deliberative.204 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Several commentators choose both epideictic and deliberative. "Attridge argues that Hebrews is mainly an epideictic oration with some deliberative elements.... The purpose of Hebrews is to keep the audience faithful to the Jesus tradition and values and commitments."205 "DeSilva...classifies the letter as deliberative rhetoric which relies upon epideictic rhetoric. Which species of rhetoric dominates depends in part upon the hearer."206 Thurén says, "Rhetorically the text can be divided into <i>epideictic</i> and <i>deliberative</i> passages."207 Olbricht says: "Hebrews best conforms to the epideictic genre in its superstructure even though the body of the argument may be conceived as deliberative."208 Marie Isaacs writes, "Parts of its paraenetic sections could be classified as deliberative, since they are aimed at leading the readers to take some paths of action and to avoid others. In other respects, it conforms more closely to epideictic speech...in its exposition largely seeks to reinforce already established Christian convictions."209 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">This mixture of genres is not unusual. <i>Rhetorica ad Herennium</i> notes that epideictic "is only seldom employed by itself independently," but epideictic praise is often used in sections of judicial and deliberative speeches.210 Watson writes, "Quintilian makes it clear that the threefold division is arbitrary and there are numerous gradations of each of the three styles (12.10.66-68).... All three species of rhetoric rely on the others, each often temporarily using the other."211 Kennedy notes that "any one speech may involve deliberative, judicial, and epideictic elements."212 Some orators would deliberately use one genre to accomplish the purpose of a different genre.213 Black writes, <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">The distinction between judicial, deliberative, and epideictic discourse is not hard and fast. Quintilian ( <i>Inst.</i> 3.4.16) admits that the lines between the different species of rhetoric are sometimes blurred: like judicial rhetoric, deliberative discourse often inquires about the past (ibid., 3.8.6), and both species are frequently colored by epideictic concerns (ibid., 3.7.28; 3.8.15). In both theory and practice, the identification of the species of rhetoric affords a relative, not an absolute, indication of the primary intentions of a speech."214 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Several facts suggest that categorizing Hebrews into a rhetorical genre is an exercise of dubious value: <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l3 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">The three-part scheme was not designed to cover letters, didactic or religious messages. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l3 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">The scheme was designed to guide the creation of messages, not to analyze the results. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l3 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Genres were flexible, often mixed, and could be used outside of their primary purpose.215 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l3 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">The rhetoric of Hebrews may be influenced by Jewish tradition as well as Greek styles. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt 72pt; mso-list: l3 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-indent: -18pt;"><span style="font-size: large;"><span lang="EN-US" style="font-family: Symbol; mso-ansi-language: EN-US; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol; mso-fareast-language: PT-BR;"><span style="mso-list: Ignore;">·<span style="font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">The evident lack of agreement among scholars as to which genre Hebrews is.216 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Lane concludes, "Hebrews cannot be forced into the mold of a classical speech."217 Guthrie says it well: "Hebrews is not easily categorized according to any one speech form of ancient Greek rhetoric.... While the speech forms in the classical handbooks were crafted in the judicial and political spheres, the book of Hebrews has the characteristics of the hellenistic synagogue homily. This form, while containing a wide range of rhetorical features described in the Greek handbooks, can not be forced into the mold of a classical speech. Rather, the author's means of argument follow the rhetorical and exegetical skills of the rabbis."218 And what Olbricht says about another letter applies as well to Hebrews: "Must we force 1 Thessalonians into one of the categories, regardless? In the spirit of Aristotle, I think not; rather, we should add a genre."219 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">Further, Kennedy admits, "In general, identification of genre is not a crucial factor in understanding how rhetoric actually works in units of the New Testament."220 The purpose of a written work must be ascertained before a genre can be assigned; hence the genre is a label at the end of a process, not a help toward anything else.221 Assigning a genre is a NT version of form criticism, which Muilenburg found inadequate. As Classen says, "A term alone does not really assist one in understanding the letter's intention or any of its details."222 Malina agrees: "To mark off a pattern still does not yield information about the meaning of the pattern."223 Watson concludes, "Making Hebrews conform to the typical elements of arrangement now seems forced.... There is a move beyond simplistic labeling of a New Testament letter as one of the three rhetorical species. It is recognized that these letters are mixed letters, that is, they use all three species of rhetoric."224 <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><span style="font-size: large;">In summary, Hebrews should be analyzed on its own terms, not forced into a mold it may not fit. Rhetorical criticism, with its interest in argumentation and the persuasive influence of the text upon the audience, can help scholars investigate how a text communicates its message. <o:p></o:p></span></span></div><span style="font-size: large;"><div style="text-align: justify;"><br />
</div></span><div class="MsoNormal" style="margin: 0cm 0cm 10pt; text-align: justify;"><br />
</div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-63402514526143492112011-12-31T17:29:00.000-08:002011-12-31T17:30:36.863-08:00Tradução em língua portuguesa da tragédia "Medéia", de Sêneca<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/--IGN_DAlcBM/Tv-2bMvkn_I/AAAAAAAAAwc/iobmcpDg8ok/s1600/Beaux-Arts_Nancy_Klagmann_50108_B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://2.bp.blogspot.com/--IGN_DAlcBM/Tv-2bMvkn_I/AAAAAAAAAwc/iobmcpDg8ok/s320/Beaux-Arts_Nancy_Klagmann_50108_B.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em>Medéia</em>,<br />
detalhe de uma pintura de Henri Klagmann, <br />
Nancy, Musée des Beaux-Arts</td></tr>
</tbody></table><a href="https://bdigital.sib.uc.pt/jspui/bitstream/123456789/69/1/medeia.pdf">https://bdigital.sib.uc.pt/jspui/bitstream/123456789/69/1/medeia.pdf</a>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-24936954645952638082011-12-31T14:22:00.000-08:002011-12-31T14:26:03.102-08:00Sofocle, Edipo Re<div class="separator" style="clear: both; text-align: center;"><object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://3.gvt0.com/vi/a_iUhvKwLUc/0.jpg" height="266" width="320"><param name="movie" value="http://www.youtube.com/v/a_iUhvKwLUc&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><embed width="320" height="266" src="http://www.youtube.com/v/a_iUhvKwLUc&fs=1&source=uds" type="application/x-shockwave-flash"></embed></object></div><div class="separator" style="clear: both; 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text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/R9tEviiRVtA?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/iAD2P-3sAEI?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/g31tB4IPyaM?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/O2j07G9OtHs?feature=player_embedded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;">(traduzione e coordinamento teatrale di Orazio Costa Giovangigli)</div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-90359620570869473022011-12-30T13:49:00.000-08:002011-12-30T13:58:25.565-08:00Ettore Paratore, STORIA DEL TEATRO LATINO<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-IwgrQeButYs/Tv4Y6WyK-uI/AAAAAAAAAwQ/1Zs5gPo4YAo/s1600/storia-teatro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-IwgrQeButYs/Tv4Y6WyK-uI/AAAAAAAAAwQ/1Zs5gPo4YAo/s320/storia-teatro.jpg" width="230" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;">APRESENTAÇÃO</div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Na convicção de que uma das melhores maneiras de honrar um Mestre - e Ettore Paratore foi um dos maiores do século XX - seja contribuir na perpetuação de sua docência através da publicação de suas obras, o Departamento de Filologia Grega e Latina da Faculdade de Letras e Filosofia da Universidade de Roma "La Sapienza" - justamente a faculdade em que lecionou por mais de trinta anos - decidiu cuidar da reedição da <em>Storia del teatro </em>Latino, uma das obras mais prestigiosas e envolventes do estudioso, na qual, com particular sugestão se manifesta o seu temperamento de fino leitor e de genial interprete das letras latinas. O obra apareceu em 1957 (Casa editora Francesco Vallardi) em um período de extraordinário e intenso fervor criativo: entre os escritos de amplo respiro bastará recordar a <em>Storia della letteratura </em>latina (Firenze 1950), com a qual a <em>Storia del teatro </em>Latino condivide plenamente as duas colunas metodológico-exegéticas da pesquisa de Paratore: de um lado, a necessidade de não isolar os fenômenos literários em uma contemplação estética fechada em si mesma, mas, ao contrário, de inserí-los nos relativos contextos históricos e culturais, organicamente indagados em seus múltiplos aspectos - também no respeito da especificidade exclusiva do mundo interior de cada autor e na consciência (já evidenciada por Paratore na introdução à <em>Storia del teatro Latino</em>) da clara diferença entre o espírito "popular" da produção teatral dos Gregos, principalmente em Atenas, e o espírito predominantemente "elitista" da produção teatral em Roma -, e de conectá-los estreitamente à dinâmica dos vários gêneros literários; de outro lado, a íntima e convicta certeza - proclamada sempre com brilhante veemência argumentativa contra os antiquados e desgastados preconceitos, quer de uma ingênua concepção romântica da literatura, quer de um míope positivismo obscurecido por uma <em>Quellenforschung </em>com fim em si mesma - sobre a originalidade dos escritores latinos em relação aos igualmente imponentes modelos gregos: uma originalidade não somente sustentada em nome de uma refinada sensibilidade artística, mas também historicamente correlacionada aos princípios fundamentais da mesma poética clássica, a qual reconhecia a mais autêntica marca da personalidade não certamente na objetiva novidade dos conteúdos, mas na unicidade da reinterpretação ideológica, sentimental, expressiva; e em um <em>genus </em>como o teatral, no qual os débitos temáticos, formais, de conteúdo, dos Romanos em relação aos Gregos resultam mais evidentes e consistentes, a reivindicação de tal originalidade é constantemente um dos pontos fortes da análise, sem que sejam subvalorizados os laços com a cultura helênica: os autores emergem, com os seus respectivos traços, não enquanto "imitadores", mas como "homens de teatro", com uma pessoal e forte autonomia artística. Paratore expôs suas idéias sobre o teatro Romano em modo pessoal e peculiar de seu <em>ingenium </em>crítico. Nessas páginas, por exemplo, seriam em vão procurar informações "didascálicas", como as tramas dos dramas, enquanto, por outro lado, são minuciosamente aprofundados os problemas da cronologia, sobretudo em relação às comédias de Plauto e as tragédias de Sêneca; também porque era importante para o estudioso assinalar as linhas de uma evolução, seja no conjunto da produção destinada ao teatro, seja na maturação das várias personalidades artísticas. [...]</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">(da apresentação do livro <em>Storia de teatro Latino</em>, p. IX-X, por Leopoldo Gamberale e Antonio Marchetta)</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Tradução: AVRELIVS</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">INDICE:</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">VIII: <em>Presentazione</em></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>3: </em>Introduzione</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Capitolo primo: Le origini</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>11</em>: L'influsso etrusco</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>15</em>: I fescennini</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>18</em>: La "satura"</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>19</em>: L'atellana</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>25</em>: Il mimo</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Capitolo secondo: L'organizzazione teatrale in Roma</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>29</em>: Autori, attori e organizzazione dello spettacolo</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>35</em>: I costumi</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>40</em>: Struttura delle opere</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>54</em>: I teatri</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>58</em>: I "ludi"</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Capitolo terzo: Il grande periodo del teatro romano</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>63</em>: Prima fase: da Livio Andronico a Plauto</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>66</em>: Livio Andronico</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>72</em>: Nevio</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>85</em>: Plauto</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Capitolo quarto: Il grande periodo del teatro romano (II)</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>147</em>: Seconda fase: da Ennio all'età sillana</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>149</em>: Ennio</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>155</em>: Pacuvio</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>160</em>: Cecilio Stazio e gli autori minori di "palliatae"</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>171</em>: Terenzio</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>206</em>: Accio</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>210</em>: La "fabula togata"</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>217</em>: L' "atellana" letteraria</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Capitolo quinto: Età di Cesare</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>221</em>: Gli spettacoli. La creazione del teatro stabile</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>223</em>: Le forme tradizionali del teatro letterario</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>224</em>: Il mimo</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Capitolo sesto: L'età imperiale</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>229</em>: L'etá di Augusto: gli autori</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>236</em>: L'età di Augusto: lo sviluppo dell'idilizia teatrale</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>240</em>: La vita teatrale nei secoli successivi</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>245</em>: L'attività poetica prima di Seneca</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>248</em>: Seneca</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>291</em>: Ultimi guizzi</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>297</em>: Bibliografia generale</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;">Appendice</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>301</em>: I. Postilla sulla "Storia del teatro latino"</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>317</em>: II. Il flautista nel Δύσκολος e nel <em>Pseudolus</em></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>333</em>: III. Plauto imitatore di se stesso</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>369</em>: IV. <em>Antestor </em>nel <em>Curculio</em> e nel <em>Poenulus</em></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>391</em>: V. Studi sulla <em>Palliata</em> </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>413</em>: VI. Avventure di lettura, di ascolto e di scrittura</span></div><div class="separator" style="clear: both; text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: large;"><em>433</em>: Indice dei luoghi, dei manoscritti, dei nomi</span></div><div class="separator" style="clear: both; text-align: justify;"></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com3tag:blogger.com,1999:blog-2877933177833894596.post-35662808136520353932011-12-30T11:31:00.000-08:002011-12-30T11:49:43.226-08:00Classical Faculty Library, University of CambridgePara quem planeja estudar Letras Clássicas no exterior, fica a dica:<br />
<a href="http://www.classics.cam.ac.uk/Library/">http://www.classics.cam.ac.uk/Library/</a><br />
<br />
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margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-6N0tREh34f8/Tv4Q-oWLycI/AAAAAAAAAvs/wwCnyvF0xZo/s320/180830_10150162276025649_175884895648_7981495_4431985_n.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-RiNP9rZpjOA/Tv4RCzAKKRI/AAAAAAAAAv4/xB9m6NFdVjw/s1600/180830_10150162276030649_175884895648_7981496_5355676_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://3.bp.blogspot.com/-RiNP9rZpjOA/Tv4RCzAKKRI/AAAAAAAAAv4/xB9m6NFdVjw/s320/180830_10150162276030649_175884895648_7981496_5355676_n.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-SLBMi8eDjAQ/Tv4RJ-K1svI/AAAAAAAAAwE/hIdw22CRFDY/s1600/183886_10150162276855649_175884895648_7981509_7532237_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://1.bp.blogspot.com/-SLBMi8eDjAQ/Tv4RJ-K1svI/AAAAAAAAAwE/hIdw22CRFDY/s320/183886_10150162276855649_175884895648_7981509_7532237_n.jpg" width="320" /></a></div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0tag:blogger.com,1999:blog-2877933177833894596.post-3898724341118355542011-12-29T09:56:00.000-08:002011-12-29T10:13:09.232-08:00...non si traduce (II)<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-_U20WuXMY4w/Tvyov86kMwI/AAAAAAAAAq0/eHazHv5dWKw/s1600/James_Boswell_by_Sir_Joshua_Reynolds.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://1.bp.blogspot.com/-_U20WuXMY4w/Tvyov86kMwI/AAAAAAAAAq0/eHazHv5dWKw/s320/James_Boswell_by_Sir_Joshua_Reynolds.jpg" width="264" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">James Boswell <br />
in un dipinto di Sir Joshua Reynolds</td></tr>
</tbody></table><div style="text-align: center;"><span style="font-size: large;">“Omero suona il fagotto,<br />
e Pope nel tradurlo suona lo zufolo” </span></div><div style="text-align: center;"><br />
</div>AVRELIVShttp://www.blogger.com/profile/11531766262333100936noreply@blogger.com0